Quotes of All Topics . Occasions . Authors
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
After listening to modern tirades against the great creeds of the Church, one receives a shock when one turns to the Westminster Confession... and discovers that in doing so one has turned from shallow modern phrases to a "dead orthodoxy" that is pulsating with life in every word. In such orthodoxy there is life enough to set the whole world aglow with Christian love.
One day when Thomas Aquinas was preaching to the local populace on the love of God, he saw an old woman listening attentively to his every word. And inspired by her eagerness to learn more about her God whom she loved so dearly, he said to the people: It is better to be this unlearned woman, loving God with all her heart, than the most learned theologian lacking love.
When you listen to the Anthology of American Folk Music, or anything like that - a compilation of garage bands from the Northeast in the early '60s - you're not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You're just listening to the song and whether or not it has a hook.
I knew it straight away when Twitter first came around, and also Facebook, where it was so easy to post, that this was another way to speak directly with people listening to my music. If they found my music and they like it, most likely they want to hear more from me and hear what I'm about. I've put an enormous amount of time into that and it's played out well for me.
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. We could say things and people will catch them. That couldn't happen at a festival because nobody would catch it. I also like that in a smaller space people can be talking to each other and listening to the music; they don't have to be watching you the whole time.
The fifth doorway to experiencing Love for No Reason is the Doorway of Communication, which corresponds to the energy center located in the throat area. This doorway relates to speaking and listening with compassion, rather than judgment. There are some wonderful tools and techniques available to help us speak and listen with compassion that I've included in this chapter.
Deep Listening is listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, or one's own thoughts as well as musical sounds. Deep Listening represents a heightened state of awareness and connects to all that there is. As a composer I make my music through Deep Listening
In my lifetime I have seen democracy begin to expand, not only to include those who have been excluded, but to provide a listening arena, a vocabulary, an intelligent reception for stories that have been buried. Not just stories of the disenfranchised and the marginalized, but marginalized and disenfranchised histories even in the lives of the accepted and the privileged.
What connects architecture and music is that neither one is really an object. It's more like an ambience, a surrounding and a context. You can do other things while you're listening to music and of course, you can do other things while you're in the middle of architecture. The notion of multi-attention seems to me like it's the keynote to the beginning of the 21st century.
The fact that we have not yet found the slightest evidence for life - much less intelligence - beyond this Earth does not surprise or disappoint me in the least. Our technology must still be laughably primitive, we may be like jungle savages listening for the throbbing of tom-toms while the ether around them carries more words per second than they could utter in a lifetime.
I'm interested is the oblique as a concept deeply connected to human lived experience, not separate from it. I was listening to an interview with film director Stephen Frears on NPR the other day and he said, "People's lives are never what you think they are," or something like that. Human lives are oblique. It makes sense to me that attending to them in language is as well.
In fact, now for whatever reason, if we're recording in the same room, I get a little distracted because I'm watching the actor instead of listening to the actor. The way we do it now, they're on the phone, and we're sitting here with scripts in front of us taking notes seriously and marking takes and doing some adlibs. I can really focus on the words and not the surroundings.
If you visit a temple, you can see pictures of God, you can see the Deity form of the Lord, and you can just hear Him by listening to yourself and others say the mantra. It's just a way of realizing that all the senses can be applied toward perceiving God, and it makes it that much more appealing, seeing the pictures, hearing the mantra, smelling the incense, flowers, and so on.
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
Dexter thrust a pamphlet into Samuel's hand. "Greenstreet Mission. We're doing a Christmas dinner. You can get a meal and hear the word of God." Samuel smiled in relief. This, finally, he understood. "Which word?" "What?" "Well, God's said a lot of words, you know, and a word like 'it' or 'the' wouldn't be worth hearing again but its always fun listening to Him try and say aluminum.
Rick Nielsen, Angus Young. Huge Eddie Van Halen fan when I was younger. Jimmy Page is an enormous one who impacts me. When you grow up with classic rock like that and then you get into punk rock, you defy your roots and where you came from. I never really went through that. Even when I started listening to the Clash or the Sex Pistols, I still always listened to Led Zeppelin or Kiss.
There are only two answers for the handling of people from 2.0 down on the Tone Scale, neither one of which has anything to do with reasoning with them or listening to their justification of their acts. The first is to raise them on the Tone Scale by un-enturbulating some of their theta by any one of the three valid processes. The other is to dispose of them quietly and without sorrow.
