Quotes of All Topics . Occasions . Authors
The death of a language. The word has the same kind of reluctant resonance as it has when we talk about the death of a person. And indeed, that's how it should be. For that's how it is. A language dies only when the last person who speaks it dies.
The language of the moment or, as it were, the language of the order in which we live, is the image. I felt that if I wanted to commune with the public, I should best do so through the language of image. It's a conscious embrace of a contradiction.
At a priesthood meeting... the strongest language in regard to Plural Marriage was used that I ever heard, and among other things it was stated that all men in position who would not observe and fulfill that law should be removed from their places.
Expressing love in the right language. We tend to speak our own love language, to express love to others in a language that would make us feel loved. But if it is not his/her primary love language, it will not mean to them what it would mean to us.
Programmers are always surrounded by complexity; we cannot avoid it.... If our basic tool, the language in which we design and code our programs, is also complicated, the language itself becomes part of the problem rather than part of its solution.
All mathematics is is a language that is well tuned, finely honed, to describe patterns; be it patterns in a star, which has five points that are regularly arranged, be it patterns in numbers like 2, 4, 6, 8, 10 that follow very regular progression.
The laity ought to understand the faith, and since the doctrines of our faith are in the Scriptures, believers should have the Scriptures in a language familiar to the people, and to this end the Holy Ghost endued them with knowledge of all tongues.
I'm not sure which I dislike more: 'Ulysses' or the James Joyce estate. Admittedly, a few people have got some pleasure from 'Ulysses', but against that, you have to weigh the millions of lives that have been ruined by the futile attempts to read it.
Mother Nature is always speaking. She speaks in a language understood within the peaceful mind of the sincere observer. Leopards, cobras, monkeys, rivers and trees; they all served as my teachers when I lived as a wanderer in the Himalayan foothills.
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
When we developed written language, we significantly increased our functional memory and our ability to share insights and knowledge across time and space. The same thing happened with the invention of the printing press, the telegraph, and the radio.
I love communicating with people, and sometimes language is not enough. I think that's what poetry is, where you can mess with language and get through to things that can't be described or communicated through regular language or scientific processes.
Why should Pennsylvania, founded by the English, become a Colony of Aliens, who will shortly be so numerous as to Germanize us instead of our Anglifying them, and will never adopt our Language or Customs, any more than they can acquire our Complexion.
It's a lot to ask of one creature, it's a lot to ask, that he should first behave as if he were not, then as if he were, before being admitted to that peace where he neither is, nor is not, and where the language dies that permits of such expressions.
Learn the language that they understand, and when they come upon our doorstep to talk we can talk, and they will get the point. There will be a dialog, there will be some communication, and I am quite certain that then there will be some understanding.
Literature is the expression of a feeling of deprivation, a recourse against a sense of something missing. But the contrary is also true: language is what makes us human. It is a recourse against the meaningless noise and silence of nature and history.
My poems and prose are not often in direct conversation with each other, but there's so much crossover - everything that comes out of that crucible of language - that working in poetry and prose is energizing - to me as a writer and to the work itself.
Foreign languages was the only thing that interested me when I was at school, so playing in another language... it is quite demanding because if it is not your mother tongue, you are missing some connotations and some emotional depth of certain things.
There's a whole language to movement and how you embody someone, and how you can use different techniques for different characters. I guess just posture, and the way you walk, and the way you physically are. All of that says a lot about who someone is.
I believe rhythmic sensibility is always a product and extension of language, defined broadly, among other things. But it is an immediate product and extension - no time elapses between the exposure to language and the creation of rhythmic sensibility.
Everything that we inherit, the rain, the skies, the speech, and anybody who works in the English language in Ireland knows that there's the dead ghost of Gaelic in the language we use and listen to and that those things will reflect our Irish identity.
And the Clave wants to meet Clarissa. You know that, Jace." "The Clave can screw itself." "Jace," Maryse said, sounding genuinely parental for a change. "Language." "The Clave wants a lot of things," Jace amended. "It shouldn't necessarily get them all.
Each language has its own take on the world. That's why a translation can never be absolutely exact, and therefore, when you enter another language and speak with its speakers, you become a slightly different person; you learn a different sort of world.
It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.
Natural languages generally are not designed by humans, they're just designed by the participants and you say something new and somebody else says, "Oh, that's a cool way to say it," and the next thing you know, everyone is saying it because it's shiny.
