We're hoping that fans who have listened for a while, or only know the singles will be like, 'Damn, man, I didn't realize track 9 on 'Catalyst,' I didn't realize how awesome that song is.'

My younger brother Avishai was my first influence. He picked up the trumpet, and I listened to him. The way he played - with the half valves and the smears - made me want to play like him.

I don't really listen to bassists - not anymore. When I was younger, I listened to those guys and was trying to figure out everything they did. Nowadays, I draw inspiration from everybody.

The 'Maybe Memories' album I remember having and listening until it broke. I remember it skipped one day; two or three songs wouldn't play on my CD player because I listened to it so much.

So I went out and bought Hard Again by Muddy Waters. That was a big learning curve. I listened to that album again and again and again. James Cotton was the harmonica player on that album.

Dad was an outstanding leader. He'd bring in top thinkers from a wide array of fields - how to fix the Detroit schools, for example. I watched him in these meetings. He listened and probed.

Imagine if everyone was able to help just one child who needs to be listened to, needs to be respected, and needs to be loved - we could make such a huge difference for an entire generation.

I always say the person who taught me how to sing indirectly because I listened to her all the time was Brandy. I fell in love with her voice when I was six years old. I always loved Brandy.

I listened to classic rock and roll, and punk rock. 'Goon Squad' provides a pretty accurate playlist of my teenage years, though it leaves out 'The Who,' which was my absolute favorite band.

I listened to John Denver and Simon & Garfunkel. Edith Piaf was a huge favourite. Then I discovered musicals - I loved 'Les Miserables' - and, at about 14, I started listening to David Gray.

I turned popular music on the radio, and I never listened to it again after that, in about 1985. That's when I switched over to classical music, and I pretty much stayed with that since then.

I'm all about unity and loving your neighbor... If somebody told me when I was growing up that the music I was listening to was stupid, and I listened to them, I wouldn't be where I am today.

Every time I tried writing my own songs, they would come out very country. I couldn't fight it, and the more I listened to country music, the more I loved it, and it just became very natural.

I was into punk rock my whole life. I never listened to the Eagles. I never listened to things that were getting Grammys. So getting a Grammy nomination wasn't bad, it just wasn't meaningful.

All the music I listened to in high school that I loved and that moved me wasn't the same music other kids were listening to in school. I got into punk rock and new wave, then dub and hip-hop.

I listened to the radio, so I was influenced by everyone from Michael Jackson to Milli Vanilli. But thankfully my dad had a collection of Cat Stevens albums while my mom was listening to jazz.

The only album that I listen to upon recording a new one is my 'Cry' album, because sonically, I think it's my best album to date. But other than that, I've never listened to my records, ever.

Both my parents are artists, so that just makes me look at everything slightly different. I listened to different music; I dressed differently. So I kind of grew up without following the pack.

The voice of women, the voice of those most closely involved in bringing forth new life, has not always been listened to when it pleaded and implored against the waste of life in war after war.

It's interesting, as I said on the last tour in America, the audience actually came out, they had to have been the kind of fans who listened to my music via their parents, you know what I mean?

I wasn't good in school. I didn't do sports. I sat in the bedroom and listened to records. Because the Beatles did whatever they wanted to, I took that as a kid and said, 'That's what rock is.'

My days of being the tardy employee at the record store gave me a cultural and musical understanding that was more unique than if I'd just listened to garbage-y pop on the radio my entire life.

I don't have any connection to Portuguese, but I listened to a lot of music in other languages because I was really into house music; there are all sorts of languages that are featured in house.

One day there were two out in the ninth, and I hit a pop fly so high that the fans got tired of waiting for it to come down. So they all went home and listened to it drop by turning on the radio.

I don't know how well I work in traditions. I don't know if it's just the way I listened to music growing up and never having my foot in one particular world, and just wanting to do my own thing.

I love early blues like Bessie Smith, Muddy Waters, and Howlin' Wolf. I listened to the way these people sang, and it was just beautiful - straight from the soul. That, for me, was an inspiration.

