Quotes of All Topics . Occasions . Authors
I think being recognized more is something you have to get used to, whether it's here or in California or when I'm traveling. It's more a part of my life. People recognize me from my play or a commercial I've done. It's just a normal part of life now.
There are two sides to being pigeonholed. There's, 'Oh, no, I'm going to be Chandler for the rest of my life,' but there's also the fact that getting to play Chandler opened up doors to me. It's now my job to find things that shake it up a little bit.
The biggest was me running Lionhead at its peak. That was about 305 people. I'd say that was, for me as a creative, one of the most hellish times of my life. Normally running a team is like herding cats. This was like herding the entire African plains.
I'm supposed to convince you, for two hours, that I'm somebody else. Now if you know everything about my life, if you think you've got me figured out and you think you know all my dark secrets, how am I ever going to convince you that I'm somebody else?
Computers absolutely changed my life. Before I had a computer, I had never written one thing. Not one thing. I'm a very bad speller and I was embarrassed by that. When I would type, the little mistakes would make me nutty, and I would never edit anything.
During my life, I have had a few nightmares which happened to me while I was wide awake. One of them was the National Republican Convention in San Francisco, which produced the greatest disaster the Republican Party has ever known - Nominee Barry Goldwater.
I think I owe thanks to the people who have listened to me over the years, who tuned in on the radio. They have given me a warmth and loyalty that I've never been able to repay. The way they have reached out to me has certainly been the highlight of my life.
Iwas not a reader at all, not until I discovered 'The Hobbit.' That changed my life. It gave me the courage to read. It led me to the 'Lord of the Rings' series. And once I'd read that, I knew I could read anything because I had just read thousands of pages.
Harper Collins gave me a letter of intent saying that they want me to pen down my autobiography. When I was recollecting the incidents of my life for that, I selected only those incidents which were turning points in my life. I staged it instead of writing it.
Growing up biracial and speaking four languages - French, Chinese, Portuguese, and English - gave me a different lens. I was always very acutely aware of coming from a different perspective. I think that definitely contributed to what I chose to do with my life.
The band that changed my life was The Who. It's hard to pick just one album, but if I had to pick the one that really showed me how things could be done, it's 'The Who Sell Out.' They really went to town on that, doing something that no one had ever done before.
I'm really clear about what my life mission is now. There's no more depression or lethargy, and I feel like I've returned to the athlete I once was. I'm integrating all the parts of me - jock, musician, writer, poet, philosopher - and becoming stronger as a result.
I knew I could sing when I was about 7 years old. But since athletics was very much the forefront of my life, and I was kind of doing that a lot, I don't think anybody was caring or looking for me to be singing anything. So, yeah, I just kept it hidden from everyone.
Presumptuously, I speak for all Who fans when I say being a fan of the Who has incalculably enriched my life. What disturbs me about the Who is the way they smashed through every door of rock & roll, leaving rubble and not much else for the rest of us to lay claim to.
I don't even call them fans. I don't like that. They're literally just a part of my life; they're a part of my family. I don't think of them as on a lower level than me. I don't think I'm anything but equal to all of them. So yeah, they're basically all of my siblings.
I've made mistakes. Like, bringing people to your level who don't deserve to be there. They're trying to bite off your so-called fame, make a name off of you. I think I did a lot of that - allowed people to be relevant in my life who really aren't relevant to me at all.
Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter. I definitely would not have done it if she hadn't passed away.
The first Elizabeth film was an absolute travesty historically. It really was sloppy. Things like 'The Other Boleyn Girl' and 'The Tudors,' people's perception is distorted because of these. It matters to me as a historian, because I spend my life trying to get it right.
Since I've been so honest with them, my fans know me very well so I don't think anything surprises them at this point. I've always told them exactly what's going on in my life and in my head, and because of that, I don't think anything is a huge surprise to them anymore.
Ever since it was announced that Ryan Murphy intended to produce 'The People v. O.J. Simpson,' I have been inundated with the question as to 'How do I feel about it?' All I can say is, for me, it was personally the most heartbreaking tragedy that altered my life forever.
You can't get anymore classic than being a part of a Disney animated film. To me, that's something I can have in my back pocket for the rest of my life. I'll be able to show it to my kids. I'll be walking around Disneyland, and it'll be bizarre to shake hands with Rapunzel.
My parents, my family, that's the biggest inspiration in my life. I've been in a lot of dark spots in my life, and if it wasn't for them, I wouldn't be able to get out of it, but they are who they are. They followed me. They yelled at me. They screamed at me. They loved me.
I couldn't go anywhere unless there was a security guard with me. That spoiled my life. It was like being in captivity. Those days are gone, and I don't ever want to see that happen to me again. Now I can wander around the streets of Los Angeles on my own. I like it that way.
I never have broken up in comedy, ever. There's something about me that I just don't break on camera - maybe because I'm just so cheap, and I know how expensive it is to shoot - but I broke on 'Sordid Lives,' and I broke on 'The Office.' Those are the only two times in my life.
The decision to use a pen name was nothing more than a desire to compartmentalise my life. However, I had not thought about an appropriate pseudonym, and since there's an abundance of anagrams in the novel, the idea struck me: why not use an anagram of my name? Hence, Shawn Haigins.
As a military officer - and this is - I have lived my life in the national security realm - I don't think I could vote for Donald Trump, because, you know, for one, I'm not a fan of a president or a commander in chief wrapping his arms around any dictator. That's very important to me.
