Quotes of All Topics . Occasions . Authors
Well, there's this culture on Instagram where everyone uses filters and lighting, or people smooth their skin out. It's this weird thing. We all know it's not real and we all complain about it, yet we all do it.
I am pleased with the response of investors towards Philips Lighting and the successful pricing of the I.P.O. This strategic milestone will allow Royal Philips to focus on the fast-growing health technology market.
I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.
We support about 5,000 non-governmental organizations (NGOs) with software, training, and technical support. We provide our software at virtually no cost to them, and they're lighting up the world with what they do.
There's an awful lot of hanging around when you're doing science fiction. Going down and waiting for them to set up, being told to go back to your dressing room while they change the track and the lighting and so on.
My mother was a free-spirited clinical therapist, and I had the most hard-working father, a television lighting director by trade. My mum raised me to be a global citizen, with eyes open to sometimes harsh realities.
The thing about acting that's unlike any other art form is that it's collaborative; directing and acting are a collaboration, and your acting won't succeed if the lighting design doesn't succeed or sets don't succeed.
The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor.
Actors have given up their clout. Now decision making is in the hands of lighting men, designers, bankers, special-effects people. We need to cut that out and just go with the most able trained actors in the business.
I liked the whole process of creating on set. It's almost like creating magic. The work that the camera guys are doing at the same time, the lighting... all of the people working in their departments to make one thing.
There are 10,000 local governments in the state of New York. Ten thousand! Town, village, lighting district, water district, sewer district, a special district to count the other districts in case you missed a district.
That's a big thing in my life: going with your gut. If something isn't lighting the fire and making you excited, or if something feels wrong or doesn't agree with you, it should be questioned. It should be talked about.
Things will only improve when the people - all of us - say to authorities, 'I will hold you responsible.' We should all be showing up at city council meetings, lighting up every community with activism and mobilization.
I'm going to insult a whole industry here, but it seems like TV is for people who can't do film. I'm not talking about actresses; I'm talking about lighting people. Lighting on TV is just so... it's sinful, it really is.
Most people went to dance shows, but it was basically a table and a DJ playing and not really a spectacular thing. I brought the whole production with the effects - the best sound, the best lighting to blow the fans away.
There are people who expect me to look the way I do on-screen, where I have a great director of photography and fantastic lighting. I'm sorry to disappoint people, but I don't look like that all the time - no actress does.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
It was the late '70s when my parents met. My dad was a lighting director for a soap opera, and my mom was a temp at the studio. They moved into a house in The Valley in L.A., to a neighborhood that was leafy and affordable.
As far as lighting and blocking, camera angles and facial expressions, all that stuff that has to be very specific in film, as opposed to in wrestling where everything is larger than life and you're performing to the masses.
To make films is as boring as watching paint dry - you usually have to do little tiny bits here and there. You go off waiting for lighting, you come back - the energy dies. You hope you can find someone who can keep it going.
Although there was a point with the Tijuana Brass where we were playing for such huge crowds that I kind of lost contact. At one point, the only connection I had with the audience was with people out there lighting cigarettes.
If you take 2001: A Space Odyssey as an example of somebody who creates a new language in film by what he was able to accomplish with art direction, photography, lighting, etc., it is still a gold standard for science fiction.
Nearly all Americans felt they knew JFK intimately, his charm and wit regularly lighting up the television screen at home. This is why polls showed that millions of Americans took his assassination like a 'death in the family.'
I was terrified. My first week, walking around in a teeny bikini, I kept crossing my arms over my chest because I was afraid I was going to fall out of the top of the suit. And I didn't know anything about technique or lighting.
The promise of energy savings, reduced carbon emissions and affordable lighting was there from the inception. The proliferation of the technology into areas such as displays, automotive, medicine and horticulture was unexpected.
Artificial lighting, air-conditioning, and automobiles, all powered by fossil fuels, swaddle us in our giddy modernity. In our ergonomic chairs and acoustical-panel cubicles, we sit cozy as kings atop 300 years of flaming carbon.
I worked on 'Sarah Connor' even longer than 'Firefly.' And I always remembered how generous everyone was to me when I didn't know what to do, and I didn't know the rules, and I didn't know camera angles, and I didn't know lighting.
Stolen scrap like manhole covers, railroad weights, stop signs, guard rails, and public lighting put our residents in grave danger. Not only that, but the theft is tearing apart communities with stolen church and cemetery ornaments.