I've sat down with Donald Trump in an hour-and-a-half-long meeting with several of the representatives; he was very engaging. He listened to our concerns and our thoughts. I find him very parental.

Eric Clapton and Jeff Beck made me an Anglophile. I listened to English and Irish artists as a kid, and they were way louder, heavier, and faster than the traditional blues that I was listening to.

The band 'The Tragically Hip'. They're super well known in Canada, not so much in the U.S. They're a great band and when we were growing up we listened to them all the time, They're icons in Canada.

I listened to a lot of reggae music, a lot of Caribbean, a lot of gospel, a lot of rock, a lot of country, hip-hop... you know, so it just gave me perspective when it came to music and what I liked.

People listened to Farsi texts, and to the great texts of our Baba Bulleh Shah, Khwaja Ghulam Farid, Mian Mohammad Bakhsh Jehlmi. People do listen to it these days, but much less than in those days.

In some South Pacific cultures, a speaker holds a conch shell as a symbol of temporary position of authority. Leaders must understand who holds the conch that is, who should be listened to and when.

My parents were just really weird and protective about the music I listened to. Whenever I wanted to buy an album, they would have to buy it first and listen to it and let me know if I could have it.

Don't be afraid to be who you really are. Enjoy it and don't take it and yourself so seriously. I probably wouldn't have listened, but if I did, I would have saved myself some heartache along the way.

I listened to pretty much anything that I could really feel, where I felt like the artist had to write those songs, where you can feel their soul and the pain and the happiness and love and everything.

My older sister encouraged me from early on and bought me one of the first guitars I had. She listened to all of the crappy songs that I wrote when I was 8 years old and encouraged me to keep doing it.

I would hear Steely Dan on the radio all the time, and I listened to 'Aja' a lot. I mean, 'Black Cow' and 'Aja' and 'Deacon Blues' and 'Josie' and 'Peg'... all these songs are on one record. It's crazy!

The joy I get while listening to my daughter, Poonthendrel, speak is incomparable. I've listened to several other kids speak but have never enjoyed it as much as I have enjoyed listening to my daughter.

Having listened to great songwriters like James Taylor and Carole King, I felt there was nothing new that was coming out that really represented me and the way I felt. So I started writing my own stuff.

You know someone is your favorite person when you've done a day of press, listened to yourself ad nauseam, listened to them tell every story, and when it ends, it's like, 'Are we going to eat something?'

'The Secret Garden' was the first musical that I fell in love with when I was a kid. My mom took me to see it, and it was the first one that I owned the soundtrack to and listened to over and over again.

My mother grew up with each of her children - whatever your age, that's the age she'd be when she listened to your stories. She never belittled our problems. It made for something permanent and reliable.

Well, he doesn't make me laugh. I think I've got a fair sense of humour but I can't really see it in him. I've listened to his show on the radio on a Saturday morning, and that's a load of mince as well.

I took an interest in the Civil Rights Movement. I listened to Martin Luther King. The Vietnam War was raging. When I was 18, I was eligible for the draft, but when I went to be tested, I didn't qualify.

But most of all, I'm a part of you people out there who have listened to me, because especially you people in Michigan, you Tiger fans, you've given me so much warmth, so much affection and so much love.

I was in my friend's apartment, and their buddy called us and was like, 'I'm in a car, and you're on the radio.' So we listened to the song. That was wild. I'm like, 'Is this real? How is this happening?'

I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

I'm very easily influenced, and I'm also a quick study, so I think when I decided I wanted to write pop songs, I literally just listened to pop radio for six months to get a feel for it and understand it.

I didn't grow up with Broadway music. My mother played Perry Como, while I listened to Andy Williams records. Later on it was Cream, Grand Funk Railroad and lots of R&B like the Isley Bros. and Parliament.

I'm like two different people. The way I sing comes from the music I listened to when I was younger, from black American R&B singers. My speaking voice is something else. It's what my mum and dad taught me.

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