I love how easy it is to run my business, Writing Workshops Los Angeles, with the help of email and my website. I love that I don't have to use cuneiform, a quill, or a typewriter to write my novels - I love to write on my laptop!

I saw something in the news, so I copied it. I put a piece of tape - I have obviously a laptop, personal laptop - I put a piece of tape over the camera. Because I saw somebody smarter than I am had a piece of tape over their camera.

I was the first to advocate the Web. But I am very troubled by this thing that every kid must have a laptop computer. The kids are totally in the computer age. There's a whole new brain operation that's being moulded by the computer.

Back when I lived in Brooklyn, I'd sometimes take the Q train all the way out to Coney Island and back, and work on my laptop. There's something about pushy New Yorkers looking over your shoulder that really makes you produce sentences.

These days young kids don't have any place to form an epic adventure. It's more often in front of the TV screen or a laptop. That's very hard on them. They're being taught daily unsocial skills. Facebook is an unsocial skill. It's so sad.

For all of the woes besetting our business, I believe with all my heart that newspapers - whether they are distributed to your doorstep, your laptop, your iPhone or a chip implanted in your cerebral cortex - will be around for a long time.

I draft on the computer. I have a really giant screen that attaches to my laptop, and then I have a humongous digital drawing tablet called a Cintiq. It sits at all different angles, and it's so big that it would take two people to move it.

As the OLPC laptop was getting ready to go into mass production in 2007, many executives approached me wanting the screen that I invented, and the laptop architecture that I co-invented, for their new laptops, cell phones, and other devices.

When my family goes to sleep, I start clicking, combing through digitized phone books, school yearbooks, and Google Earth views of crime scenes: a bottomless pit of potential leads for the laptop investigator who now exists in the virtual world.

I'm an entrepreneur, so I've got to be ruthless about 'me' time if I want to have any left to myself! I make myself leave the office by 8 or 9 P.M. most nights, even if I do curl up with my laptop and a glass of wine at home to get through email.

It's a briefcase with my laptop, my DSLR, a microphone, my mouse, and rechargeable batteries. I could set up right here and film an episode if I wanted to. And that's how I like to keep it, small and compact, so I can do it anywhere in the world.

I love writing on trains. The joy of being a writer is it's all in your head; you don't need materials apart from the laptop. It's like taking your work home with you, so you can feel grounded in your own insane writerly realities wherever you are.

I live out of my van, which gives me a first-hand appreciation for power and lighting. A few years ago, I rebuilt the interior of my van to include solar panels and a battery that powers LEDs for lighting and allows me to charge my phone and laptop.

I currently use Ubuntu Linux, on a standalone laptop - it has no Internet connection. I occasionally carry flash memory drives between this machine and the Macs that I use for network surfing and graphics; but I trust my family jewels only to Linux.

As a fiction writer, all I need is a laptop, and when I'm not teaching, I travel as much as I can, applying for every research grant and overseas gig I hear of, then trying to extend those trips as far as the stipends will go. I love to travel alone.

Most of my books begin with a nap on my couch here, when I dream up characters and story lines, and then I write on my laptop in the recliner and handle the business side of email at my desk, which is sagging in the middle - maybe from so many words?

Actually, because of new technologies, my full studio is on my laptop. And I have a little keyboard in my bag. I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.

There are so many devices that can receive video, creating complexities, because suddenly you can have a TV, laptop, smartphone, pads. And they are of different sizes. It's clear that you need to standardise and get a much more efficient TV delivery.

When I first started, all I had was the laptop and some cheap headphones. I ain't have no speakers. You know, no Rocket speakers or no MPC. No keyboard, none of that. It just was the laptop and the headphones. Going from there, it just teaches you a lot.

First, I thought Twitter was some kind of hybrid car being developed by Government Motors. Then I thought it was a new bite-size snack combining what's best of the Frito and the Cheeto. Then I found out it was me. On a laptop. At the U.S. Open. Having fun.

That first morning that I woke up self-employed, terror quickly consumed me. I found myself sitting with my laptop and realized, for the first time, that I was entirely responsible for all of my own decisions, as well as the consequences of those decisions.

What turns me on about the digital age, what excited me personally, is that you have closed the gap between dreaming and doing. You see, it used to be that if you wanted to make a record of a song, you needed a studio and a producer. Now, you need a laptop.

Somehow, the words don't have any vitality, any life to them, unless I can feel it marking on a paper. That's how I start. Once I'm off, then I switch to the laptop. I think it would all just be prose if it started on a laptop - not that what I do is poetry.

The good thing about being a writer is that you don't need anything except for a laptop. You can really do your own work, and if you're not manically compelled to write all the time before you do it professionally, it's probably not a business for you, anyway.

