Quotes of All Topics . Occasions . Authors
As we get older, we get better at choosing in ways that will make us happy. We do a better job at picking activities that make us happy, and at spending time with people who make us happy. We're also better at letting things go.
If I say, 'I forgive you,' I have implicitly said you have done something wrong to me. But what forgiveness is at its heart is both saying that justice has been violated and not letting that violation count against the offender.
This is a marathon in life. You can't be sprinting all the time or else you wear yourself out. You have to make sure you're taking care of yourself, keeping yourself grounded and not letting every little thing get you worked up.
Equal rights for women. I agree with that concept. But we will never be free, we will never obtain equality, until we stop letting ourselves become pawns of the abortion industry. Our freedom depends on our rejection of abortion.
I spend a lot of time thinking about this business of letting go - letting go of the children God gives to us for such a brief time before they go off on their own; letting go of old homes, old friends, old places and old dreams.
I grew up in the grunge era. I've always resisted the idea of being part of a machine, wanting just to be an artist in my own right. But at some point, I just realized shutting things out took more energy than just letting it in.
The beauty of letting marginalized people tell their own stories is it isn't only the right thing to do socially, but it's also the right thing to do financially. People love the truth, and people like to spend money on the truth.
Getting up at four in the morning to tend the farm while the world is quiet - feeding animals, mucking stalls, gathering eggs, filling water troughs, checking fences, letting animals out into the field - is a high point to my day.
And then I got to go to Singapore and play with some orangutans, and the mom was letting me hold the baby. They just look at you with these big eyes, so sweet and open. Like the soul is right there - it almost scares you, you know?
One of the things I really like about West African guitar playing is the way it makes harmony linear. They're really spelling things out and turning chords into melodies instead of just letting them be these hanging blocks of color.
'Brave' is very specific and extremely personal. It can't be judged by people on the outside. Just can't. Sometimes brave means letting everyone else think you're a coward. Sometimes brave is letting everyone else down but yourself.
You're always trying to find common ground with whatever you do, but you want to not be thinking about yourself when you're performing a play. The job is getting yourself out of the way and letting the character go about the scenes.
Sometimes you can press a little bit and you're trying to do too much and you're trying too hard. You want to win so bad and you want to help the team so badly that you end up trying too much instead of letting the play come to you.
The two worst strategic mistakes to make are acting prematurely and letting an opportunity slip; to avoid this, the warrior treats each situation as if it were unique and never resorts to formulae, recipes or other people's opinions.
We wanted to incorporate lights and the like to really accentuate the music. We play mostly small venues, so we don't use it overboard by any means. The most important thing is the music. I think we do a good job of letting that show.
Here you do have forests, where pigs could be raised by letting them root about in the forests for a good part of the year. Therefore, you have a different attitude toward them compared with what continues to exist in the Middle East.
From Richard Petty to Andy Murstein, everybody at RPM is standing behind me and believing in me on track and also following me through this journey off track and letting me find my way and find my voice in standing up for what's right.
Politicians have been spreading fear, saying if we're letting in refugees, we're letting in terrorists. It's not the truth. We've got to recognise the difference between terrorism and people who are refugees; people who are struggling.
So it's mix and match. Hold your line when you really feel something you're saying is wonderful and you really want to get this point across and prove it to your partner by just throwing it into the tape and letting it speak for itself.
Writers, actors, anybody working on an ensemble-type thing, there are going to be some creaks in the beginning. It seems like there's tremendous potential in just letting things sort of breathe a little bit. It's tremendously important.
There's got to be a role for an experienced football person helping the manager; not being a threat to the manager, but helping and sorting out a lot of the hassle he has, you know? Letting him concentrate on managing the football side.
I've always thought that as long as directors and casting directors don't see me as just Harry Potter, I'll be OK. People have shown a lot of faith in me, and I owe them a huge debt. They're letting me prove that I'm serious about this.
Failing well is a skill. Letting girls do it gives them critical practice coping with a negative experience. It also gives them the opportunity to develop a kind of confidence and resilience that can only be forged in times of challenge.
When you're telling taut, tight storytelling that has any kind of built-in plot twist elements, you tend to want to stack everything up on top of itself as opposed to letting things breathe and be languid in terms of the passage of time.
I'm doing a fun EP. It's called 'Songs in the Key of Phife: Eight Is Enough.' It's radio-friendly, but then a lot of it just has that raw hip-hop. Some of it will be vintage Tribe, but for the most part I'm just letting my voice be heard.