I ascribe a basic importance to the phenomenon of language. To speak means to be in a position to use a certain syntax, to grasp the morphology of this or that language, but it means above all to assume a culture, to support the weight of a civilization.
I don't speak Spanish, and I get so much crap for it. Oddly enough, it was the first language I learned, but somehow I lost it throughout the years. I can understand pieces of it, but I don't speak it. I need to speak it. I want to teach my kids Spanish.
If you're talking about Java in particular, Python is about the best fit you can get amongst all the other languages. Yet the funny thing is, from a language point of view, JavaScript has a lot in common with Python, but it is sort of a restricted subset.
And at the end of the day, there was an attempt to suppress a book. The book wasn't suppressed. It's freely available in whatever it is, close to 50 languages. There was an attempt to suppress the writer. And I'm happy to say the writer wasn't suppressed.
I don't know the rules of grammar... If you're trying to persuade people to do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think. We try to write in the vernacular.
We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
German has always felt the language that I come back to. It's given a very hard time by most people for being ugly and guttural. In fact, it's one of the most melodic, lyrical languages around. And German literature is amazing. It's just a treasury for me.
As societies grow decadent, the language grows decadent, too. Words are used to disguise, not to illuminate, action: you liberate a city by destroying it. Words are to confuse, so that at election time people will solemnly vote against their own interests.
No one can create a noteworthy work without knowing the tenets of their own language and literature. Language is renewed but it never changes its essence, because the contracts that have come about over time for communication cannot be rescinded so easily.
The wonders of the Grand Canyon cannot be adequately represented in symbols of speech, nor by speech itself. The resources of the graphic art are taxed beyond their powers in attempting to portray its features. Language and illustration combined must fail.
Maybe because English is my second language, maybe I just translate mundane clichés from the Welsh language and they sound original in English. I am going through a bit of an obsession with bad puns. I am hoping I'll grow out of it. Maybe it's just a phase.
Bilingualism lets you have your cake and eat it. The new language opens the doors to the best jobs in society; the old language allows you to keep your sense of 'who you are.' It preserves your identity. With two languages, you have the best of both worlds.
For humanism also appeals to man as man. It seeks to liberate the universal qualities of human nature from the narrow limitations of blood and soil and class and to create a common language and a common culture in which men can realize their common humanity.
I do try to incorporate particular rhythmic and generally sonic motifs I discover in music as such, and if one thinks of language in a narrow sense, that, perhaps, suggests a possibility for a rhythmic sensibility that enters poetry from outside of language.
The classical scholars have kept alive the tradition of the superiority of the ancient languages -- a kaleidoscopic mass of suffixes and prefixes, supposed to represent an infinite shading of meaning. It is a character they share with the Ojibway and the Zulu.
I know Spanish pretty well. I'm half-Puerto Rican - my mom is from Puerto Rico - so I have a lot of family there, and my mom's first language is Spanish. But growing up in the States, and with my dad being from the States, I'm kind of just like this white kid.
I'm one of those people that feels that Americans that shouldn't do Shakespeare... The rhythms of the English language and the mannerisms of the English speech seems to work effortlessly with William Shakespeare, but when Americans do it, something seems stuck.
It's not a lighthearted decision to change your language, your country, your citizenship, and come to a world where you don't know anybody, to leave a place where you've had opportunities to build friendships from childhood. That's quite a big decision to make.
Language disguises the thought; so that from the external form of the clothes one cannot infer the form of the thought they clothe, because the external form of the clothes is constructed with quite another object than to let the form of the body be recognized.
My response to my friend Naheed Nenshi was simply to say that some of the hyperbolic language that's being used to critique this sensible reinforcement of the public nature of the citizenship oath is, I think, unhelpful, and is actually inflaming the situation.
In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.
I would have thought it possible to choose delegates for these larger conferences who, even if they could not speak the principal languages, could at least understand them or could have friends seated beside them who could keep them informed on essential points.
The enterprise of describing something in language that has never been described before is a very difficult thing to do. When you decide to do away with old cliches or old phraseologies, and to come up with a new way of saying something, it's extremely difficult.
This is the power of images, the ambiguity. You are never completely sure of anything. With written language, it's more concrete. You have to establish some facts, but in movies, you see things happening, and the exact meaning behind the images is more ambiguous.
The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.