Very close by the CMS shops, hidden about a quarter mile away in the woods, was the prison's rifle range. Correctional officers could spend quality time with their firearms down there, and the hammering of multiple rounds was typical background noise during our workdays. There was something unsettling about toiling away for a prison while listening to your jailers practice shooting you.
A sermon is a valuable thing now and so impressive when you do hear a good one - and there is a lot of failure in the attempt; it's a difficult form - is because it's so seldom true now that you hear people speak under circumstances where they assume they are obliged to speak seriously and in good faith, and the people who hear them are assumed to be listening seriously and in good faith.
I liked AC/DC," Lee said. "If you were going to shoot someone, you'd really want to do it while you were listening to them." "What about the Beatles? Did you feel like shooting anyone listening to them?" Lee considered seriously for a moment, then said, "Myself." At the same time he was laughing, Ig was distressed. Not liking the Beatles was almost as bad as not knowing about them at all.
The inspired moment may sometimes be described as a kind of hallucinatory state of mind: one half of the personality emotes and dictates while the other half listens and notates. The half that listens has better look the other way, had better simulate a half attention only, for the half that dictates is easily disgruntled and avenges itself for too close inspection by fading entirely away.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
Beyond that, it gets down to the nuts and bolts of discipline - not a tradition or genre, I don't care about that, actually - but discipline in the sense of just working on music and working on thinking about music. It doesn't matter if it's jazz or not. It's about how we listen, how we interact, how we guide our attention when we're listening, and how we can refine what we're doing musically.
Consciousness is evolving throughout the universe in billions of forms. So even if we didn't make it, this wouldn't matter on cosmic scale. No gain in consciousness is ever lost, so it would simply express itself through some other form. But the very fact that I am speaking here and you are listening or reading this is a clear sign that the new consciousness is gaining a foothold on the planet.
I hollowed out, stopped listening to music, never picked up a pencil, started slipping into old habits. All of the vibrancy I used to see became de-saturated. Lost Slowly, once I had done enough damage to myself, I began to climb out of the hole. Clean. When I made it out, the only thing left inside was the voice, and for the second time in my life, I no longer ignored it - because it was my own.
Sorry," I said to the Duke. "Eh, it's not your fault. It's Carla's fault. You were turning the wheel. Carla just wasn't listening. I knew I shouldn't have loved her. She's like all the others, Tobin; as soon as I confess my love, she abandons me." I laughed. "I never abandoned you," I said patting on her back. "Yeah, well, (a.) I never confessed my love to you, and (b.) I'm not even female to you.
The older I get, the more I think it's this listening. You listen for it, and you have a bit of patience. And it'll come until it sounds - to me, the best songs I've written, I think, are ones that I can't hear anything - any of myself in it. It sounds like a cover song, like somebody else's song - really something you've stolen wholesale off a radio that you've listened to in someone else's flat.
Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening.
You know, I had a new kind of thought on Black Lives Matter and the All Lives Matter thing. And the best way to explain it is if we're all sitting around at a table having dinner, and everybody gets pie except for you and you say, my pie matters, I don't have pie, and everybody at the table looks at you and says, I know, all pie matters, it shows that the people at the table aren't really listening.
I think whenever Ahmadinejad opens his mouth in forums, especially in front of the U.N. General Assembly, those that are listening, especially Western officials, European, American, even Chinese and Russian officials, I think, after listening to Ahmadinejad, they have even less confidence that there exists a mature political leadership in Iran which is amenable to some type of a diplomatic compromise.
I don't do commentaries on films because A) I'm not very good at it and B) it's an odd thing that I discovered, on my first film, that you go through this really intense experience of making a film and then you sit in a little room with a monitor and you reduce the thing to a bunch of silly anecdotes. It's really unfulfilling and I've never really enjoyed listening to them anyway, so I just don't do them.
Candlesticks and incense not being portable into the maintop, the sailor perceives these decorations to be, on the whole, inessential to a maintop mass. Sails must be set and cables bent, be it never so strict a saint's day; and it is found that no harm comes of it. Absolution on a lee-shore must be had of the breakers, it appears, if at all; and they give plenary and brief without listening to confession.
Ah! realize your youth while you have it. Don’t squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.
