Quotes of All Topics . Occasions . Authors
I like movies that are scary, but I don't want them to be dirt dumb. I want a movie that gets my blood racing, makes me laugh, but also gives me something to think about, with maybe a little sexy thrown in. Hollywood doesn't make movies like that.
The one thing I'm a firm believer in is that cars are the best thing to be around on television. They are exciting. They're fun. They elicit emotions. They can take you on adventures. They can make you laugh, make you cry. They're the best medium.
Before YouTube, I used to show videos at film festivals, and that was good and constructive. Watching things with an audience is a great way to gauge - it's pretty clear what's working in comedy when there's a joke and people laugh or don't laugh.
I am a woman, a mother, a daughter, a friend, a human being as any other human. I just happen to write songs and perform them, and I am lucky to be able to make a living with my music. Other than that, I smile, laugh, and cry, like any other woman.
I was creating characters early. People didn't beat me up. I scared them. I hated authority. I could also get people to do things; I was quite the early director. I could make people laugh enough to get their defences down - and then brainwash them.
My career actually started in the second grade as class clown. That's no joke. I was always making people laugh, and it was really to mask a learning disability... When it came time for me to read out loud, I would crack jokes or create a diversion.
I turn to my wife for everything. Her success has never affected her as a person - she's incredibly loyal. We laugh together; we share everything, and she still surprises me. When I saw her in 'Sweet Charity,' I was so proud to say, 'That's my wife.'
My mother, Yolanda, was a little girl who never grew up, and sometimes we would laugh, and I would say things like, 'Okay, so now it looks like I am your mother and you are my daughter,' to which she would reply, 'Well, yes. Handle it and pamper me.'
I was quite a shy kid, but I was quite funny at school, and I was really into art. In our class, there were two of us who were good at drawing, and my teacher was like, 'He's going to make a wonderful artist one day, and Noel can make everyone laugh.'
When people talk of the freedom of writing, speaking or thinking I cannot choose but laugh. No such thing ever existed. No such thing now exists; but I hope it will exist. But it must be hundreds of years after you and I shall write and speak no more.
It was Benny P Nayarambalam who first cast me in a character which made people laugh, in 'Marykkundoru Kunjadu.' Then 'Seniors' happened, followed by 'Ordinary' and 'Romans.' They were all commercially successful films and so I kept getting such roles.
I truly think comedy is - being funny is DNA. My dad was a doctor, a wonderful doctor, and people still come up to me today, 'Your father helped my mother die.' You know what I'm saying? He made her laugh 'til she died. My father was always very funny.
I have always been the first on the dance floor. Before fame, people thought it made me a good laugh; now, people point and call me an attention seeker! I'm very aware of the way people can view me, but I'm very aware that I have to just enjoy my life.
Not everybody should be laughing at everything at the same time. That's not even natural. My thing is to feel natural, because I don't want to feel like I could just make people laugh at every single joke, every single time, with the same decibel level.
I'm loud, I'm super comedic about my life, and I always try to look for partners who are the same about theirs, and with that I just try to always find a partner who I can have a laugh with who completely understands me before I begin to share anything.
I just always loved stand-up. It's like magic. You say something, and a whole room full of people laughs together. Say something else, they laugh again. The fact that people come to see that and participate in that... I don't know, it's just like magic.
I never thought I'd do comedy, ever, in a million years. I always thought comedy was just for fun - to me, the real stuff was the real dramatic stuff. Now I know it's all valuable. There's a real excitement, a good feeling when you can make people laugh.
What I love is the comedy of the body. It's a little highfalutin', but you can even say pre-verbal comedy. People laugh differently at stuff that isn't brought to them via the spoken word. It's from a different place; it's a different quality of laughter.
There are some fabulous treasures of photos of me during the early days of my career; there are these pin-up photos that make me laugh: I look like the poor man's Maria Montez. But there are some I look at, and I didn't realize how sexy I looked back then.
I would love to be in 'Downton Abbey.' That's the thing I thing many people would have a good laugh with me saying anything like that. I feel like that's the next phase of my career. To reprove to everyone that I can do things besides the crazy characters.
I love Sam Mendes, but I went to see 'Spectre' with my kid, and the opening scene of the Dia de Muertos party, with this kind of tropical music, in downtown Mexico City, with all these people dancing like it's the Rio de Janeiro carnival... I had to laugh.
So when you tell a joke, you want to make someone laugh, or if you tell a story about someone who had a heart attack, it may be because you want the listener to exercise. Stories are tools to create social cohesion and to get humans to strategize together.
Everybody who comes to my home has to play at least one set against me. I beat them all. The best thing is when they want another set. People like me who can't stand not to win. I beat them again and again until they are furious, then I laugh. That's funny.
Ninety-nine percent is in the delivery. If you have the right voice and the right delivery, you're cocky enough, and you pound down on the punch line, you can say anything and make people laugh maybe three times before they realize you're not telling jokes.
I don't care if the audience is 600 Saul Bellows; I'm going to knock them dead with a comedy routine. I'm out there as a missionary for literature because, if people laugh and enjoy themselves, they might actually do something as bizarre as reading the book.
