Quotes of All Topics . Occasions . Authors
It's not an option that you have to buy something in my line. You can hang out, take pictures, shoot video, shout out loud all crazy, whatever you want really, because it's not about money for me. I'm happy to do what I do!
The bottom line may be that my inventing buildings is, indeed, a very private kind of activity. But it's done to be shared. It is comforting and consoling. From the reactions I get I can see I'm not doing something strange.
The bottom line is, I'm blessed with good health. On top of that, I don't go around thinking 'Oh, I'm 90, I better do this or I better do that.' I'm just Betty. I'm the same Betty that I've always been. Take it or leave it.
The show was number one in the ratings, Gordon Russell was our head writer, the story lines were magnificent and the acting most exciting. I loved working with Judith Light and all the other actors on the show at that time.
I tend to be more arrogant on stage. Far more ignorant. I sometimes say what I think and sometimes say the opposite of what I think and the lines get blurred, but I can only hope that some kind of absolute power transcends.
The chief characteristics of the tall building is that it is lofty. It must be every inch a proud and soaring thing, rising in sheer exultation so that from bottom to top it should be a unit without a single dissenting line.
I turned back to the mirror, seeing that there were no lines on it. It was empty. "What happened to my mirror?" I said, bewildered. Then realizing that I was looking at the back of the dumb thing, I swore and turned it over.
As to the meaning of "corporate social responsibility," Friedman and I would agree: If a certain action improves the corporation's bottom line, there's no point in labeling it "socially responsible." It's just good business.
While we're working on the script, I never see any films. I make it a point because I don't want to get distracted. I don't want to be influenced, and before I know it, have somebody say, "My God, she plagiarized that line."
Your intelligence is so deeply entangled with the social identification that you have taken on, your brains are not working in line with the life within you; it is working against your own life. That is the source of misery.
Any actor working a long time should know how a shot is set up, where to place themselves, how to handle the lines. I'm a member of the crew, like the best boy, the electrician. What I'm good at is making eyes at the camera.
For me, it's a bigger challenge, it's much harder to do and much more rewarding to do well, then just to think up stuff of your own, hit or miss, because you've got to see to it that you don't torpedo any of his punch lines.
I would rather have one article a day of this sort; and these ten or twenty lines might readily represent a whole day's hard work in the way of concentrated, intense thinking and revision, polish of style, weighing of words.
I have always been determined to never compromise my faith or my principles. I always relied on my God-given talent when I took the field. So the idea of using PED's to enhance my performance was a line I chose not to cross.
I've always felt that music is more expressive than dialogue. I've always said that my best dialogue and screenwriter is Ennio Morricone. Because, many times, it is more important a note or an orchestration than a line said.
I don't know if this is true to you but for me sometimes it gets so bad that anything else say like looking at a bird on an overhead power line seems as great as a Beethoven symphony. then you forget it and you're back again.
So many times, you get a script and it says, "And then, the character cries," and you read the lines and think, "That would never make me cry. Those lines are so untruthful." My approach is just to be honest to the situation.
Everything is roughness, except for the circles. How many circles are there in nature? Very, very few. The straight lines. Very shapes are very, very smooth. But geometry had laid them aside because they were too complicated.
I would like you to show me, if you can, where the line can be drawn between an organism and it's environment. The environment is in you. It's passing through you. You're breathing it in and out. You and every other creature.
So, not only am I panicking over the weekend if I need to know my lines, but also if can I get the kids to the zoo. Can I even go to church? I was asking for certain things that would allow me to plan my life a little better.
It seems to me that while it is very important to get a striking picture of a line of smoke stacks or a row of dynamos, it is becoming more and more important to reflect that life that goes on behind these photographs. (1935)
I've been a little more fortunate, perhaps, than a lot of people have, for the simple reason that I've constantly been moving: so nobody can hit me - you know what I mean? Protesting is not the answer - not along those lines.
These houses had been plunked down with an alarming randomness -- unevenly spaced, on crooked lines, like whoever had designed the place had said, "We'll just follow this cat, and wherever he sits down, we'll build something.
There is a need for financial reform along ethical lines that would produce in its turn an economic reform to benefit everyone. This would nevertheless require a courageous change of attitude on the part of political leaders.