Looking at 2014, I look back: we made more money off 'Mailbox Money' than we would have made off taking an advance from anybody. We made more money letting our fans buy the stuff directly from us than what any label could have offered us.
One of the guys I've always said was one of my favorite fighters to watch was Sakuraba. He's always been really creative. He's got a great attitude, and I think he has the right approach of just going in there and letting it all hang out.
I learned about not just being with someone because I don't want to be alone: being willing to be alone, and then find something that feels right and just reaching for companionship for companionship's sake. Not letting drama lead my life.
I have worked very hard on being aware of my childhood but moving forward and not letting it bring me down emotionally. That is a hard thing - especially when you have children of your own and you remember what happened to you at that age.
We have to learn not to feel guilty about letting our imagination browse around, and you know, in writing fiction particularly. But I think, in any kind of writing, we have to learn to allow ourselves to approach it in a contemplative way.
During cancer, when I was flat out on the bed, I was so helpless. I wanted to do things my way, but it was not happening. I learnt to trust the process of life and letting other people also sometimes take control. I became more easy-going.
I loved 'SNL' growing up, and I would trick my babysitter into letting me stay up to watch it. My family would rent Marx brothers' movies and Monty Python episodes, and we watched 'In Living Color', 'The State', and 'Strangers with Candy'.
We should make it so that young people pay their fair share for health care, and nothing more. And instead of Washington telling us what to buy, let's get back to letting every American choose the plan that's best for them and their family.
For me, every single thing I do seems to be about the process of letting go because that's what I so desperately need to do with so many things: with fear, with what people think of me, and all these things I've worried about my whole life.
Every time I've made a big decision in my life, it's been about letting in the possibility that maybe I could do something that I actually wanted to do and not letting people tell me that I should compromise or that it's too big of a dream.
I was obsessed with 'The Velvet Rope' for a year straight, letting Janet Jackson's confessional lyrics lull me to sleep and comfort me when I felt lost. I felt that the album was the vehicle onto which Janet finally expressed her full self.
The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.
I hate striking out, but at the same time, I'm much better at letting them go rather than, earlier in my career, worrying about it so much before the next at-bat against the guy. You grow as you play, and every year, I work to cut them down.
I'm just opening the doors. And a lot of this is new to me - thinking about it, and letting go again and again and again, trusting that if I'm meant to continue working as a musician, it'll happen. If I'm not, then pull out the life support.
The idea is that the state doesn't have rights to limit individuals' wants and passions. I disagree with that. I think we absolutely have rights because there are consequences to letting people live out whatever wants or passions they desire.
I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.
I think with drama, at least for me, my process, there's a lot of thought. I do a lot of back story. I listen to a lot of music. I'm very committed to a process when it comes to drama, but with comedy, I think it's really about letting loose.
I've had to work so hard in my career to get to this point, from leaving City and going to the Championship to work my way back up. I believed I could do it, and I'm grateful to Burnley and Tottenham for letting me do it in the Premier League.
I remember, playing in college especially, I cried in almost every game I played. I just felt so much stress and pressure that I was letting everyone down if I didn't score a goal or win the game. I carried that weight with me into every game.
I'm letting my coaches take the reins more. Letting them make the decisions on what's going to be a hard practice, what's not going to be a hard practice and also this weight cutting thing. It's the best decision I've made in my entire career.
I do not abuse players. I talk to myself; I abuse myself. It's my way of letting off steam. I do it after every century; I do not do it always. I keep telling myself: 'Improve, improve from the previous match, the previous shot. You can do it.'
I love the feeling of being in front of a live crowd and performing and just kind of letting loose and getting the crowd involved, and I got to perform at the Superbowl and at the Staples Center, you know, at the Lakers game, which was amazing.
The similarity between the big directors I've worked with is that they allow the writer to find a way of doing what they want done without saying 'do it this way.' They describe what they want, then letting the writer figure out a way to do it.
Some kind of clutter is difficult - letting go of things with sentimental value, sifting through papers - but some clutter I find very refreshing to clear. I drive my daughters nuts because I'm always wandering into their rooms to clear clutter.
Every day now, I discover something new. Go through phases in which I feel much more in touch with my feminine side in ways I never thought possible. I'm letting the woman inside of me speak, the desires of this woman, speak as loud as they can.