Quotes of All Topics . Occasions . Authors
When you go to church you are really listening-in to the secret wireless from out friends: that is why the enemy is so anxious to prevent us from going. He does it by playing on our conceit and laziness and intellectual snobbery.
But the ear, let us not forget, starts operating on the forty-fifth day of the pregnancy of a woman. Seven and a half months advance over the eye...(but) what do we do in our society, in our civilisation, to continue this process?
I remember when my father was dying, I remember listening to Bjork, and listening to John Coltrane, and these things, and I don't know why but music has the power to transcend your physical being and take you up just a little bit.
I'm too busy playing. When I'm playing I don't pay attention to who's listening. When I was listening I listened to symphony orchestras, Beethoven, Bach, Brahms, Stravinsky. You don't listen to one instrument; you listen to music.
The first service that one owes to others in the fellowship consists of listening to them. Just as love of God begins with listening to his word, so the beginning of love for our brothers and sisters is learning to listen to them.
This is the sense in which I am obliged to be a listener. To listen to the student's doubts, fears, and incompetencies that are part of the learning process. It is in listening to the student that I learn to speak with him or her.
When I look at comedy, it's all self-expression. I apply that same method to my music. I came up listening to N.W.A and Snoop. Like them, it's in me to express how I feel. You might like it or you might not, but I take that stand.
I make documentaries from time to time to remind myself of reality. It's like musicians doing scales to keep their fingers working: when you're in the street, listening to people, you're forced to be in the service of your subject.
London audiences are tricky, too. They don't laugh as much as the Northern audiences because, and I hate to say this, they are a bit cleverer normally, and they are picking up on all the little details and listening more carefully.
I think we all have a little voice inside us that will guide us. It may be God, I don't know. But I think that if we shut out all the noise and clutter from our lives and listen to that voice, it will tell us the right thing to do.
A lot of my musical education was done simply by listening. If you really want to excel on your instrument, it's almost impossible to not develop and analyze what you see and hear and to incorporate all of it into your own playing.
Christians have forgotten that the ministry of listening has been committed to them by Him who is Himself the great listener and whose work they should share. We should listen with the ears of God that we may speak the Word of God.
My concern with this approach is that music becomes a substance devoid of people. It's a consumer model of what music is: subjects listening to objects. For me, music is subjects listening to subjects. It's about intersubjectivity.
That's one of the most exciting things for me about listening to records: It's a moment in time, and the less it's messed with the more powerful it is. I wanted at least one song on the record to be just completely about the moment.
When the audience begins to see the sunrise on that it's hard for them to turn away from it because they're listening to a man talking to them from over a century ago. And nothing has changed. So what are you going to do about that?
I have to concentrate more intently when people speak. I always have to position myself on their right side so that I can hear out of my left ear. I sometimes get a crick in my neck from listening. But I don't there's too much else.
I was really selfish, and I didn't want to listen to anyone. Then I started working with some really amazing people, traveling more, and figuring out who I was as a person - looking at different things, listening to different music.
The medium of podcasting and the personal nature of it, the relationship you build with your listeners and the relationship they have with you - they could be just sitting there, chuckling and listening... there's nothing like that.
With the '60s era and Motown, my grandparents actually introduced us to that when I was younger, so I grew up listening to the Jackson Five, Aretha Franklin, The Temptations, The Supremes and Diana Ross' solo stuff. I just loved it.
When I was in my early teens, I joined a cult. And we weren't allowed to listen to secular music or anything that wasn't made by us. So I spent a lot of time not listening to music, and by the time I could, I just didn't get into it.
There is nothing new, from Greek mythology to Shakespeare to every romcom ever made, we're just reimagining the same 12 story plots over and over again - so what makes people keep watching and listening? It's all about the character.
If I said who I was influenced by, it would be really weird and pretentious because it would be people who have nothing to do with what I do. From a listening perspective, there's just something in their playing that I'm inspired by.
Like trillions of others, if it wasn't for Bob Dylan, it would have been a different musical landscape. Pop music wouldn't have been my thing at all. I did also grow up listening to The Beatles, but I never thought of being a Beatle.
