Quotes of All Topics . Occasions . Authors
I've had people hang around me because I'm Bruce Lee's daughter, and it's kind of a blow. You start to ask yourself, 'Who am I?', 'What's valuable about me?', 'Is what's valuable about me that I'm Bruce Lee's daughter?'
There's room for Spike Lee's movies; there's room for Tyler Perry's movies. There's room for classics with an all black cast. There's room for all of it as long as we don't try to make any one piece define us as a race.
I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.
I've been fortunate. I've worked in a lot of things where I had those kinds of experiences with actors who were perceived as very macho guys, everybody from Lee Marvin to Charlie Bronson to Harrison Ford to Robert Shaw.
I've never met or spoken to David Lee Roth, yet it's rather ironic that even he's saying Eddie's lying about things. I'm saying he's not telling the truth, yet Eddie insists that the two of us are lying! You be the judge.
When the fearsome foursome of rock music, Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, decided to show up in Toronto for a rock and roll festival, I knew we had to go there to try to get them all on film.
I grew up under the spell of London. Illustrator Kerry Lee's evocative 1950 wall map of the city hung above our breakfast table at home in Canada. Over my corn flakes, I traced the capital's high roads and medieval alleys.
Everybody asks me, 'Lee when did you know it was time to retire?' I said, 'when they quit asking me to coach.' After the Orlando Renegades, not many people were busting down my doors to coach, so why not do something else.
Writers of all things speculative have played in alternate and parallel worlds for a long time - everyone from Stephen King to Philip Pullman to Tanith Lee - and it's an obsession that likely isn't going away any time soon.
'Rent' was a special project for me. It was my first notable screenplay job. I worked with two wonderful directors on it, starting with Spike Lee in the summer of 2001. I wrote a draft for Spike and he was really good to me.
If you like 'The Nature of Things,' or if you like 'Quirks and Quarks' you'll certainly like Lee Smolin's writing, and 'Time Reborn' is his latest nonfiction book, and it's an absolutely compelling read. It's worth the time.
The Best of Elvis Presley, Doris Day, Jerry Lee Lewis, Bill Hailey and the Comets, Frank Sinatra, Peggy Lee, Frankie Laine all topped the charts in the '50s. Load a playlist of rock n' roll royalty. You're spoilt for choice.
I was essentially raised on blues music. My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
Ted Cruz, Rand Paul, Mike Lee, and others who raced to the microphones at the slightest hint of Obama overstepping the lines were damn quiet as Trump wildly colored outside the lines of any rational version of executive power.
Listen, Bruce Lee fought out of anger. That's why they call it the 'Fists of Fury.' Michael Jackson danced with fury. I do stand up out of fury. I'm not mad at anybody. I'm not mad at any human being because I'm a human being.
Annie Lee Smith was my mother's name. My father's name was George Washington Smith. I have to tell you, I got all of my attributes from them, obviously, the tangibles, the intangibles. Particularly my work ethic, my dedication.
Nora Roberts, Stephen King, Lee Child and George R. R. Martin write wildly different books. Their writing, plotting and styles have little or nothing in common. But they all write books and characters that readers find appealing.
Elvis and Jerry Lee Lewis had enormous talent, and Elvis was the major contributor to an entirely new genre of music. Sometimes their exploits were distasteful to people, but they left behind an enormous body of work that endures.
A lot of my friends were mostly working in black-and-white - people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing.
The martial arts that I got into was because of Bruce Lee and Jackie Chan, because of all of the animal styles at the time. It was around about the time when Jackie was doing 'Drunken Master,' and, like, Snake versus this and that.
I am star-struck but also I've known a lot of people for a long time. Like I'm super star-struck by Grant Lee Phillips and Jon Brion but I've known them for 17 years. So it's kinda like weird to be star-struck still, but I still am!
Bruce Lee was just so lightning-fast. People try to emulate him in whatever way they can, but to try and do what he was doing... you're just inspired by it; you're not trying to say, 'Look, I can do that.' No one can do what he did.
Although the Academy prefers their Best Pictures grounded in realism, not fantasy, Lee's 'Life of Pi' win proved that the voters understand and appreciate the qualities a visionary director needs to create an otherworldly adventure.
Lee May's about the same age as me; he's got about the same stats. So how come he's making about one-eighty, two hundred thousand, and I'm the best damn paid player in the game? I'll tell you why: Because I put the meat in the seats!
Harper Lee's novel 'To Kill a Mockingbird' became iconic almost immediately after appearing in 1960: best-seller status; the Pulitzer Prize the next year; a classic movie soon after, with Gregory Peck in an Academy Award-winning role.
In high school, I was always into Jerry Lee Lewis, and they decided they needed a piano player for the jazz band. I had my little boogie-woogie thing that I did, so I did my little boogie-woogie thing. I had a very high-pitched voice.
