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The painter, sculptor, writer, and musician are protected by law. So are inventors. But the chef has absolutely no redress for plagiarism on his work; on the contrary, the more the latter is liked and appreciated, the more will people clamour for his recipes.
The aggressiveness of it attracted me to hip-hop because I was angry inside. I was an angry kid because of the sickle cell. So I liked the anger in hip-hop. That's what attracted me to it; that's what made me want to do it. It helped me get my aggression out.
It was a very well-rounded childhood with lots of different opportunities. My mom will say she set out to overstimulate me - surround me with way too many things and let me pick. As a result, I've always been a multitasker; I've always liked a lot of variety.
I think it's always important to constantly keep the band on their toes and try new things that you hope will work. That's how 'Apologize' was born, and maybe down the line another little song will be born by that mentality. I've always really liked that song.
I wanted to write plays. I was at Yale graduate school at the time for English literature, not for acting... I liked the idea of collaboration, and I thought if I'm gonna write plays, I should learn something about speaking the lines that I might try to write.
Back in third grade, they used to say, 'Take whatever talent you have and think of something you can do with it.' I liked to draw, but what could I do with it? Maybe I could be an art dealer - nah, can't see myself doing that. Maybe I could do commercial arts?
I always liked Nat King Cole. I always wanted to go my own way, but I always favoured other singers like Dinah Washington, Sarah Vaughn, Ella Fitzgerald - I loved Ella Fitzgerald. There are so many of them. Nina Simone was one of my favourites - Johnny Mathis.
That's one of the reasons I retired. To stick around, the way I was fighting, I would have to start playing it safe. I went out on my shield. That's the way I liked it. I fought that way my whole career. I don't want to bore people my last three or four fights.
I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much finding things important to him that are somewhat ridiculous.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
I was so boisterous in high-school, I don't think a lot of boys liked me that much 'cause they were like, 'Oh, she's so loud and so crazy.' But then this thing happens in your late twenties, and guys begin to take note of women's personalities more or something.
I was born in Amersham, England on 6/4/58. My family moved to Australia when I was eight, and I went to Box Hill High School and then Melbourne High School. I liked to draw and write at school, and I liked books by J.R.R. Tolkien, A.A. Milne and Kenneth Grahame.
I had a very happy childhood, but I wasn't that happy a child. I liked being alone and creating characters and voices. I think that's when your creativity is developed, when you're young. I liked the world of the imagination because it was an easy place to go to.
The worst thing about being the laureate has been the attitude of a tiny minority of adults who haven't liked some of the things I'm supposed to have said and who have used it as an opportunity to be verbally abusive and nasty, but I haven't let it rule my world!
I've done a lot of pictures that are ensemble, and I've not always liked the people I was working with, but that doesn't make any difference because you do the job, and often it turns out to be a great ensemble even if you didn't particularly really like anybody.
So I had to be careful. I recognized the responsibility that, whether I liked it or not, I had to accept whatever the obligation was. That was to behave in a manner, to carry myself in such a professional way, as if there ever is a reflection, it's a positive one.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it. What do I do in that situation? Get through it.
Many girls aspire to a version of selfhood that puts a psychological glass ceiling on their potential to succeed. They suffer from what I call the Curse of the Good Girl: the pressure to be liked by everyone, generous to a fault, and flawless at everything you do.
When I got in trouble, my mom would make me read or write - I would have to write my name over and over and over again. It gave me great penmanship, but I also just liked to write. Every time I would go to the store, I would buy a notebook. I had thousands of them.
I wasn't a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
The only band I was really over-into was Cream. And the only thing I really liked about them was their live stuff 'cause they played two verses, then go off and jam for 20 minutes, come back and do a chorus and end. And I love the live jam stuff, the improvisation.
I never really liked the Gospel of John because I never could find the humanity of Jesus in it. I thought it presented Jesus as a visitor from another planet; in addition, John's gospel is and has been interpreted as a document that fuels anti-Semitism in the church.
The thing I always liked about 'Pee-wee's Big Adventure' was Pee-wee's, obviously, an oddball, but nobody in that universe points a finger at him and goes, 'Look at the weirdo!' I think that's why weirdo, arty kids like it so much: because it's sort of like a utopia.
'Rolling Stone' had started something called 'Outside,' and since I was one of two people in the office that liked going outside, I was pegged to work on it. The concept of the magazine was simple: literate writing about the out-of-doors. I jumped at the opportunity.
I saw Deep Purple live once and I paid money for it and I thought, 'Geez, this is ridiculous.' You just see through all that sort of stuff. I never liked those Deep Purples or those sort of things. I always hated it. I always thought it was a poor man's Led Zeppelin.