And that's what the audience was feeling too, as they watched the show and as they watch it now. And overriding all of that is the way it was written. It was written honestly. There was never any manufactured laugh. There was never compromising of character.
I think God loves to hear little kids laugh at fart jokes. He didn't just make sunsets and bluebirds, He made hot babes. And dirty old men like me. That's the modest message I've set out to tell the world: you don't have to be Ned Flanders to be a Christian.
When I'm playing comedy, I never do 'jokes.' Sometimes I'll deliver a line in a way I think is more likely to get a laugh, but all the best comedy is played straight. What's funny is the way it hits the world around it or the way it hits the other characters.
I walked on eggshells a lot. I have a bad self-esteem problem, and my father probably facilitated it. He once looked at me very seriously when I was about 15 and had whipped cream smeared all over myself. He said, 'You'd do anything for a laugh, wouldn't you?'
When I was two and a half or three, my mom got a call from someone asking if wanted to go on an audition. I ended up getting the job; it was a commercial for Hasbro. It was my first audition and first commercial. I just had to smile and laugh and dance around.
Nobody can deny but religion is a comfort to the distressed, a cordial to the sick, and sometimes a restraint on the wicked; therefore whoever would argue or laugh it out of the world without giving some equivalent for it ought to be treated as a common enemy.
I did a number of local children's theater plays growing up, but in 5th grade, I had some good times on stage making people laugh as a troll in 'The Hobbit.' That solidified my dream to be on 'Saturday Night Live,' which was hugely influential for me growing up.
I don't want to be Marilyn Monroe. In many ways, that's a good comparison. Because Marilyn Monroe was a sexpot, all that stuff that I have no interest in. For me, it's much easier to just try to make people laugh than to try to be the hottest thing in the world.
'Hairspray' maybe did change people's minds, and that's how you get your political enemies to change their minds - by making them laugh and making them look at something in a way they haven't seen it. Not by preaching and cutting them off and being a separatist.
There is one thing in this good old world that is positively sure - happiness is for all who strive to be happy - and those who laugh are happy. Everybody is eligible - you - me - the other fellow. Happiness is fundamentally a state of mind - not a state of body.
I very rarely laugh. I remember I used to have a joy at comedy. I remember going to see Sean Lock for the first time live, just in some comedy club when I was 18, and again, just guttural, pure laughter. I didn't know what he was doing; I couldn't see the tricks.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
I'm an entertainer first. But I do as a stand up comedian, the way for me to evolve is to make a difference, to make people laugh and learn and do something different. Because there's too many comedians out there just making people laugh. And anybody can do that.
'Hustle' is wonderfully enjoyable because all my life, I've made an effort to be with people who can make me laugh. That original cast - Marc Warren, Jaime Murray, Robert Glenister and Adrian Lester - are all funny. So I know every day I'll have a few good laughs.
I think there's a danger that we're moving towards a state where the people we are expected to admire are almost not human anymore, and I don't like that. I prefer it when someone looks like a nice person, and you think, 'I could have a laugh with them in the pub.'
You learn to laugh at yourself, and you also lean on comedy as a crutch to kind of take the edge off because comedians often are self-deprecating, and they cross lines that they shouldn't. Stuff like that brings a smile to my face every once in a while when needed.
There's not one thing that inspires me the most. Me and my friends joke around with each other and hang out so much that whatever makes us laugh really hard makes it into 'Workaholics.' But the characters that I think are funny are guys that are confidently stupid.
I think in my case, I had no choice but to have a good sense of humor. I grew up with my dad, Danny Thomas, and George Burns and Bob Hope and Milton Berle and Sid Caesar and all those guys were at our house all the time and telling jokes and making each other laugh.
I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
Comedy is so subjective. If you trip and fall down, some people will laugh, and some people will say, 'Oh, physical comedy is so pedestrian.' Some people look at Three Stooges as lowbrow; some people consider them artists. No one is wrong. It's just a personal take.
The only time I don't get nervous is if I'm doing a home club in L.A. and I know all of my friends there because then I play to my friends. When I first started doing comedy, I hated it when my friends came; it made me more nervous. Now I just try to make them laugh.
I think drag helps move us in the direction of loosening up the man/woman binary. The idea that you're one, or the other, it's false. The more that as a society we become a little looser, more open to laugh about gender, that's the direction the world needs to go in.
I always found the dramatic side of things easier than the comedy, because there's so many ways to do comedy, and it's also subjective. Someone might not laugh at what you do, whereas if you're going to do a dramatic scene, there's usually only one way you can do it.
When I think, where did I laugh the most, where did I eat the most, where did I just feel good all the time, I would say making the Bond movie 'Die Another Day.' To be part of such an iconic franchise and to travel to exotic places - that was the most fun I ever had.
The only way I could get comfortable around people was to make them laugh. I was an obedient girl, and humor was my one form of rebellion. I used comedy to deflect. Like, 'Hey, check out my zit!' - you know, making fun of yourself before someone else has a chance to.