I've played such good golf, and it was hard coming up and it wasn't easy in any matches or any shots. It means a lot. I think hopefully it will mean a lot to New Zealand because I'm the next winner of the U.S. Amateur after Danny Lee.
My first western was 'Death Hunt' with Charles Bronson and Lee Marvin; that was where I learned to ride. The movie was based on a true story about a guy that eluded the Mounties in Canada. We were in Canada for six weeks riding horses.
When I was eight or nine years old, my older cousin took me to the St. George Theatre on Staten Island to see a Bruce Lee movie and a Jim Kelly movie. Those were my first martial-arts films, and I fell in love with the genre back then.
I got a call saying that George Lucas wanted to meet me. Of all the phone calls I've received - Oliver Stone wants to meet you; Spike Lee wants to meet you - that was the one call I never in a million years thought was going to happen.
I always wanted to do a light-hearted entertainer, and 'Bruce Lee' is such a film. The brother-sister sentiment and the relationship between father and son will be very good. The comedy will be hilarious, but it is not a forced comedy.
Ang Lee is very precise. He will show you everything, and will let you know what he is thinking about the whole project. There are a lot of rehearsals before shooting, and you already reach a certain standard. Then he will ask for more.
The great apologist has to have lived large and wild. If he's going to kiss the world's boo-boos and make up, he'd better plant some bruises first. A master apologizer has to be a Lord Byron, a Rick in Casablanca, a Lee Atwater, anyway.
I would not call myself a veteran conspiracy theorist. Or an obsessed one. I pretty much peaked on the whole conspiracy theory thing in the '60s, with the grassy knoll, who really killed JFK, and who ordered the hit on Lee Harvey Oswald.
I did my 'Hulk,' but it was not easy. If I do another Hulk film it will always be compared to the Ang Lee thing, and my first one... if I come back, I'd love to do another superhero, something different that I can really put my touch on.
But I want to pay tribute to Anna Lee Woodruff, an extraordinary, selfless woman and beautiful grandmother who in her quiet determined way was a role model for her two daughters, and who left a lasting impression on so many who knew her.
When I was growing up, there were so many things I thought were stylish. Jabo jeans, V Bombers, Clarks, Vikings, Nugget watches, Lee pants with the patches, leather hats - which I still wear now. All hip-hop stuff, all South Bronx stuff.
I was playing a role and acting. But it was different than Spike Lee's movie. Spike can say 'cut' and move to the next scene. But I was pretending to be a white supremacist, one of them. I had to act like them to make the ruse a success.
Between Alan Freed in Cleveland and Bob Horn and Lee Stewart in Philadelphia and George 'Hound Dog' Lorenz in Buffalo, they began to find out that white kids liked black music. It was a very significant period of time before I got there.
That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.
My girlfriend comes from a farming background and I spend a lot of time at her farm doing farming stuff. When you're pulling lambs out, or weighing them or worming them or doing whatever you do to sheep you're not thinking about Brett Lee.
I enjoyed my time at DC. Dan Didio, Geoff Johns and Jim Lee were great to me, and I'm very grateful for the opportunities they gave me. Having said that, I think it's important to try new things and work with new people to keep myself fresh.
Lee Seung-gi before the army and Lee Seung-gi after the army are totally different. Firstly, I've matured a lot. I used to feel pressured by a lot of things before fulfilling my military duties. Now, I'm proud that I've become more confident.
I couldn't control Arnold Palmer, Gary Player, Tom Watson or Lee Trevino. The only person I could control was me. The only person I could prepare for events was me. And if I didn't play well, I didn't play well, and I wasn't going to compete.
The thing about Spike Lee... that's a deep experience to work with someone who is that intense and knows their vision that well. The character I play in 'Red Hook Summer' is super country and super loud. I suppose he is some version of myself.
I've dedicated a lot of my life to running the Bruce Lee businesses and continuing his legacy. Some people say I'm doing that to make money or to emulate him. That couldn't be further from the truth; I do it because I'm inspired by his message.
Whenever I open a book about jazz, I turn to the index and look for Lennie Tristano, the incredible pianist; Lee Konitz, the luminous alto sax player; and Warne Marsh, the tenor player who captured some of the most beautiful sounds in the world.
As I grew older, I realised that Bruce Lee was an actor first and a martial artist second. If he wasn't a convincing actor and didn't have the emotion in his eyes before delivering a kick or a punch, it wouldn't have made that much of an impact.
Just about every rock band and every guitar player from 1964 to 1984. To me, that's the golden period of rock. From the first Beatles album hitting America to the last Van Halen album with David Lee Roth. That's where all my favorite rock exists.
What was Bruce Lee like? How did you meet? What was it like to choreograph the fight scene in Rome with him? Did you spend much time together off-screen? Those are a small sampling of the inquiries I'm asked often, wherever I go around the world.