I believe comedy should be free to go anywhere. I believe that there is tasteful and untasteful, I think they're very close to each other, and it's how you handle it tonally. But I'm an equal opportunity offender. I'm happy to go at anything that has a cause to be laughed at.

I remember somebody asking me in an interview years ago if I would be interested in playing Jason Bourne. I laughed: I didn't think anybody would want to see me run around with a machine gun. It always stayed in the back of my head that I had reacted like that. It bothered me.

I always knew that I wanted to be an actor. I made my debut on stage when I was 12, and I was sure that this is what made me happy. However, nobody takes a 12-year-old's career choice seriously. Everybody laughed it off. I also ran away from it, but acting eventually found me.

I've spent months living in Africa and India. So it's not like I was sheltered when I started living in America. But my family laughed when they heard I was going to be in 'Transformers.' I learned a lot and got to experience Michael Bay's mayhem. It was a very colorful experience.

That was the coolest thing about 'Baby Got Back.' The establishment didn't embrace the song, which is what kept me from being the next pop guy to fizzle out and get laughed at, get dissed on TV. That helped save me. The fact that MTV banned the record made the record, in a weird way.

While handling social media pages, my father accepted every friend suggestion that popped up on the screen. He's shared some random videos and commented on people's posts. I told him it's silly paa ' and he laughed. Maybe on Father's Day, I'll teach him to order his favorite food on an app.

I would be sitting in my flat watching TV, and 'Doctor Who' would be on with my flatmate there. I would have loved to share the fact that I was the new Doctor, but I couldn't. I was going mad. My dad was rather flabbergasted. When I told him, he laughed. He was excited, elated and very proud.

I called up and said, 'Dad, I won a MacArthur.' My father goes: 'I always thought your sister would win that,' and I said, 'Dad, just say congratulations and keep your private thoughts private.' At that point he laughed, then burst into tears, and it was obvious that he was so happy and proud.

Ever since I was really little, I started doing a - I don't know how to put this - mentally challenged person on my street. I meant no harm by it, but I remembered how this person talked, and I did it for my mom, and she was not into it. She said, 'You can't do that!' But my dad really laughed.

A friend at school was always being laughed at because his father emptied dustbins for a living. But those who laughed worshipped famous footballers. This is an example of our topsy-turvy view of 'success.' Who would we miss most if they did not work for a month, the footballer or the garbage collector?

Whenever I was in the dressing room on my own, I'd start playing blues to myself. One night, Bob Daisley, the bass player, came in and said, 'You know, Gary, you should make a blues album next. It might be the biggest thing you ever did.' I laughed. He laughed, too. But I did, and he was right, and it was.

When I was eight or nine, I wrote a new version of 'Peter Pan' for the school play. They didn't use it - I imagine it was unperformable - but as recompense for not doing my script, I was offered any role, and instinctively went for Captain Hook. I came on trying to be terrifying, but everyone laughed at me.

Once, when I was about eight, my mum handed me a sandwich, and I remarked: 'What are those weird things on your hands?' I was referring to the visible pores, which were such a contrast to my own alabaster-smooth skin. My mum looked mortified, while my grandma laughed and said: 'They're nothing - look at mine!'

I'm 100 percent convinced that Pablo Escobar was a human being. And he was a very interesting one. For sure, he was a very, very, very mean and awful human being in many senses, but he wasn't an alien. He was a person. He had friends; people laughed at his jokes. And he was a very contradictory person as well.

I've told so many stories to so many friends of mine. I have friends in Pittsburgh, in West Virginia, and in Indy. That's three different demographics of people, and they all laughed, so I assumed that if I find something funny and all my friends find something funny, I hope people everywhere will find it funny.

In the 1970s, family history wasn't yet thought of a serious field for study. I was terrified of being laughed at by other historians. I called my book 'The Social Origins of Private Life.' It should have been 'As Pompous as You Want to Be.' Every sentence was academic jargon, and if I said X, I qualified it with Y.

The public brings our buildings to life, and we try to choreograph a lot of things, but our most successful work functions in unanticipated ways. Like the Blur Building. When little kids got in there, they cried or laughed or ran around. And no matter how much theory we put on top of it, it didn't matter: it worked.

I'll never forget when me and Jason Matthews wrote the line, 'Don't be a tape player hater,' in 'Country Man,' I don't think I ever laughed harder. We didn't know where we were gonna put that in a song, but we knew we had to make it into a song. I just remember laughing and being so proud of such a goofy little line.

