Quotes of All Topics . Occasions . Authors
We as African Americans knew that if we wanted to see change, we had to step up to the plate and make that change ourselves. Not everyone comes to that realization in their lives, but thank God Linda Brown's father felt that way.
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
Looking into Linda's eyes when she walks down the aisle, and knowing that's the lady I'm going to be with for the rest of my life. I'm going to be crying like a fool. But I knew from the moment I met her that she was the one for me.
I was about 10 when I first began to sing. My mother had been away for three weeks, and I learned 'Don't Cry for Me Argentina.' When she came back, I sang it in front of her, my auntie Linda, my father, my uncle Jim, and my grandmother.
Christy Turlington, Naomi Campbell, and Linda Evangelista - those models got bunched together. I was always asked to be bunched in there, but I didn't want to be part of the herd. The only one I really had a problem with, though, was Naomi.
I was not expecting Linda Hamilton to be there auditioning with me. I never would've imagined that. I didn't recognize her. We went into a room with four people, and the scene was really emotional. She held my hand and hugged me. She was so loving.
I definitely remember doing 'The Alamo' with John Wayne and Lawrence Harvey and Linda Cristal. We'd work six days a week, and then John Wayne would invite us down to a little place in Texas called Del Rio, and we would break bread and have some wine and tell stories.
It was just normal for me growing up with a family member with severe Down Syndrome. It was completely normal. She was just Auntie Linda. I loved her and she loved me. She had a spirit that was just positive. For me it taught me tolerance and acceptance of all human beings.
We're definitely a hodgepodge of influences. Mine, most heavily, would be Southern rock - the Allman Brothers, Lynyrd Skynyrd and stuff like that. Hillary is more from the country side - her mom is Linda Davis, a country singer. Dave, he's a big fan of the Eagles and like that.
I first met Linda Lawrence in March 1965 in the green room of 'Ready Steady Go!,' the British pop TV show. Linda was a friend of one of the co-hosts. She had an art-school vibe, and after a brief conversation, I asked her to dance to a soul record playing. As we jazz danced, I fell in love.
I feel sometimes and in some ways like Linda Romanoli and Monica Velour; I feel marginalized because I'm in my fifties. If you went online and you look at some of the blogs, which one can do on a lonely night, it's pretty startling what people will say about you just because you're in your fifties.
Some 'Terminator' fans are outraged that I'm playing Sarah Connor. They think I'm not muscly enough. To be honest, I'm a little tired of the comparisons to Linda Hamilton. I know she will always be the original Sarah Connor, but when people see what I bring to the role, they will look at her with new eyes.
During my senior year, I was supposed to spend a semester student teaching, but decided I couldn't be a teacher. My aunt Beth's friend was Jackie Gleason's daughter, Linda Miller. She encouraged me to talk to her. After doing that, she recommended Catholic University's M.F.A. acting program. So that's what I did.
It was the '50s, and the card catalog and the Dewey Decimal System were in fashion. I hung out in the 812 section - American theater and plays. This is where I first read Arthur Miller's 'Death of a Salesman' and was transfixed. I remember staring into space for what seemed an eternity after reading Linda Loman's final speech.