If you ask me about music and how things should be played, I believe that music-making is the combination of having learned how to do something right, what one feels is right to do in the moment, and the way the audience is listening.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
Insight into character comes from listening intently to the spoken word. The physical person, their charisma, charm and dramatic flair is more often used to persuade audiences, as they use these stealth tools of disguise and deception.
You have to begin by posing questions to your unconscious mind, and then listening very carefully for the answers. If you pose the right kinds of questions, and listen well, you can begin to tap into the power of your unconscious mind.
You who are journalists, writers, citizens, you have the right and duty to say to those you have elected that they must practice mindfulness, calm and deep listening, and loving speech. This is universal thing, taught by all religions.
I had been listening to Jackson Browne, The Eagles, and Linda Ronstadt. Ramones was not my kind of music. Now, I'm a huge fan and I get it. I wasn't initially a punk-rock fan. Now, I can appreciate what they stood for and who they were.
I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.
Dante Alighieri is a universal poet, and great creators, they are writing for everybody always. Every single verse is very moving, and the beauty - if we don't understand, we just stay listening to the sound and it's like hearing music.
The biggest problem is always getting hits. That's the one thing that has never changed. The way of delivering music has changed, the way of listening to it has changed, the way of distributing it has changed, but it's always the music.
I try to forget about the expectation that's out there and the audience listening for the next thing so that I'm not trying to please them. I've spent a huge amount of time not communicating with those folks and denying that they exist.
A majority of American citizens are now becoming skeptical of the claim that our carbon footprints, resulting from our use of fossil fuels, are going to lead to climatic calamities. But governments are not yet listening to the citizens.
Their [the evangelicals'] success also points to a hunger for the product they are selling, a hunger that goes beyond any particular issue or cause... They need an assurance that somebody out there cares about them, is listening to them.
I love when I reach Marcus on the phone and as he says hello, I can hear the music he's listening to in the background. That music is the sound of him without me. How he surrounds himself when I'm not there, which is almost all the time.
No one is murdered in Hungary and there are no illegal arrests, but people have begun again, when they talk to you in a public place looking around to see who's listening. You see that in Slovakia, you're beginning to see that in Poland.
Ears are made not for hearing but for listening. Listening is an active skill, whereas hearing is passive. Listening is something that we have to work at - it's a relationship with sound. And yet, it's a skill that none of us are taught.
As a businesswoman you have to be open. I'm always open to listening and learning and considering. However, I don't look at business as anything other than a partnership. And in any partnership both parties need to leave the table happy.
Staying healthy is about really listening to your mind and body. They will both let you know when you're doing things the right way for you. And when you're not. You just need to be honest with yourself and listen to what they're saying.
If I make a movie that has a whole bunch of music in it, I get to listen to the music all day long, and I don't have to say, 'Well, I gotta go back to work and I gotta stop listening to the music.' I get to listen to music and go to work.
Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.
My approach with actors is to try and give them whatever it is they need from me. Direction to me is about listening and responding and realizing how much they need to know from me and how much they have figured out for themselves, really.
In a way, I have to have a dictatorship. I can't be told that I'm wrong. That conflicts with what I was saying earlier about listening. It isn't to do with receiving criticism and responding to other views, it's who has that last decision.
Near-death experiences release a lot of endorphins, resulting in a natural high," Tod whispered. "And it's totally true that one passion feeds another." "You know we're way past 'near-death', right?" "My endorphins aren't listening to you.
If somebody told me, "Not a good idea," I would've said, "No, it's probably a good idea if you get drunk with me." I would've flipped it around on them. There was no way you could tell me anything. I wasn't listening to any type of reason.
Last of all came the cat, who looked round, as usual, for the warmest place, and finally squeezed herself in between Boxer and Clover; there she purred contentedly throughout Major's speech without listening to a word of what he was saying.
There's a reason poets often say, 'Poetry saved my life,' for often the blank page is the only one listening to the soul's suffering, the only one registering the story completely, the only one receiving all softly and without condemnation.
Listening is a very active awareness of the coming together of at least two lives. Listening, as far as I'm concerned, is certainly a prerequisite of love. One of the most essential ways of saying 'I love you' is being a receptive listener.
Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.