One common puzzle for the security-minded is how to work with confidential data on the road. Sometimes you can't bring your laptop, or don't want to. But working on somebody else's machine exposes you to malware and leaves behind all kinds of electronic trails.

I think they need to get a more reliable way of watching television on the laptop. Because I travel so much, if I want to watch my favorite sports team it might not be showing in that place, so I want a reliable way to watch whatever I want to watch on my laptop.

I haven't fully moved over to the iPad. At any given time, I have about four DVDs in my pocket. I'm constantly screening 'Top Chef,' 'Housewives,' and all the other shows we have in development, racing to meet a deadline. So I pretty much bring my laptop everywhere.

Every kid has a laptop; everyone can make music, so in order to stand out, I think it's important to find that sonic identity, I think my sonic identity - and mine is finding these weird sounds that may not necessarily sound that musical, and make them sound musical.

If I'm on a train, with headphones, MP3s are great. At home, I prefer CD or vinyl, partly because they sound a little better in a quiet room and partly because they're finite in length and separate things, unlike the endless days and days of music stored on my laptop.

The Gmail app is definitely the app I use the most. I am always running from meeting to meeting, so it keeps me up-to-date with everything going on. I actually e-mail more often from my iPhone than my laptop, so having a nicely designed e-mail app is really important.

Today, somewhere in America, there's a kid who's got a laptop and a guitar and a couple of his friends he's putting together to play drums and bass, who's gonna change the way we say things, the way that we dress, the way we view things, the music we hear, everything.

As someone who asks questions for a living, there are few things that annoy me more than people who won't ask for themselves. Social media is a great help, but so is something as simple as turning on your television or powering up your laptop to watch a smart news show.

It's a world where you're going to have a phone, a tablet, a computer - you don't have to choose. And so what's more important is how you seamlessly move between them all... It's not like this is a laptop person and that's a tablet person. It doesn't have to be that way.

Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.

Basically, when I get home I just do emails for around three hours, which stinks. I have a thing about getting into your inbox every night before going to bed. I'm usually working from my laptop or my phone, desperately trying to get my inbox to zero before I fall asleep.

A great laptop running the new kinds of user interfaces and apps that people now love on phones and tablets would be a big, exciting event that would help seal the deal. But there hasn't yet been a product that emphatically suggests the era of the traditional PC is fading.

My laptop seems to know where I am, even if I don't. My cellphone asks me if I want directions to anywhere from the spot I am standing in. I buy a record online and Amazon.com sends me letters, telling me that people who bought what I bought also bought these other records.

Advancements in technology have become so commonplace that sometimes we forget to stop and think about how incredible it is that a girl on her laptop in Texas can see photos and cell phone video in real time that a young college student has posted of a rally he's at in Iran.

As a writer, that moment every few years when I buy a new laptop and find out that all the word processing stuff has slightly changed again (stuff I spend every working day using) is like getting into bed at night and finding some mad robot where you expected your wife to be.

I lived in Bandra East, on the 12th floor. There was a small earthquake; I could feel the building shaking. I was halfway down the stairs when I realised I'd forgotten my laptop, and all my scripts were on it. If I lost the laptop, I'd lose all my work. I ran back up to get it!

Everyone with a cell phone thinks they're a photographer. Everyone with a laptop thinks they're a journalist. But they have no training, and they have no idea of what we keep to in terms of standards, as in what's far out and what's reality. And they have no dedication to truth.

I got my first laptop, what I learned to do everything on, when I was 17 or 18, and I had no idea what I was doing. I'd only ever produced on an 8-track before. When I was about 13 and writing songs, I would write on that. It would literally be eight tracks, and that's all I had.

When I went into the computer shop to change my last laptop, the 19-year-old kid behind the counter looked at my six-year-old model and described it as 'vintage.' 'Vintage?' I wanted to scream. 'Son, I've got shirts older than you! I own underpants that have seen more of the world!'

If a player digests his own statistical information in his own time, on his own laptop, tablet or whatever, without a coach standing over him, it makes it easier for him. It helps with the pressure. There's a fear factor but spending time at home analysing things can help control it.

I think there's a time and place to watch an independent film, or catch up on a French action film on your laptop, or Netflix it, or download it, or watch it on-demand. But I think we also have to maintain the sacredness of the movie theatre as church - especially with event screenings.

To me, the greatest invention of my lifetime is the laptop computer and the fact that I can be working on a book and be in an airport lounge, in a hotel room, and continue working; I fire up my laptop, and I'm in exactly the same place I was when I left home - that, to me, is a miracle.

I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.

I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.

My top tips for deep sleep are to switch off your laptop and mobile at least 30 minutes before bed and leave them in another room. Ditch the bedroom TV; listen to music instead. Get a comfortable eye mask. It takes getting used to, but trust me, it will allow you to sleep deeper and longer.

I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.

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