I need to acknowledge the toll certain parts of my life are taking on me. I have to do that, even if it temporarily paralyzes me to suppress it. Otherwise, paradoxically, I can't go on. When I can reside in that, and recoup, then I can continue. In a strange way it's a survival method.
I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.
If someone was making a movie about F1 in the last six months, they wouldn't need to add a Hollywood ending. If they do make that movie, it's got to be 'The Curious Case Of Jenson Button,' where I've lived my life backwards. I'd like Johnny Depp to play me but he wouldn't be quite right.
I can honestly say that my abortion was one of the least difficult decisions of my life. I'm not being flippant when I say it took me longer to decide what worktops to have in the kitchen than whether I was prepared to spend the rest of my life being responsible for a further human being.
I have to admit I've rarely been happier in my life. I have been absolutely thrilled to be back in New York and living a block from where I grew up. Just to be back in New York and, quite honestly, away from Hollywood has been an absolute thrill for me. I feel like I'm a real actor again.
I'm an off-road racecar driver. And I think every woman in my life has told me that's not a sensible hobby. But when I was growing, even more than I wanted to be funny, I wanted to be a racecar driver. That's all I thought about. I worked for a race team when I was 15 and I traveled with them.
Leaving the record companies tweaked something inside me and I realised I don't have to deal with labels to make something happen. If I want to meet someone, I don't have to go through the label - I'll just go to them. I took my life in my hands and social media has just helped me do that more.
When I uploaded my very first video, I was just looking for something to make me happy. I was confused about what I was doing in my life and had earned a degree that I didn't really enjoy. With that video, I was finally doing something I was passionate about. So it was my way of self-medicating.
When the other kids started calling me nicknames, I knew everything was all right. I have a pretty big mouth, so they hit on that and began calling me Gatemouth or Satchelmouth, and that Satchelmouth has stuck to me all my life, except that now it's been made into 'Satchmo' - 'Satchmo' Armstrong.
I have not spent years in therapy; I tried therapy in my mid-twenties, and it did not go very well. I just thought, 'This is so not for me. I would rather talk to one of my girlfriends.' I'm not at a point in my life when I'm analyzing too much. I have young children, and I'm just pretty much crazed.
I've met some of the most interesting, dimensional, and kind people of my life in that subculture and around the sport. And it seems to me that boxing is one of those structures that is designed to promote harmony. I think that it is a stove that contains that fire in us and makes it safe and useful.
Growing up in the Soviet Union, ballroom dancing wasn't the coolest thing to do. But that probably made me tougher, because it wasn't an easy task to do ballroom dancing and not get bullied. And I never got bullied in my life, even though I changed to five secondary schools in three different countries.
My grandmother, who passed away at the beginning of November, had a core adage in her life that 'life is not about what happens to you but about what you do with what happens to you.' She recently had been cajoling me and challenging me to do more with my life. To lead more of a purposefully public life.
I'm a real big Marilyn Manson fan. I get a lot of my styles from him. Not even musically - living-wise, too. Marilyn Manson definitely shows me you shouldn't care what nobody say. I watched a bunch of his interviews, and he's not just an artist; he's one of the most intelligent people I ever saw in my life.
I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.
I don't think I suffered with depression, I don't think I'm a depressed type of person - I just think I suffered a depression to do with snooker, and I just couldn't handle it. I could go out and play, but take me out of there and I couldn't do life. It was a nightmare, my life just felt like a bit of a nightmare.
I was like, 'I'm only going to do musical theater for the rest of my life. I'm never going to do TV.' And whenever I'd get auditions for TV, I'd be like, 'Okay, whatever. I've got a lisp, so they're not going to take me.' And then I started doing this, and I guess it was my sister that got me into the acting thing.
I ended up in college by accident. Everything in my life, I ended up in by accident. I was down south in this high school doing whatever. It could just not contain me. I quit school and took off and traveled around. Nobody knew where I was I just couldn't handle it anymore. It was a big scandal, I was gone. I left.
I've been asked to write a book several times; I've had several publishers come to me and offer me book deals. Especially right after I left Dream Theater and Avenged Sevenfold, there was a lot of drama going on in my life, so the book companies came at me thirsty for blood and gossip. And I turned down all the deals.
People do ask me for advice for some reason. And I'll just kind of pose it back to them and let them answer on their own. I never like to give my advice 'cause I don't want them to come back and 'You were wrong! You ruined my life!' so it's more about 'Hey, this is what you just told me. What does that sound like to you?'
I used to live in a street in Bristol which was, depending on your tabloid of choice, either Britain's most dangerous street or a moral cesspit. People made judgments about me on where I lived. It affected me - it affected my life chances. That is going on today with people in social housing. That, to me, isn't acceptable.
The first thing, when I read the script, is that I need to care about what happens and feel compelled by the story and engaged by the characters. It needs to resonate with me, even if what the characters are going through is not something that I have experienced in my life. I have to feel like it has some sort of meaning to me.
As a teenager, my brother's girlfriend came into my life, and I just thought she was the bomb. I followed her around, and she could just say anything, and it would influence me. She took me to my first nice restaurant, bought me my first nice handbag, and took me to my first Alvin Ailey show when I was 14, which changed my life.
I grew up poor and white. While my class oppression has been relatively visible to me, my race privilege has not. In my efforts to uncover how race has shaped my life, I have gained deeper insight by placing race in the center of my analysis and asking how each of my other group locations have socialized me to collude with racism.