Be the best you can be, but acknowledge that you will make mistakes, and then know which errors to let go of. There will be typos in e-mails, meetings you are late for, daily to-do lists that don't get completed. Cut yourself some slack and, more important, reward yourself along the way.

In order to make Alma innocent and open, I had to forget that I'm stressed as an actress because I'm making a film with Paul Thomas Anderson. I had to let go of everything and hold onto the text. The language was like a rope I could cling onto and make my way blindfolded through the shooting.

John Cena actually showed up to do a song with Snoop in L.A. and he walked in and was like, 'What the hell are you doing here?' I was like, 'You didn't know? I got let go. I'm back bodyguarding now. He was like, 'What? That's crazy!' I was like, 'It's all good. Good to see you. Appreciate it.'

Any revolutionary change must be preceded by a passive, affirmative, non-challenging attitude toward change among the mass of our people. They must feel so frustrated, so defeated, so lost, so futureless in the prevailing system that they are willing to let go of the past and chance the future.

I find myself unable to let go of the sense that human beings are somehow special, and that moment-to-moment human experience contains a certain unquantifiable essence. I still suspect there is something too quirky, too paradoxical, or too interpersonal to be imitated or re-created by machine life.

Maybe when I was a kid, when you have those crazy dreams about what music is going to be like - a string of No. 1 hits, a limo, and a fairground in your back garden - and then you start as a musician, and you realize very, very quickly, that's not how things work. So I just let go of all that stuff.

It was weird that most people knew me as someone let go from 'SNL.' I had the best time there, and in retrospect, it was the perfect amount of time. The only thing that matters is what you do with yourself in that moment after. If you decide, 'I'm the girl who was fired from 'SNL,' you're just that.

With experience, you understand expectations, you understand consequences, but sometimes it gets a little bit hard, especially for me, that I'm a perfectionist - I want to analyse everything. And sometimes it's most important to just let go and trust your instincts. This is what I need to do more of.

I was trying to be 27 at age 47, but God had to get rid of my vanity. I had trouble letting go of the old Lex physically. My human fleshly nature didn't want to let go of what had come to be billed as 'The Total Package.' I guess God had to help me get rid of the last remnant of that vanity and pride.

Just going out and seeing friends, not being cooped up in my house because I don't want to get my picture taken or anything like that - I've tried to let go of that stuff a bit, accept that it's going to happen to me, and not let it prevent me from doing anything I want to do, which I have in the past.

I've evolved as a human being, and I've taken more risks. I've let go of judgment. I don't know when the best stuff is coming - I sink into the process in a different way. I paint more, and my vision is stronger, but I don't think my music is better, because nothing is ever better than your first material.

Did I offer peace today? Did I bring a smile to someone's face? Did I say words of healing? Did I let go of my anger and resentment? Did I forgive? Did I love? These are the real questions. I must trust that the little bit of love that I sow now will bear many fruits, here in this world and the life to come.

I overthink everything. I'm very keen there should be a positive outcome. I like to control outcomes. But you can't. That's what is nice about being an actor, that you work really hard and it pays off. But at the end of the day, for it to be any good, you have to let go. I'd like to be better at this in life.

I wrote 'Song Like You' the day I recognized that someone who was really important to me was not actually very good for me, nor was I for them. I think we all have to make hard decisions like that at one point or another, having to let go of someone who we love because love isn't always enough to make it work.

There are a lot of subtle things that are harder to stamp out of a culture in terms of male entrepreneurs being mentored more than female entrepreneurs... male entrepreneurs getting several strikes against them before they're kind of let go, whereas female entrepreneurs, it's kind of one strike and you're out.

If you go back far enough and get a wider enough picture of history, we have let go of many things that follow a religious narrative. We don't burn witches anymore. Most people would consider that barbaric. We don't sacrifice human beings, which was a religious act practiced by numerous cultures on this planet.

One of the most important misunderstandings for white people to get over to move forward is this idea that racism is a good-bad proposition - that if we're good we can't be part of it, that being uncomfortable means you're a terrible person. We have to let go of that and understand it as a system we all live in.

