Quotes of All Topics . Occasions . Authors
Those who use 'Correlation is not the same as causation' as a magic incantation to dismiss all fact-using professions are fools holding a lit match in one hand and an open gas can in the other, screaming, 'One has nothing to do with the other!'
I think the audience doesn't know a movie's lit, but they feel it. Because you've walked in a forest many times, or in a park, so you know how it looks. When you start lighting, subconsciously you know there is something that is absolutely wrong.
I was a 'reverence for life' man - 'see life steadily and see it whole' - in my days as a lecturer in English lit. We are, I argued, if not exactly 'saved' by reading, at least partially 'repaired' by it: made the better morally and existentially.
I just save my money, man. I don't even try to enjoy it like these other rappers; they having fun and they lit, but they gon' be broke later on. I be savin', I be chillin'. It feels good to know I got it, but it feel better to know I'ma keep it too.
In a world lit by data, street corners are painted with contextual information, automobiles can navigate autonomously, thermostats respond to patterns of activity, and retail outlets change as rapidly (and individually) as search results from Google.
Going to high school in rural Florida, we always partied down in the woods. Somebody - one of the rednecks - would leave class and mow a path out to a field, and we'd drive out there. Dude, every party I went to was lit by a bonfire. Acoustic guitar.
Basically what I'm trying to tell you is that it's almost impossible to drive a jet ski at night time unless you're in a city with lights lit up so you can navigate. Besides being pitch black, that water turn black at night. Listen, I don't recommend it.
Ironically, being a coach on 'The Voice' and spending time with those kids, Xenia and Dia especially, I learned a lot about myself. It reminded me how lucky I am that this happened for me, and it kind of lit the spark inside me again for my love of music.
If I'm desperate, I'll read anything. But even when I can be choosy, I still have no hard-and-fast rules. I have rules about what I won't read, rather than what I will. No science fiction, no romance, no chick lit. Although even these rules can be broken.
I know that organic farms can be industrial and just as large and impersonal as conventional farms. Sometimes the free-range chickens aren't even allowed outside, and so they cluck-walk packed tight in a dim lit barn. But organic farms use fewer chemicals.
What I find weird is that the term 'chick lit' is used to encompass literally anything a woman writes about relationships. It's the assumption that because you're female, you must write in a certain way. I don't understand why that is - it is a bit demeaning.
The way you speak should not determine your intelligence. I should be able to say 'lit,' and you still know I'm intelligent. I should be able to say 'turn up,' and that doesn't take away from my intelligence. I wanted to break down that stereotype a little bit.
We were playing a small club in San Diego and the power had gone out in the building. Eddie had a lighter and kept us lit backstage. We became very good friends and spent a lot of time together including hearing Eddie sing in some of the bands he was in at the time.
I always thought 'chick lit' meant third-person contemporary funny novels, dealing with issues of the day. I mean, it's not the ideal term; when I'm asked to describe what I do, I say I write romantic comedies, cause that's what I feel they are. But I'm quite pragmatic.
I remember in 1967, when there was that terrible fire on NASA's Apollo 1 rocket that killed three astronauts, my father made pure oxygen and we lit this tiny cup and burned it. Suddenly, we had an unbelievable jet and a fire. You just could see exactly what had happened.
It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated.
A poet could write volumes about diners, because they're so beautiful. They're brightly lit, with chrome and booths and Naugahyde and great waitresses. Now, it might not be so great in the health department, but I think diner food is really worth experiencing periodically.
Loser lit antiheroes aren't well intentioned or earnest; they don't care whether you like them or not. They're self-mocking, ironic and inventive; they narrate their downfalls with manic wordplay, rampant metaphors, wisecracks, and escalating flights of spleen-fueled lyricism.
I do not like bad photographs. I don't like to be badly lit. There is a fashion, particularly on stage, for very 'toppy' lighting, which makes a child look 50. Ten o'clock is very good. If someone is taking a picture, you say, 'Lamps at 10 o'clock,' then everybody looks lovely.
My brother once lit his leg on fire. And after, when the fire was finally out, his leg was covered in third-degree burns. And we made the decision - or my parents did - not to take him to the hospital but to treat that at home with a salve my mother made of comfrey and lobelia.
In short, Now is Google's attempt at becoming the real time interface to our lives - moving well beyond the siloed confines of 'search' and into the far more ambitious world of 'experience.' As in - every experience one has could well be lit by data delivered through Google Now.