I think the kids in school that laughed at the clothes that we wore and the house that we lived in, and then my mother had to cut hair... I think that was a good motivator. Every time they laughed at me, they just built a fire, and there was only one way to put it out - to try and show 'em I was as good as they were.

I am a standup comedian who has performed comedy in the Middle East in front of thousands of Muslims. And believe it or not, they laughed at plenty, especially when we poked fun at local culture. The Lebanese loved it when you would make fun of their driving and how, in Lebanon, a red light is just a suggestion to stop.

There's something magical about film, it's the ultimate for me, because it's kind of permanent - inasmuch as anything is. When I went to see Buster Keaton when I was about 14 and I came out of the cinema having really laughed at this film which had been made 50 years before, I thought: That's immortality. It's fantastic.

When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.

When I had a record deal in the '90s, that was my dream - to make an album like Barbra Streisand's Broadway album - and they laughed me out of the room. Broadway wasn't cool. But artists like Michael Buble and Josh Groban have brought the classic genre back to the forefront, so I'm trying to find my way inside that market.

The Huxtables laughed and bonded and debated and lip-synced. They were glamorous and simple and extraordinarily human. And affluent. And educated. And so many different kinds of black. You'd think that all of that would make them the Howard University of African-American family life. But white people wanted to matriculate, too.

Once, at Thanksgiving, a neighbor wandered in while my cousin Lisa worked on a turkey, shearing meat off its frame and sliding the steaming slices onto a big flowered plate. 'Hey, that's the man's job,' she yelped, in between slurps of her Big Gulp. No one even paused to acknowledge the comment; everyone just laughed and laughed.

I've dated people where we traveled horribly together, and if one thing went wrong, it was horrible for them. Then I've been fortunate enough to have great traveling experiences where everything lined up and even when things went wrong, you just laughed about it. You learn so much about yourself when you're traveling with someone.

There was a kid that used to pick on me... he used to drop my food and beat me up in little corners. Nothing serious, but tease me. I remember knocking his food out of his hand one time when he in the middle of explaining something to his friends, and they all laughed, so I thought that was pretty nice. 'Well, there you go buddy.'

Sure, I've felt racism. I think everybody has prejudice. When I was growing up, the dark Mexican kids weren't allowed in the public swimming pool in Dallas. My light-skinned friend got in, and he laughed at us. It didn't seem like a big deal, because we didn't know any different. So I never ran into anything that actually scarred me.

I'm not a movie star, but I've been an actress forever, and the first time I went on a date with my husband, he said to me, 'So I hear you're an actress. I've never seen anything you've done.' We were like, oh gosh, 21 when I met him, and I laughed, because I'd done 'Life Goes On,' and 'Christy,' and I mean, I'd been working forever.

Being in school, whenever I laughed or smiled, I would turn to find someone staring at me with this terrible hatred and disgust. I had to control everything - control my voice, control my facial expressions, control my hair and my clothes, and where I walked and where I sat - at every moment. I think that drove me to terrible anxiety.

I was awful my first time. I was so shy eating in front of people. It was so awkward. But my next contest, I brought a bunch of my family out, and I won that one. I remember I almost barfed because my mom, at the end of the contest, she yelled out, 'Do it for Mama!' Everybody laughed. It was one of the closest I've ever been to barfing.

I had no idea how difficult Sondheim's music would be. All through the rehearsals, I kept flubbing. There were so many tempo changes. I could never get through the opening number without any mistakes. One day, I went up to Hal Prince and offered to leave the show. He laughed it off. He said, 'Don't be silly. That's why we have tryouts.'

I was never one to go up to someone as a five- or six-year-old and say, 'Hello, my name's Paul, will you be my friend?' But I found if I did an impression of the PE teacher or whatever and people laughed, then they did like me, and so then they started talking to me, rather than me making the initial overture and then maybe being rebuffed.

A couple of months ago, I was down in Florida for the Food and Wine Festival. And this journalist grabbed me and said, 'How does it feel to be a TV guy? You're no longer in the restaurant business.' And I laughed. I asked him, 'How long do you think it takes me to do a season?' He said, 'Well, 200 days.' And I was like, '200 days? Try 20!'

I am what I am. I'm not going to get plastic surgery. I had this discussion with my younger son. We were at a dermatologist, and this dermatologist suggested to me that I wanted to avoid wrinkles. Those wrinkles show that I have laughed a lot in my life, why should I want to erase that? Why would I erase the traces of my life which I loved?

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