I believe that a trusting attitude and a patient attitude go hand in hand. You see, when you let go and learn to trust God, it releases joy in your life. And when you trust God, you're able to be more patient. Patience is not just about waiting for something... it's about how you wait, or your attitude while waiting.

The Tao teaches us to let go of things. Use the 80/20 rule. If you take all your clothes, you'll find out that you only wear 20 percent of them. Take what you have and don't use and circulate it. Give stuff to people who truly need it. After all, we come into this world with nothing; we leave this world with nothing.

Our characters act silly, even totally ridiculous at times, and most of our jokes don't come out of pop cultural references. It seems like we're aiming at a child audience, but everyone can laugh at the basic human traits that are funny. It's playful, the humor is playful, the world is playful. You can kind of let go.

You want a poem to unsettle something. There's a deep and interesting kind of troubling that poems do, which is to say, 'This is what you think you're certain of, and I'm going to show you how that's not enough. There's something more that might be even more rewarding if you're willing to let go of what you already know.'

I can't control life for my grandchildren, so how could I control a story? Sometimes I try to force something, and after working and working on that chapter, I realise that I am swimming against the current. I will never get there. So I have to let go of whatever previous idea I had about it and let the characters decide.

It's highly dishonorable to ever quit a production. I never have done it, and I can't imagine ever doing it. However, I have been in productions before where, on the first in the read-through, you feel that someone is in trouble, and indeed, actors have been let go shortly after read-throughs. I've seen that happen before.

'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.

I've had people send messages that said, 'I'm sorry how I treated you in high school.' It was just through kindness. I still think of the world the same way I did growing up. When I got hurt, I decided that this is how people are. But the world is changing, and even those people have changed. And I have. I need to let go, too.

Much protective self-criticism stems from growing up around people who wouldn't or couldn't love you, and it's likely they still can't or won't. In general, however, the more you let go of the tedious delusion of your own unattractiveness, the easier it will be for others to connect with you, and the more accepted you'll feel.

If you're wondering what I mean by 'miracle,' it's simple: a miracle is a shift in perspective from fear to love. A miracle can be the moment you choose to forgive your ex-lover and let go of decades of resentment, or the moment you recognize that losing your job was not a tragedy but an opportunity to follow your true calling.

Even though you may want to move forward in your life, you may have one foot on the brakes. In order to be free, we must learn how to let go. Release the hurt. Release the fear. Refuse to entertain your old pain. The energy it takes to hang onto the past is holding you back from a new life. What is it you would let go of today?

I'm always interested in how people, myself included, have ideas of themselves, of how they thought they would be, or of how they want to be seen. And the older you get, the world keeps telling you different things about yourself. And how people either adjust to those things and let go of adolescent notions. Or they dig in deeper.

I want to challenge myself to see where my limit is and experiment with a lot of different films. A lot of artists from Asia focus too much on their Asian background. I don't want to let go of my background, but to be a success in the U.S., which is my goal, I realize I need to surround myself with American filmmakers and producers.

There's something about being any kind of entertainer that is acting. You have to put on a show. Things you wouldn't do in your life, you do on stage. You have to let go. And that's extra hard for rappers. We have a tendency to, quote unquote, keep it real. As an actor, you have to be able to humiliate yourself. Do whatever it takes.

Not everyone is going to love you. Not everyone is going to like what you do, and you see a lot of people don't want to let go of the bands that they love. They don't want to move forward. They don't want to let new things come in; they're scared of change. They're scared of new bands taking over their genre. They're just scared of change.

You can assume that the leaf you see let go of a branch and fall towards the ground has never been considered by any being but yourself. Catch it in your hand - or, even better, keep walking until one falls into your reach naturally - and it will have spent its whole time on the planet without ever touching the ground, only because of you.

I think credibility is one of those things that, if you work hard and you get it by standing in the trenches and traveling the world, people realize you're multi-faceted. Part of me is a serious journalist and I loved all of the stuff I did. And then there's another part of me that likes to let go and I think a lot of women can relate to that.

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