People say 'chick lit,' and what they mean is 'crap.' And so even though you might sell 100,000 copies of a book, you're never going to win a prize. These are books that people don't just read, they devour them - they stay up into the early hours because they want to devour them.
There are so many stories to tell in the worlds of science fiction, the worlds of fantasy and horror that to confine yourself to even doing historical revisionist fiction, whatever you want to call it - mash-ups, gimmick lit, absurdist fiction - I don't know if I want to do that anymore.
If you write chick lit, and if you're a New Yorker, and if your book becomes the topic of pop-culture fascination, the paper might make dismissive and ignorant mention of your book. If you write romance, forget about it. You'll be lucky if they spell your name right on the bestseller list.
There's one part of the forest in Wales, it's like a natural bowl, and when we drove into it last time, it was getting dark. And as you came over the hill you could see fireworks being set off, the whole place was lit up and you could see this huge crowd all jumping up and down and cheering.
As a college freshman with an on-campus job, I was delivering paperwork to the engineering department one day. There, I encountered two department assistants whose faces lit up with the hope that I was a prospective student. I hadn't come there to enroll, but their reactions piqued my interest.
My father was among the first of his generation to look into writers who've become part of the American lit. canon. When he wrote his master's thesis on William Faulkner in the Forties, he couldn't find anybody on the faculty at Columbia University to oversee it because they didn't read Faulkner.
Especially with Instagram, I feel reluctant to make all the photos beautiful because I don't necessarily want to send this message that life is perfect and your avocado toast is always going to be beautifully lit. I want readers to feel like the Man Repeller page is real and kind of dirty. Messy.
My foray into young adult lit was by no means planned. I wrote the first 'Alfred Kropp' book as an adult novel, which everyone loved but no one would publish - until I changed my protagonist from a thirty-something P.I. into a 15-year-old kid. After that, it was off to the races, and I am so glad.
Like most lit nerds, I'm a voracious reader. I never got enough poetry under my belt growing up but I do read it - some of my favorites, Gina Franco and Angela Shaw and Cornelius Eady and Kevin Young, remind me daily that unless the words sing and dance, what's the use of putting them down on paper.
Much-derided chick lit, chick flicks, and chick magazines have left ambitious women in a bind. Why is it that I, a young woman, can read 'GQ,' enjoy 'Fight Club,' and subscribe to 'Thrillist,' while the idea of a guy doing the same with 'Glamour,' '27 Dresses' and 'Daily Candy' is nearly unheard of?
We have to rethink the way we light our cities. We have to think again about light as a default solution. Why are all these motorways permanently lit? Is it really needed? Can we maybe be much more selective and create better environments that also benefit from darkness? Can we be more gentle with light?
The struggle for Zimbabwe lit up the imagination of people around the world. In London, New York, Accra and Lagos, bell-bottomed men and women with big hair and towering platform shoes sang the dream of Zimbabwe in the words of the eponymous song by Bob Marley: Every man has the right to decide his own destiny.
Once I was hosting an important dinner party at our house - everything was perfect, candles were lit, the house smelled amazing with great food and drinks ready. We lit a fire and the flue wasn't able to open, unbeknownst to us. We smoked out the entire house and the fire department had to come - it was a mess.
That whole idea of chick lit being a thing that you just lump all the commercial female writers into - it went on for years.I'd switch on the radio, and I'd hear, 'Two female authors are here to discuss chick lit - is it dead?' and I'd think, 'Argh, no, not again. Are we seriously still having this conversation?'
At first blush, it seems odd that loser lit books are rejected initially, then go on to be fiercely loved by legions of readers. This apparent contradiction might be due to the fact that if they didn't screw up their lives, most losers would be the kind of power-elite, Type A go-getters whom readers love to hate.
I teach a lot of graduate creative writing classes, and on the first day, I like to go around the room and ask everybody what's the last book you've read that you really loved. And all of the women tend to give me chick lit titles. And to me, that's sort of disappointing because it's their only exposure to fiction somehow.
I was at Sussex University studying English lit and philosophy, I had two essays due in and three seminars that day, and at the same time I was messaging my manager because I'd just started to put together the pieces of like, 'Wow. I really don't want to be doing any essays anymore. Why don't I just give this music thing a go?'
I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.
I believe that Senate Bill 1070 lit America on fire. I think we've all realized exactly what the situation is. And the people of Arizona have lived with these porous borders and illegal immigration into our state and that people throughout America realize that. Everybody understands the problem except the president of the United States.
You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.