Quotes of All Topics . Occasions . Authors
In the end, nature is inexorable: it has no reason to hurry and, sooner or later, it takes what belongs to it. Unconsciously and inflexibly obedient to its own laws, it doesn't know art, just as it doesn't know freedom, just as it doesn't know goodness.
My mom had a heart attack, and it came out of nowhere - she was 54. My dad had leukemia for about 3 months. He was 80 when he passed. My dad had me later in life, and so he had leukemia and was alive for about 3 months between diagnosis and passing away.
I enjoy acting now more than I ever have. I've had lots of difficult times when I was younger, but that was all tied up with thwarted ambition. It's hard being a young actor, because you don't realise until later that it's only ever about doing the work.
I retired when the Supreme Court rose for the summer recess in 2009, and a couple of weeks later I drove north from Washington with no regrets about the prior 19 years or about the decision to try living a more normal life for whatever time might remain.
The vast majority of students probably emerge from college with an adequate grasp of no more than a single method of inquiry. Even this capacity may erode over time if it does not relate to experiences and problems that recur in the student's later life.
I wish I had known more firsthand about the concerns and problems of American businesspeople while I was a U.S. senator and later a presidential nominee. That knowledge would have made me a better legislator and a more worthy aspirant to the White House.
I think about the characters I've created, and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did.
I remember watching the Twin Towers collapse. Because it was another country and looked like a film, I just sort of thought, 'Oh.' I didn't think that much. Then three days later, it hit me. I was in a terrible state, and I was tearful for three or four days.
My first job was to run a concessions cart. Later, I found a position at the Pacific Film Archive. Thus began a long series of jobs, each one slightly better than the last, that continued for a decade, until I sold my first novel, and still goes on, even now.
Having worked in disasters, I have seen that, in those critical first few hours, those first few days - so much ends up riding on you and your neighbor and whoever is around. The official response always comes later, and it always feels like it comes too slow.
After we were hit on September 11, 2001, we were in a state of national shock. Less than six weeks later, on October 26 2001, the U.S.A. Patriot Act was passed by a Congress that had little chance to debate it; many said that they scarcely had time to read it.
In rating ease of description as very important, we are essentially asserting a belief in quantitative knowledge - a belief that most of the key questions in our world sooner or later demand answers to 'by how much?' rather than merely to 'in which direction?'
Mass prosperity came with the mass innovation that sprung up in 1815 in Britain, soon after in America, and later in Germany and France: It brought sustained growth to these nations - also to nations with entrepreneurs willing and able to copy the innovations.
The death of Malcolm Fraser underwrites a great loss to Australia. Notwithstanding a controversial prime ministership, in later years he harboured one abiding and important idea about Australia - its need and its right to be a strategically independent country.
Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.
People don't understand that all presidents, the minute they become president, get a knock at the door. And there's a man there saying, 'Let's talk about your funeral.' At the time I thought, God, that's a terrible thing. Later on, I thought it was pretty wise.
In the beginning, everybody that gets to work with me, thinks I'm nice. But three weeks later, they hear a bell ringing. Then they realise I meant everything I said during that first week. It's not my fault people are not taking me serious from the first moment.
We have also arranged things so that almost no one understands science and technology. This is a prescription for disaster. We might get away with it for a while, but sooner or later this combustible mixture of ignorance and power is going to blow up in our faces.
We know that, sooner or later, reckless government actions and policies have consequences. That when government corrupts the truth and breaks faith with the American people, the entire fabric of our society - everything we believe in and count on - is in jeopardy.
Writing in a diary is a really strange experience for someone like me. Not only because I've never written anything before, but also because it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year-old schoolgirl.
As I continued to grow throughout middle and high school, I began to expose myself to different areas of art like makeup, fashion, and later drag. I always had costumes laying around my house, so there were plenty of opportunities for me to dress up and turn a look.
I think about the characters I've created and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did. It's spooky.
When I left the WWF after SummerSlam '93, I didn't leave there thinking this is the end of my career. A couple of months later, when the neck injury took place and everything and I had that conversation with the doctor, I took the insurance and I got out of the ring.
I met Gemma, my wife, when she was 12. She had a schoolgirl crush on me and her dad had arranged for her to meet me. Later, she started coming to my concerts, but I only got to know her well after her mother died. I rang to see how she was, and that's how it started.
I'm pretty good at remaining calm during an emergency. My house burned down when I was 12, which made me really pragmatic about what needed to be done. But I can be bad in that I compartmentalize a lot of emotions and push them away to deal with them at a later date.
An unforgettable experience happened on December 15, 1996 when I won the Supermodel contest while still in school. I was just seventeen years old then. Winning that competition was the turning point of my life. That's how I got into modeling and later started acting.
When families are strong and stable, so are children - showing higher levels of wellbeing and more positive outcomes. But when things go wrong - either through family breakdown or a damaged parental relationship - the impact on a child's later life can be devastating.