Regarding this Dhamma, it is not something that we can simply talk about or take another's word for it. We need to develop meditation so that the understanding arises clearly within oneself. It is not the case that merely by listening to another's explanation our defilements will disappear. When we gain some understanding we need to chew on it again so that we see it for ourselves with certainty: paccattam.
When I was on the set, I was not talking on the phone or reading anything else. I was just reading things, listening to music and watching things that had to do with the state of the scene. So it would be a constant, maintaining for the whole day that state. If I had an hour off for lunch, I would put on a movie or something that would help me stay in that area. And at the end of the day, I was like a zombie.
We're at a time when we are being presented with undeniable changes in the global climate and fundamental issues that affect every single one of us, and it's the time we're listening to the most hokey shite on the radio and watching vacuous bullshit celebrities being vacuous bullshit celebrities and desperately trying to forget about everything. Which is fine, you know, but personally speaking, I can't do that.
People's experiences are all different, and you don't know what the person experienced. They know, but you don't, so I think it's important to listen carefully to what a person has to say. And not to force them into any direction at all but simply to model what you've experienced, model it and also be what I call a Listening Presence. If you're really listening, then some of the barriers can dissolve or change.
When an actor is in the moment, he or she is engaged in listening for the next right thing creatively. When a painter is painting, he or she may begin with a plan, but that plan is soon surrendered to the painting's own plan. This is often expressed as 'The brush takes the next stroke.' In dance, in composition, in sculpture, the experience is the same: we are more the conduit than the creator of what we express
We're all born listeners. And as a result of our modern lives, and living in a world that has less meaning than the natural world that we evolved to hear, we learn to think of listening not as taking in all the information with equal value, which is the definition of true listening. In our modern world, we tend to think of listening as focusing our attention on what is important and filtering out everything else.
They [candidates] say, "I don't want to say anything controversial." And so nobody covers them. Then they blame the journalists, saying "Why don't they write down what I said?" In congressional races, 90 percent of the time the answer is, "Because you are boring and you don't have anything that makes me interested in listening to you. Why the heck should somebody write it down? There's nothing here worth hearing."
As for the influence on my writing,music has definitely influenced how I write. That idea of cadence, repetition, all those elements appear throughout my writing. Drumming has definitely had a huge influence on the way I write, too. Has definitely tuned my ear to rhythm. After I've written something, I'll go through it repeatedly, carefully listening to the construction of the words, seeing, hearing how they flow.
If we try to listen we find it extraordinarily difficult, because we are always projecting our opinions and ideas, our prejudices, our background, our inclinations, our impulses; when they dominate, we hardly listen at all to what is being said...One listens and therefore learns, only in a state of silence, in which this whole background is in abeyance, is quite; then, it seems to me, it is possible to communicate
...we discovered that education is not something which the teacher does, but that it is a natural process which develops spontaneously in the human being. It is not acquired by listening to words, but in virtue of experiences in which the child acts on his environment. The teacher's task is not to talk, but to prepare and arrange a series of motives for cultural activity in a special environment made for the child.
A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
Aside from that i’m an introvert and i’m a quiet person. The benefit of that is I listen. It’s not like my mouth is open and I broadcast everything and i’m drowning everyone out. When I’m listening to the incredible artists I work with and i’m hearing their specialised advice on what they would do with something then we can, all together, as a big collaborative group, all work together to achieve something together.
We think of music as this substance that flows - you turn on the tap, and there it is, streaming off your computer - but that's not how we evolved as a species. We evolved to listen to each other, and the reason we're able to listen to music in the terms is talking about is because we're really good at listening to each other. But this kind of technology has allowed us to forget that music is the sound of each other.
President Bush, whose scorn for journalists is balanced by a soft spot in his heart for the conglomerates they work for, threatens to veto the Senate action. Keep in mind that when the public was asked to submit comments to the FCC about consolidation, only one percent approved it. The President may not be listening, but the Senate is, and the public won this round. The House has a similar resolution under consideration.
For Adam, screwed-up bonding thing or not, I’d wait forever. “Really?” he asked in a tone I’d never heard from him before. Softer. Vulnerable. Adam didn’t do vulnerable. “Really what?” I asked. “Despite the way our bond scares you, despite the way someone in the pack played you, you’d still have me?” He'd been listening to my thoughts. This time it didn't bother me. “Adam,” I told him, “I’d walk barefoot over hot coals for you.