Quotes of All Topics . Occasions . Authors
I was so young when my dad died that I didn't think it had affected me. I had such tiny memories of him, just little glimpses, I thought I had been unaffected. But then I realised, somewhere in my late 40s I think, that probably the defining thing in my whole life was losing my dad.
If I had been prime minister, I would have offered apologies to the Dutch Jewish community without hesitation. This would refer both to our government's attitude during the Second World War and to the very late postwar discovery that the restitution process had been poorly conceived.
I got a very late start at fatherhood. I'm a late bloomer in general. It took me seven years to get through four years of college. I was five years away from 40 before I had a family, and I had never been around kids much at all. All of a sudden, I was around three boys all the time.
If workplaces that enlist happiness consultants really care about worker satisfaction, why not offer better maternity and paternity policies? Daycare options? They could advise managers to stop calling workers to come in on weekends or expect them to answer emails late on weeknights.
Wal-Mart is an amazing success story. What I particularly admire very much about the late Sam Walton was his policy of valuing his employees. Giving value to employees is very rare in the retail industry. I also admire the strategies Walton used to build up his discount store concept.
As a little kid in the late 1960s, I was afraid of the world. Even if I didn't get caught in the draft that was sending American teenagers to Vietnam, there was always the possibility of a Soviet nuclear attack. I made constant escape plans and imagined a life going from port to port.
So, I remember when I was a kid, I was waiting for my mom to come home when she was working late, and, you know, I was like, 'Oh my God, what happened to her? Is she OK? Did something happen to her getting in the car?' I was a little kid. But those are actually early onsets of anxiety.
I have a nostalgia for the years I was growing up and experiencing new things for the first time - so the late '80s and early '90s are always fascinating to me. Those were the times that I was being informed about a lot of my tastes, and so the memories are fused with a lot of emotion.
My mother had her dresses made. In those days in Chile, the early '70s, people had dressmakers make their things. With the leftovers, my sister and I always had a matching outfit. She had an outfit, we had the mini version. That was the very late '60s, early '70s way to dress your kids.
I think, with my own daughters, rather than preaching a feminine agenda, I just really try to help them understand what it meant to be a woman in the late 20th century and the consciousness of how to be a woman in the 21st century: What is working for you and what is working against you.
Before I became a writer, I was running a jazz bar in the center of Tokyo, which means that I worked in filthy air all the time late into the night. I was very excited when I started making a living out of my writing, and I decided, 'I will live in nothing but an absolutely healthy way.'
In the late Fifties and early Sixties, opposition to state terror and aggression and torture and so on was zero. That was a horrible time: the massive Kennedy terror operation against Cuba, the first attacks on Vietnam in 1962, the imposition of national security states in South America.
My father was a songwriter and he had a studio, and I was always surrounded by musicians and people creating music. I think I just always believed that that was a normal job, and people waking up at lunchtime and working until late at night, that to me always just was quite a normal job.
SuperMemo is based on the insight that there is an ideal moment to practice what you've learned. Practice too soon and you waste your time. Practice too late and you've forgotten the material and have to relearn it. The right time to practice is just at the moment you're about to forget.
I started writing rather late in the game. I was fascinated about the story about how Bob Dylan, for 'Nashville Skyline,' wrote between takes. So I'd try to sing new songs off the top of my head. I had rather less than spectacular success on that. But a lot of my songs were done that way.
I have always drawn strength from my late mother's life. When Eunice Johnson set up the first major fashion show for African-American audiences more than 50 years ago, she did so at a time when black Americans, especially black women, were still fighting for a seat at the table - any table.
Everyone can guess what 'Corn Flakes' tastes like, even if you've never had them. But what, pray tell, does 'High School Musical' or 'Spider-Man' cereal possibly taste like? In this late era, we have reached the ultimate deracination between product image and what actually sits on our spoon.
One of the most perplexing political questions of the late 20th century is how new democracies should punish deposed dictators and their associates. Victims cry for justice, but leaders of new regimes must decide to what extent it is possible, moral or prudent to pursue evildoers of the past.
Stop looking for the 'right' career, and start looking for a job. Any job. Forget about what you like. Focus on what's available. Get yourself hired. Show up early. Stay late. Volunteer for the scut work. Become indispensable. You can always quit later, and be no worse off than you are today.
As I've traveled the country, we visit tech incubators all the time where women are going into their second or third act in their career and learning how to be software programmers, or how to work at startup companies, and learning a completely different skill set. I think it's never too late.
I get the headlines for being slick and different things like that - which is part of my game - but it's just amazing to me that a lot of times, the people don't see the other things that go on in that ring. But a lot of times, when my opponents figure it out, the fight is over. It's too late.
Sometimes, the startup game works in your favor just because you got in at the right time and right environment. Other times, you're a little too late entering an already crowded space. But startups with strong fundamentals withstand external conditions and come out ahead in good or bad times.
I didn't have boyfriends until my late teens. I was at a girls' boarding school, and my stepfather disapproved of me going out with anybody. I never really came across any boys. When I did, one of them asked me out, and I was petrified. I felt like a fish out of water, and it was excruciating.
I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
There's a difference between early and late abortions. If you have a late abortion, where the fetus might feel pain, then I think you should have a good reason. Because then you're inflicting pain. As you go through the third trimester, you need to have more serious reasons to end a pregnancy.
