Quotes of All Topics . Occasions . Authors
This never happens, but I was writing with my friend Ryan Hurd and Eric Arjes, and we wrote this song called 'Last Turn Home.' The next day, my publisher emailed it to Tim McGraw's label. He listened to it, and I think within the week, he went into the studio and recorded it. And that never happens.
Siouxsie Sioux was such an inspiration when I was a teenager because I connected with these goth college students who listened to this genre of music. She showed me that femininity didn't necessarily have to look the way that I was familiar with. It could be more exciting and much more identifiable.
I was listening to punk rock in the '70s as a young kid, but all by myself; I never met anyone that listened to that kind of music. Just by chance, I was in detention, and one of the guys in the class was Van Conner... I started talking to him and found out that we listened to some of the same music.
Two years ago, of course, I was just a rookie and listened to everybody. In a way I am still a rookie. I'm only 23 and I'll be surrounded by great players who have played in a lot more Ryder Cups than myself. But the rankings say I am the best player at the moment and so that brings a responsibility.
The serious problems facing the world... will only be solved if women have a seat at the table and are listened to as to what is required. These issues will never be solved until women are able to use their full potential on behalf of themselves, their families and their global and local communities.
I remember listening to my first World Cup in 1966. I was with my parents, helping them build our house and listening to it on the radio. We still didn't have a TV back then, but fortunately the first time I listened to a World Cup Jose Maria Munoz was commentating, and he's one of the best there is.
I've listened to music all my life. I've always felt that music tells more stories sometimes than films, with more possibilities. Every time you listen to them, songs bring different images and moods - depending on where you are in your life, you can listen to a song, and it means something different.
I grew up in a house full of musicians, and my mum really taught me that when you listen to an album, you respect that it's somebody's art, and that the B-sides are just as important as the singles, and we should really listen to the album all the way through the way it was intended to be listened to.
It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll. I've listened to 'Ziggy Stardust' as much as any rock n' roll fan - I don't really know what it's about, but it sure is fun to think about David Bowie as this mad creation.
I've always listened to music while I write, but none of my work has been so directly impacted by a song as my new novel, 'So Cold the River,' for which the brilliant strings piece 'Short Trip Home,' composed by Edgar Meyer and featuring the incredible Joshua Bell on violin, inspired much of the story.
The short story and the truth is that I was taking vocal lessons here in New York... One day, instead of my lesson, the piano player and I went into a studio... and we put down some demos... Those demos got to Quincy Jones through an agent... He listened to them, he called me, and we started to record.
Growing up, I listened to a lot of everything - I fell in love with music, when I discovered people like Lauryn Hill and Tracy Chapman, people whose voices I could really feel, people with a lot of soul. That's what I'm drawn to as a musician: Anybody that has their own voice and their own point of view.
When I was leaving NBC News to go to CNN, people would say, 'What?! Why would you possibly leave the 'Today Show' to go to cable?' If I would've listened to people, I would've been on a great platform, but I wouldn't have grown as a journalist. So far, most of the steps in my career have been really good.
There's just so many great artists out there, but I think growing up, J. Cole has been the guy that I've always been listening to, even in college. Going from that struggle to stardom, that rise to stardom, 'Dolla and a Dream,' all that stuff - I've listened to all his classics, all the old J. Cole stuff.
I was a huge Beatles fan. We could talk about who I listened to growing up and what my sources were, but certainly the Beatles were a late, important resource for me, and I just took my guitar and a handful of songs, and I decided, well, I'll just go over and travel around Europe and see what comes of it.
I thought Steve Jobs was amazing. He was such a great businessman. Someone that has just been really continually successful with their brand and hasn't gone away, Madonna is incredible. We've all kind of listened to her for years and seen her grow up and change, and she's never strayed away from who she is.
I did 'I'd Do Anything,' and then a play and then 'A Little Light Music.' I played jazz in a night club where nobody listened to me for two years. I sold cereal in a market for a while. I worked in a clothes shop in Brixton. But that's the life of an actor. You never really know when your next job is coming.
Making words rhyme for a living is one of the great joys of my life... That's a superpower I've been very conscious of developing. I started at the same level as everybody else, and then I just listened to more music and talked to myself until it was an actual superpower I could pull out on special occasions.
When our ancestors crouched about the camp fire at night, they told each other tales of gods and heroes, monsters and marvels, to hold back the terrors of the night. Such tales comforted and entertained, diverted and educated those who listened, and helped shape their sense of the world and their place in it.
I'd listened to my colleagues in the teachers' lunchroom. I could tell they were passionate, fired-up people who had great ideas for strategies and projects to help kids learn better. They just didn't have the resources. I was frustrated, but I also knew it was a frustration felt by teachers all over the city.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
All of the songs my grandparents and parents listened to are called boleros - they're all love songs. They're about giving your heart to a person. It's a culture that is so romantic and passionate, and that's something that I'm very proud of. We grew up with nothing, so we just want to live a life full of love.