When I was talking with Shanghai, I was talking to big clubs from Europe, as well. There was Atletico Madrid, who I almost joined. I liked them very much and what they were offering me at the time. There was also Juventus, Inter Milan, and AC Milan. I had some options.
My father liked doing carpentry work, construction work, in the summer vacation. And so my mother designed a cabin, a log cabin, like a - it was like a Swiss chalet. I was twelve years old, and my father and I built it on a rocky point peninsula out into Lake Superior.
I know some players like being the centre of attention and I admit that when I first became a player I liked fame, too. But that feeling lasted only for three months. Then I realised what it was really like to be the centre of attention all the time. It isn't all good.
I don't really even go out that much now, except to walk my dogs, because I don't want to be recognised. I used to be a really friendly person, and now I just want to be invisible. I liked myself much more before I got famous. I was much friendlier and had more energy.
When I first moved to Los Angeles, I had a really bad run. I would sleep in my car during the day outside the Disney building in Burbank, and that's where I got my first job, which is really weird. I liked to stay around the studios and kind of get the good vibes going.
I never had the idea of moving to Paris and becoming something. I liked the idea of living in Paris because it seemed to have so many parts of life I really enjoyed. The people there seemed to prize literature and art, food and drinking, a more hedonistic way of living.
I've been lucky enough to play on NBA teams I really enjoy, teams where I've liked everybody and had fun, and had that college kind of experience with an NBA team. When you have that, and I don't know that everyone does, but when I've had it, that's what it's all about.
I was in art school since I was five years old. I've always been to art school. Everything that's happened to me, nothing's been planned. I've never had a business plan. I just kind of fell into it, and I liked it, and I took a chance. I took a lot of chances in my life.
I think my favorite film of all time has to be 'The Illusionist' by Sylvain Chomet. Beautiful plot, beautiful story. You know, not much happens, but it's beautiful. And when I was young, 'The Triplets of Belleville' was one of my favorite movies. I liked his style a lot.
For me, every show that's about teachers - and there's been a number of them - they're like misfits who hate the kids and don't want to be there and hate their jobs. For me, having crazy parents, my teachers were the sane people who raised me, and they liked being there.
'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.
I kind of got more interested in writing after I turned in my last college essay and nobody was going to tell me what kind of academic papers to write anymore. I could write whatever I wanted, and I realized that I actually liked it when I could choose what I would write.
I was the guy who didn't get a cool little apartment. I took one for the team. I liked having the place we could make noise in, the place that could be the center of the music. I sat down and calculated it one day, and over the years, I've had something like 38 roommates.
After Land I wanted to continue exploring the theme but I needed a new challenge so turned to colour. I explored Bradford and produced a series of urban landscapes that I liked, but because Land had made such an impact on the general public my colour work wasn't reviewed.
True Dare Kiss' is a gothic drama about a highly dysfunctional Mancunian family who, after 20 years, reconvene for the funeral of their father. I wanted to play Phil because I really liked the character, and there is an element of mystery about her - which I can't reveal.
I think if you are a player going to Duke, you have to expect a little bit to be not liked when you go and play in opposing team's gyms. Like, when I signed with Duke out of high school, I knew it would be playing in hell where they hate you. That's what I loved about it.
Working with a lot of people at the same time is a task. I really like making stuff and getting stuff done. One of the things I really liked about Facebook was that I could always move so quickly. I wrote the original application in, like, nine days at the end of January.
People talk about games and loneliness - it's a lonely activity. I didn't understand that. 'Gears of War' was the first multiplayer game for me that I enjoyed. But I wasn't sad. I liked being alone. I liked playing games by myself. I had lots of companionship at the house.
I started to take care of my body after I turned 50. I never liked how I looked physically because I was too cute, short, with coloring only on my cheeks, the perfect little nose, and then the blue eyes. I was a hit with girls, who told me it was like I was in Technicolor.
Bill Mitchell said he really liked it. But when he asked the other four their opinions, we all took one look at ourselves in our raggedy long winter coats and cracked up. We knew we weren't likely to tempt anyone or anything, but what the hell, it was as good a name as any.
I wasn't a troublemaker. I wasn't impertinent. The teachers liked me. But year after year, the comments on my report cards basically came down to a single point, and it was 100% accurate: I seemed to get nothing whatsoever out of all those long hours spent in the classroom.
I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson, and a few others.
I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.
I would have only doubted myself if I was really attached to the result of what I was doing, but I was always doing it and will always do it for the love of making songs, and if you liked it you liked it, if you didn't, you didn't. It was always pure and always will be pure.
When I was a very young kid, the first music that really turned me on was a new wave of British heavy metal - big, dumb rock music. There was a band called Diamond Head - they were basically the band that inspired Metallica. But I also liked bands like Saxon and Iron Maiden.