When writing music for the 'Kaddish,' I evoked the prayers that were sung in Eastern Galicia, Ukraine and Romania. I was advised by my late friend, Boris Carmeli... He would sing me various melodies that were sung by his grandfather, thus they had to be at least as old as the mid-19th century.
It's tough being a dictator, but I've always thought it must be tougher being a hanger-on to a dictator. The late nights spent listening to his crazed ranting, the weary rictus grin from smiling at bad jokes, the draining knowledge that one misjudged comment could land you on the chopping block.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
We need to let the referee's sole thing be to protect the quarterback and get those late hits out of there. They even have a stat on television that says 'knockdowns.' Knockdowns means that you knock him down after he throws the ball. The assumption is, if it's legal, we'll make excuses for them.
In 'A Room With a View' there's a lovely scene with Julian Sands and Helena Bonham-Carter in a wheat field. It was simply the right time of day: late afternoon, that golden light, wheat and poppies... So romantic. But I had no idea it would turn out that well, since we so rarely shoot in a studio.
If you wait for customers to tell you that you need to do something, you're too late. Good business leaders should be half a step ahead of what customers want, i.e. they don't actually quite know they want it. That's what innovation's about. With Plan A, we didn't wait for the consumers to tell us.
Maybe it was the home tutoring, or the late start to formal schooling, or an overly cautious and protective upbringing, but in any case, I never became a talkative person. As an adult, I am not always comfortable in social gatherings with small talk. I must have inherited my father's gentle nature.
My first joke that ever aired on 'Late Night' was for a list of 'Top 10 Least Popular Summer Camps.' My contribution - 'Camp Tick in beautiful Lyme, Connecticut' - squeaked in at No. 10. Like a trip to Camp Tick, my time at 'Late Night' faded into memory like a short session at a dicey summer camp.
I had been writing for the 'Late Show' for about four years when I started writing short stories. I had a blast writing the stories because I was writing in a voice more my own, as opposed to a man's. HBO ended up buying four of them. I think that had a direct impact on my decision to write a book.
It seems evident that the IMF has learned nothing from its inequality-inducing policies during the 1980s debt crises in Latin America nor from its recession-deepening response to the East Asian crisis of the late 1990s. In both regions, the IMF has become synonymous with making bad situations worse.
I was the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work. The job requires you to be a mean, tough person. And I was fed up with it. I promised myself that if I ever got away from it, it wasn't going to be that way any more.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
In high school, I actually thought I was going to have to learn Japanese to work in technology. My big feeling was I just missed it, I missed the whole thing. It had happened in the '80s, and I got here too late. But then, I'm maybe the most optimistic person I know. I mean, I'm incredibly optimistic.
The first autonomous cars date back to the late 20th century. But recent increases in sophistication and reductions in cost - reflected, for example, in cheap LIDAR systems, which can 'see' a street in 3D in a way similar to that of the human eye - are now bringing autonomous cars closer to the market.
In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.
When it comes to music, movies, literature, paintings, and even Bikram yoga, it's pretty easy to have an opinion about whether something has been copied. Software, on the other hand, was an awkward late addition to the original Copyright Act of 1976, shoehorned into section 102(a) as a 'literary work.'
By the late Nineties, we had become a more visual nation. Big-money taste moved to global standards - new architecture, design and show-off contemporary art. The Sloane domestic aesthetic - symmetry, class symbolism and brown furniture - became as unfashionable as it had been hot in the early Eighties.
Producing is so exciting because you can enable things to happen, whether it's like discovering a filmmaker who you're taking a chance on, protecting a battle and driving home at the end of the day just going, 'I'm so glad I stayed late at work and fought hard for that. Had my passion. Won that battle.'
Vietnam was the defining event for my generation. It spilled over into all facets of American life - into music, into the pulpits, in churches of our country. It spilled over into the city streets, police forces. And even if you were born late in the generation, Vietnam was still part of your childhood.
As a late teenager, I had some puppy fat on me, and I noticed that I could put on weight. I have always been very disciplined because my mother was very beautiful, a very pretty woman, but she was immobilised by obesity. At her biggest, she was about 17 stone. And she was always on some sort of fad diet.
I've met lots of interesting people, but Lucian Freud is the one who sticks out because I spent so much time with him. He taught me discipline, which I hadn't been taught properly before. If I was, like, two seconds, late, he would kick off. Once, I was three minutes late, and he went absolutely berserk.
My mom is proud of me. But she might not be too happy about the hours I keep or how little I eat. I wake up so late that it would be inappropriate to have breakfast. At most, I will have a snack in the day and dinner. I realize that it's not the healthiest way to live, but it's all I really have time for.
People ask me, 'Isn't it scary living on your own?' but in this industry, being at events, doing interviews, and doing promotion and constantly chatting about yourself, sometimes it's really nice to just sit in silence or take a day where you can sleep in until 3 P.M. and then stay up as late as you like.
I was a huge Beatles fan. We could talk about who I listened to growing up and what my sources were, but certainly the Beatles were a late, important resource for me, and I just took my guitar and a handful of songs, and I decided, well, I'll just go over and travel around Europe and see what comes of it.
I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'