Something I'll always remember - when I was a kid, I shook hands with Orville Wright. Forty years later, I shook hands with Neil Armstrong. The guy that invented the airplane and the guy that walked on the moon. In a lifetime, that's kinda wild when you think about it.
The negative cost of Lewis and Clark entering the Garden of Eden is that later expeditions regardless of what they were intended to do, later expeditions did not deal with the native peoples with the intelligence with the almost kindly resolve that Lewis and Clark did.
Man is a spiritual intelligence, who has taken flesh with the object of gaining experience in worlds below the spiritual, in order that he may be able to master and to rule them, and in later ages take his place in the creative and directing hierarchies of the universe.
The people who hanged Christ never, to do them justice, accused him of being a bore - on the contrary, they thought him too dynamic to be safe. It has been left for later generations to muffle up that shattering personality and surround him with an atmosphere of tedium.
My dad Chester was a pianist and later a well-known television entertainer so football was never really something that was on his radar. However when I was a young boy a family friend took me to see an Arsenal game and from that moment on I was totally and utterly hooked.
Someone said to me at a party once, 'Oh, yeah, you're a comedian? Then how come you're not funny now?' And I just wanted to say, 'Well, I'm just going to take this conversation we're having and then repeat that to strangers, and then that's the joke. You're the joke later.'
If you're the type of person who has to fulfill your dreams, you've gotta be resourceful to make sure you can do it. I came out to California when I was 21, thinking my New York credentials would take me all the way. I came back home a year later all dejected and a failure.
In 1962, I wrote a series about 42nd Street called 'Welcome to Lostville.' One result was that the young Bob Dylan read it and invited me to his first concert at Town Hall; the result was a kind of friendship that years later led to my liner notes for 'Blood on the Tracks.'
I usually hang around the room listening to a bit of last night's show. If there's one available, I go to the steam room every day for my voice. I spend half an hour there and then I eat, because I can't eat later than four o'clock. Then I go for a soundcheck. That's my day.
I wasn't really terribly familiar with the Beatles when I met George. They were just emerging. They certainly weren't as big as they became later on. I just knew them as a pop group, and that's all. I was keener on George as a man and a person, as opposed to someone in a band.
We have seen things in the twentieth century like the ATM machine, the VCR, and even the car. The electric car was invented in 1920, and here we, 100 years later, it is only now becoming an actual thing. So it doesn't surprise me that new ideas are met with a lot of questions.
Sometimes when I write lyrics there are images in them, usually on a quite simplistic level, like colors. But most often music comes first and then later I sit down with visual people and we chat about what we want to do. I don't look at myself as a visual artist. I make music.
While we were shooting 'Baahubali,' I had a knee injury, and a few months later, Prabhas injured his shoulder. Those two injuries meant a break of around five months from the schedule. So around that time, I was doing absolutely nothing, and Neeraj Pandey called me with 'Baby.'
At 17 years old, STG took me under its wing and shared its resources and wisdom with me, even allowing me to take part in a show at the Edinburgh Festival. Without STG and the Ramshorn Theatre, I would not have found access to the world of drama that I later made my profession.
We toured with Iron Maiden and we opened and they'd come in later and I didn't have a lot of time to get to hang out with those guys. Whenever you did, whether it was sitting down at catering or something, you tried to take advantage and just hang out and talk and trade stories.
Inside me, 'Dragon Ball' became a thing of the past, but later, I got upset at the live-action film, revised the script for the anime film, and complained about the quality of the TV anime. I guess, at some point, it became a work that I like so much that I can't leave it alone.
It is impossible for me to estimate how many of my early impressions of the world, correct and the opposite, came to me through newspapers. Homicide, adultery, no-hit pitching, and Balkanism were concepts that, left to my own devices, I would have encountered much later in life.
A generation before, it had been sagebrush and coyotes; a generation later, it was a burgeoning movie town. But for that brief idyllic time in 1910, Hollywood looked like the perfect place for a successful writer to settle down, build his dream house, and maybe do some gardening.
I started playing chess when I was five years old. I learned the moves from my mother, then worked with my father - and later trainers. My style became very technical. I sacrificed a lot of things. I was always hunting for the king, for the mate. I'd forget about my other pieces.
Many people in their teens wonder about these big questions - what's the meaning of life, what are we doing here - then somewhere in their 20s, they seem to say, 'I'll just get married. I'll just have kids. I'll get back to that later.' But they never do. For me, it kept boiling.
You're trying to sleep off a debt that you've lumbered your brain and body with during the week, and wouldn't it be lovely if sleep worked like that? Sadly, it doesn't. Sleep is not like the bank, so you can't accumulate a debt and then try and pay it off at a later point in time.
We've sent 130 men to death row to be executed in this country, at least 130 that we know of, who have later have been exonerated because they were either innocent, or they were not fairly tried. That's 130 people that we've locked down on death row. And they've spent years there.
I feel there's a power in theatre, but it's an indirect power. It's like the relationship of the sleeper to the unconscious. You discover things you can't afford to countenance in waking life. You can forget them, remember them a day later or not have any idea what they are about.