The greatest sin is appearing naive or old-fashioned so that somebody can give you a sort of a very cool arch smile and devastate you with one extraordinarily crafted line that puts kind of a hole in your pretentious balloon.
In the final analysis, a drawing simply is no longer a drawing, no matter how self-sufficient its execution may be. It is a symbol, and the more profoundly the imaginary lines of projection meet higher dimensions, the better.
Whatever may be the general endeavor of a community to render its members equal and alike, the personal pride of individuals will always seek to rise above the line, and to form somewhere an inequality to their own advantage.
I'm more interested in knowing my cues than my lines. If you know what your cues are, then you know what your reaction is going to be to them. Acting is about reacting, and if I can kind of purely react, that's easier for me.
I think is very beneficial to relax yourself so that when you are doing it you are not staggering for lines and your concentration is not on what I am going to say - but the scene itself, the character that you are talking to.
I don't believe that the ultimate theory will come by steady work along existing lines. We need something new. We can't predict what that will be or when we will find it because if we knew that, we would have found it already!
When you think of technology that gets people excited - long lines at stores, enthusiastic reviews in the blogosphere, passionate evangelists - the first thing to come to mind probably isn't thermostats. Then, along came Nest.
For me, when I did 'Thor,' they changed my lines at the last minute, and then I had to speak with an English accent - and it was horrifying. I was in front of a crew of 250 people on my first day - never happened to me before.
I'm unable to do the thing that Broadway actors do in plays, sometimes for years. The same exact blocking, the same exact lines. I'm a little bit uncomfortable with that. Every night I'm looking for ways to try something else.
I have a thing for clean lines and beautiful form that I attribute to my four years in Tokyo and Kyoto. I also appreciate traditional architecture and a warm palette that I think my Midwest upbringing has something to do with.
But what I will do is I'll acknowledge it and if it can be of any help the fact that I do acknowledge it then maybe other people will benefit from it because I do have somewhat of a public forum being in the line of work I am.
As the years went on, the audience has become very jaded. They've heard every joke, they've seen every story line, they know where you're going before you even start to get there. And that's a hard audience to keep interested.
Read! Read! Read! And then read some more. When you find something that thrills you, take it apart paragraph by paragraph, line by line, word by word, to see what made it so wonderful. Then use those tricks next time you write.
The best moments can't be preconceived. I've spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.
I could only speak in the smallest, most intimate circles about the real reasons which made me undertake the changeover of the plants for certain lines of production for I had to expect that many people would not understand me.
You know, they always say that the photographer is a hunter of images. That is a flattering image, the idea of a hunter, it's virile, acquired power. Actually though, it isn't that. We are really fishermen with hooks and lines.
I know economists will say well, we could run a small deficit but the problem is that once you cross that line as we see in the United States, nothing stops deficits from getting larger and larger and spiralling out of control.
The year after I graduated college I had a job in a library. When people underlined passages in the library books, or made notes in the margins, the books were sent to me. I erased the lines and the notes. Yes, that was my job.
Parents, it seems, have an almost Olympian persistence when it comes to suggesting more secure and lucrative lines of work for their children who have the notion that writing is an actual profession. I say this from experience.
Most great entrepreneurs I know are nothing like the other kids. They're almost like tangent lines - those lines that seem to go nowhere. Nothing connects them, until they get out in the real world. Then they connect just fine.
The hardest thing for everyone, for the writer, for the director and certainly for the actors, is not to panic when they're doing a certain line for the tenth time because everything ceases to be funny after it's been repeated.
There is no clear place to draw the line once you eliminate the traditional marriage, and it's the same once you start putting limits on what guns can be used, then it's just really easy to have laws that make them all illegal.
In the end, the American dream is not a sprint, or even a marathon, but a relay. Our families don't always cross the finish line in the span of one generation. But each generation passes on to the next the fruits of their labor.
I used to teach kids when I was younger. When I was about 14 or 15 I started teaching children drama and something that I used to say to them was, 'Don't be afraid.' People would be afraid of forgetting their lines or something.
The poverty line understates the true amount of poverty because it measures it as three times the breadbasket that a family needs, but it doesn't consider all the other things that are inflating far, far faster than food prices.
The latitude and longitudinal lines of where you are born determine your opportunity in life, and it's not equal. We may have been created equal, but we're not born equal. It's a lot to do with luck and you have to pass that on.