As I listened to the verdicts in the Casey Anthony case, acquitting her of the homicide of her baby girl, I relived what I felt back when court clerk Deirdre Robertson read the verdicts in the Simpson case. But this case is different. The verdict is far more shocking. Why? Because Casey Anthony was no celebrity.
It took five days to drive to Los Angeles by myself. I listened to Abbey Road for six hours at a time and watched the desert open up before me again and again. I saw the sun set and rise at the Grand Canyon, and I sang out over the cliffs, picked up tumble weeds along the way and threw them in the back of my car.
For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
Every time in my life when I have chosen to delay following inspired counsel or decided that I was an exception, I came to know that I had put myself in harm's way. Every time that I have listened to the counsel of prophets, felt it confirmed in prayer, and then followed it, I have found that I moved toward safety.
We have to program the mind of the public that age is not ugly. Age is just age. Wake up, American children, and stop listening to other people's voices. Know yourself, be true to yourself and make a contribution. It took me half my life to know myself. I listened to other people's opinions and took them as gospel.
Oh, stuff the critics. I don't care. Too many people are snooty about classical. Look, I wasn't brought up in a home where we listened to classical music. It was a singing teacher that thought it would be best for my voice. Then I moved into crossover. And if that makes the music accessible to more people, then great.
Back in the old days, when I was a child, we sat around the family table at dinner time and exchanged our daily experiences. It wasn't very organized, but everyone was recognized and all the news that had to be told was told by each family member. We listened to each other and the interest was not put on; it was real.
If someone says, 'Hey man, I love your album, it really got me through a breakup, but I downloaded it for free,' I'll be like, 'Good! That's good!' Maybe he didn't have the money for the album, but if he still listened to it, and it's an important part of his life, that's all I can ask for. I don't want his twenty bucks.
I've listened to 'Frank' so many times. She was so honest and herself. I think one of the hardest things for an artist to do is tell the truth, but that's what Amy Winehouse did, and it's what I want to do - if you want to write songs that connect with people, I think they really need to believe what you're talking about.
I particularly enjoy cello music because our daughter plays the cello. I have listened to her practice for so many hours that I am familiar with the music written for that instrument. I am also fond of the popular music of the 1930s because my future husband and I danced to it so many Saturday nights when we were in college.
Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.
I had turned into a trophy wife - and I sucked at it. I wasn't detail-oriented enough to maintain a perfect house or be a perfect hostess. I could no longer hide my boredom when the men talked and the women smiled and listened. I wasn't interested in Botox or makeup or reducing the appearance of the scars from my C-sections.
I have visited classrooms near military bases to learn more about what schools were doing to support their military kids. I met with teachers overseas to learn about the particular needs they face thousands of miles from America. And I listened to my own granddaughter, who dealt with her father's yearlong deployment to Iraq.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
The vast majority of people who speak to me say they have had brilliant care. When they are critical, their concern tends not to be directed at the medical side but the ancillary things that surround it, such as helping patients to eat meals, cleanliness, and making sure that when patients have a problem, they are listened to.
I actually started singing country music at 4 years old, right when I started learning how to sing. I would cover a lot of Martina McBride, LeAnn Rimes, Trisha Yearwood, that kind of stuff, and it just feels very authentic to me. It's always been there through the years. Even when I was in my band, I still listened to country.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.
Throughout my years of public service, I've listened to the voices of the gay and lesbian community, whether through whispered confidences or public declarations. I understand what it truly means to say that all people should be treated equally, and I'll always stand up for fair and equal treatment of gay and lesbian Americans.
I remember what it felt like when I was young, and I looked up to someone, and they would pay me just an ounce of attention. And some of the bands I listened to when I was young probably never even sold any albums, but it didn't matter to me. If I'd go up and say, 'Great show,' it would be amazing that they even would acknowledge me.
When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute.
I have studied the details, listened to Ohioans on all sides of this issue, and consulted with nuclear experts. This deal is not about trusting the Iranian regime, but instead working with our allies on comprehensive, verifiable restrictions to block Iran's pathways to a nuclear bomb without precipitating another war in the Middle East.
I grew up in the Great Depression, and the jazz artists and Dixieland musicians were at the core of our communications and enjoyment. They were not passing fancies. They are something that is, and will be, listened to again and again. I have a space of reverence for some of those old jazz stars such as Sydney Bechet and Louis Armstrong.
It's either, like, 'Your album was the first jazz album I listened to,' or, like, 'My friend took me to this show, and I've never been to a jazz show before, but, man, I'm so happy I came. I can't wait to go home and see more.' And you can feel it in the crowd, too. You can see the groups of people that don't really know what to expect.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
I grew up across the street from, you know, the Villarias, which was a great Mexican family there. In fact, there was three houses right across the street from me. So, day and night, I listened to Mexican music, and I'm sure, you know, my guitar playing, singing, writing, whatever, has a lot of Mexican flavor there, but it comes natural.
Before I cook, I always have to put on music that parents listened to while cooking. I remember waking up in the morning and seeing my dad making breakfast with music and cutting up the tomato and singing to it and just handling food with such care. So when I cook, I put on salsa, vallenato, cumbia, or anything that reminds me of Colombia.
Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.
When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.