I did projects on Champlain coming up the St. Lawrence River and on Henry Hudson cast adrift in the bay that now bears his name. And I read dozens of historical novels: Rosemary Sutcliff on Roman Britain and G. A. Henty on British heroes, though my all-time favourite was Ronald Welch's 'Knight Crusader.'

In 2004, Lawrence Wright wrote in the 'New Yorker' about 'The Kingdom of Silence,' where a massive sewer project in Jeddah was really a series of manhole covers across the city with no actual pipes underneath. I, as the editor of a major paper at the time, can say that we all knew - and we never reported on it.

Just recently, I thought about how maybe I should have kept using the synthesisers more after 'Merry Christmas, Mr Lawrence'; then, I would have been a more unique soundtrack composer than I am now. It could have been my signature. But then, probably, Bertolucci would not have offered me to compose for his films.

How will I become Meryl Streep if I can't even get in the door with Jennifer Lawrence for the same role? I think that it starts with casting directors and executives and studio heads opening up their minds, and really putting an effort into being trans inclusive in their projects, whether they're trans-specific or not.

There was a moment when I was watching Martin Lawrence and Will Smith in 'Badboys' that I felt, you know, inspired. I don't know if I was proud, because so many people do the work. Everyone's part of a team that develops over the years and gives people chances. There have been some good moments watching people develop.

Thor is magical, yes, but it is the magic of reality. His hammer was crafted 'in the heart of a dying star,' but so were you! Most of the atoms that make you up are in fact the innards of a ball of gas in space that got so heavy that it exploded. Stars died so that you could live, as physicist Lawrence Krauss would say.

So many people look up to Jennifer Lawrence playing Katniss in 'The Hunger Games.' For them to look up to Rey and what she represents would be fantastic. She's a wonderful character... The reason I love her so much is she does all the fun stuff. She fights, runs and protects herself and has an incredible emotional story.

I think that there's a fine line between comedy and drama. I think that ultimately, the less winking that's going on when you're doing comedy - and this is just my own thing, and maybe it's why I've never been hired in comedy except by Bill Lawrence - but I think that the less winking you do with comedy, the better off you are.

What's great about working with EPIX is that we have unparalleled access to the top movie talent and do exclusive 1:1 sit-down interviews with the actors, sometimes before anyone else does. With 'The Hunger Games,' we had our own studio set up and did 1:1s with Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Lenny Kravitz, etc.

Simplicity - that's what I want. It's been a rare commodity for me for a number of years, but I enjoy being able to hang out with my girl, read the newspaper, and sit back and start to read a book by someone I admire, like Lawrence Krauss or Christopher Hitchens. And that's it - simplicity, where the game of Hollywood doesn't exist.

Schools like Doon or Lawrence in Sanawar didn't decide to create leaders when they started. Look at their alumni list today, and you have a former prime minister, Olympic gold medallist, army generals, cabinet ministers, and leaders in different spheres. Some kind of training started at the school level itself that helped create leaders.

My feeling is that the judge has a responsibility to the Constitution first, precedent second. Precedent is one factor. It is not the only factor. If it was the only factor, then, you know, we wouldn't have had Roe vs. Wade. We wouldn't have had Griswold. We wouldn't have had Lawrence. We wouldn't have had all these cases which the Left love.

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