The first and most natural way of lighting the houses of the American colonists, both in the North and South, was by the pine-knots of the fat pitch-pine, which, of course, were found everywhere in the greatest plenty in the forests.
The big advantage to playing the Venetian in Las Vegas - where it's a beautiful theater - is that unlike other places, even many other nice venues, I can do a set and lighting cues, I can put on a real show. I can dress up, wear a tux.
The Alanis Morissette tour, everybody thinks that was all sitting around, lighting candles and talking intelligently about synergy and big words. That band was so gnarly. We were such scumbags. Alanis had no idea. We were like Van Halen.
Opera is the most complete art form. It includes drama, acting, technology (lighting), art (the sets), dance, and the epitome of the human voices. But mostly, go for the glorious music. The arts are crucial to the life of every community.
I'm the one who gets called up about a problem. I'm the one who gets called up about the street lighting and the abandoned car. I'm the one who gets blamed if the police don't arrive. I'm the one they blame if a city truck is broken down.
We grew up devout Catholics, so my trips to San Juan always include going to the churches that we used to go to and lighting candles and everything. Everything I do in San Juan is what I used to do with my mom, kind of as a tribute to her.
Neon signs don't consume much power, but they look like they do. A cousin of fluorescent lighting, neon is actually quite energy efficient. A neon tube glows coolly when high-voltage, low-amperage electrical power excites the gas within it.
Most of my images have been done in-studio, under very controlled lighting conditions. There have been a few that have been shot in nature, but even then they were shot almost exclusively at night, and again, under controlled lighting conditions.
I think the audience doesn't know a movie's lit, but they feel it. Because you've walked in a forest many times, or in a park, so you know how it looks. When you start lighting, subconsciously you know there is something that is absolutely wrong.
In primary school when I was 6-7 years old, I always go to theater with my uncle, and I don't know why I like the atmosphere, dark only. The screen has some lighting, that kind of things, you can see the movie star and so that's why I like movies.
As an actor, a Dogme film is not that big a difference. You don't have to wait for the lighting, so you get a better rhythm. It's the camera guy and the editor and the sound guy who are in trouble. Because they can't do what they're used to doing.
I think when you have your hair and makeup done, and there is good lighting, and you love your outfit - I think that's when you feel most sexy. But also, I think when you are working and people are complementing you, that you are doing a good job.
I live out of my van, which gives me a first-hand appreciation for power and lighting. A few years ago, I rebuilt the interior of my van to include solar panels and a battery that powers LEDs for lighting and allows me to charge my phone and laptop.
I loved being in my sister's room. I really admired her and wore her clothes to play in, played with her dolls, played with her makeup. She had a mirror with settings to see what you would look like in different lighting. I thought that was amazing.
A movie contains literally tens of thousands of ideas. They're in the form of every sentence; in the performance of each line; in the design of characters, sets, and backgrounds; in the locations of the camera; in the colors, the lighting, the pacing.
As a teenager, in my songbook, I used to script what my lighting would be like. I used to dance in my roo;, it was like putting myself in a trance, and making myself feel good about things, almost like a private ceremony of begging people to like you.
Get the shading right, the lighting right, and there are things you can do to make the CGI look more real. People end up going crazy and give themselves a little too much freedom in how they use CGI, and if you overuse it, it draws attention to itself.
Something we often struggle with on pictures is the right way to shoot live-action elements that are for an environment that's very complicated from a lighting standpoint. An example is a starship flying through an environment that's constantly changing.
My work is made on lines similar to those of a film production. A lot of my work is kind of bureaucratic, endlessly phoning up people, trying to find the cameraman and the lighting man, because I am a total technology-phobe, quite helpless with equipment.
When you work as a cinematographer, the actors look to you for reassurance. When you're lighting them, they can never think you're making an adjustment because of the way they look. If they are nervous, it impacts their performance, which impacts the story.
In a lot of cases, makeup is a fantastic help, and that's why women love makeup in general. It's a fantastic way to help somebody look great. It's not the only way, of course, but it's a major accessory, along with hair, clothes, lighting, all those things.
Every true-crime thing you see goes in with that kind of ominous music and low lighting, so to be able to talk about these things but not have to feel somber about it and not feel guilty that you're not feeling somber about it - I think that's what appeals to me.