I was very different than everybody else growing up. I spoke a different language at home, I ate different food, and I looked different. So I could always relate to Aladdin in that way, being the outcast.

I'm so language-based and I'm so about communicating, and my art has always been very audience-based, and very about being functional and communicating something, and about feeling like I have to be heard.

The English language is an arsenal of weapons. If you are going to brandish them without checking to see whether or not they are loaded, you must expect to have them explode in your face from time to time.

Hear this if you can: If you want to reach him You have to go beyond yourself And when you finally arrive at the land of absence Be silent Don’t say a thing Ecstasy, not words, is the language spoken there

To possess another language, Charlemagne tells us, is to possess another soul. German is such a language. Once you have it in your head, you can go there anytime, you can close the door, you have a refuge.

The Language Laboratory at Cambridge is a very good way of finding out about grammar and the vocabulary and that's why I learned to read German and later on I added Spanish, the standard European languages.

Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.

Synergy is the only word in our language that means behavior of whole systems unpredicted by the separately observed behaviors of any of the system's separate parts or any subassembly of the system's parts.

Travel, in the younger sort, is a part of education; in the elder, a part of experience. He that travelleth into a country before he hath some entrance into the language, goeth to school, and not to travel.

It is useful to the historian, among others, to be able to see the commonest forms of different phenomena, whether phonetic, morphological or other, and how language lives, carries on and changes over time.

Ram Mohan Roy would have been a greater reformer and Lokmanya Tilak a greater scholar if they had not to start with the handicap of having to think in English and transmit their thoughts chiefly in English.

When you lose a spouse, you're a widow or widower; when you lose your parents, you're an orphan. When you lose a child, there's no word in the English language for that position, that place that you're left.

There's no substitute for the love of language, for the beauty of an English sentence. There's no substitute for struggling, if a struggle is needed, to make an English sentence as beautiful as it should be.

It's like there are all these languages available, especially in terms of image. Why confine yourself to only English? There's all these languages and possibilities and concepts to speak or communicate with.

The highest thoughts are those which are least dependent on language, and the dignity of any composition and praise to which it is entitled are in exact proportion to its dependency of language or expression.

The Wesnoth devs are good but not exceptionally so, and we're weighed down by a crappy implementation language (C++). Nevertheless our productivity, in terms of goals achieved per hour of work, is quite high.

When I go to photograph somebody, they say, "What do you want me to do?" Those are the most frightening words in the English language. I want to say, "Please, go over into good light and do something unusual.

When money gets too far away from actual, physical, real equity and property it gets too abstract and too distantly derived and then suddenly it's not worth anything anymore. And the same is true of language.

I was worried people would laugh at me when I started to talk the language, but they were just pleasantly surprised that I could. The sense of humour here is great - once I could have a giggle, I settled down.

Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.

Plurality of languages: [...] It is crucial 1. that there are many languages and that they differ not only in vocabulary, but also in grammar, and so in mode of thought and 2. that all languages are learnable.

There seems to be an increasing awareness of something we Americans have known for some time - that the ten most dangerous words in the English language are "Hi, I'm from the government, and I'm here to help."

If anything, I see myself as a witness. I'd also be pleased, if you'd call me an interpreter. I try to hear and see the message of a place and pass it on, into that other language, the universal one of images.

Architectural drawing is a language with conventions where the rules can be deliberately misused; a well-composed architectural drawing can both contain correct and incorrect arrangements of meaningful things.

Football fans share a universal language that cuts across many cultures and many personality types. A serious football fan is never alone. We are legion, and football is often the only thing we have in common.

Dutch is our first language. When you talk to older people, you speak Dutch. It's more respectful. The local language, you talk with your friends. You don't talk to your parents like that with the local slang.

I've found that there are only two kinds that are any good: slang that has established itself in the language, and slang that you make up yourself. Everything else is apt to be passe before it gets into print.

It's usually best not to ask philosophers anything, precisely because they have the habit of what in the Persian language is called sanud: the profitless consideration of unsettling yet inconsequential things.

To write well consists of continuously making small erosions, wearing away grammar in its established form, current norms of language. It is an act of permanent rebellion and subversion against social environs.

To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.

Mathematical science shows what is. It is the language of unseen relations between things. But to use and apply that language, we must be able fully to appreciate, to feel, to seize the unseen, the unconscious.

... one of the things the tyrant most cunningly engineers is the gross over-simplification of language, because propaganda requires that the minds of the collective respond primitively to slogans of incitement.

If we look at the representatives of two superpowers - America and Britain - and look at their conduct and their language, we would notice that they are more motivated by war than their responsibility for peace.

It is quite an illusion to imagine that one adjusts to reality essentially without the use of language and that language is merely an incidental means of solving specific problems of communication or reflection.

I speak a little bit of Italian, yeah. I understand more than I speak. I speak more of a dialect; my mum's from Naples and my dad's from Sicily, so it comes out little a bit of a cocktail of the Italian language.

I like that confusion when people are speaking in the same language but still can't understand each other. It's also usually my experience of being in America - when I speak no one can understand what I'm saying.

I think American is very democratic in allowing different hues of language and parts of speech to commingle. William Logan once wrote that I had something of a fetish for what he called "Haute Couture Vulgarity."

Learning astrology is like learning any foreign language. You already have the ideas, concepts, and experiences of your life within you; you are just learning a new language for what you are already experiencing.

Second-generation Hispanics marry non-Hispanics at a higher rate than second-generation Irish or Italians. Second-generation Hispanics' English language capability rates are higher than previous immigrant groups'.

[Albert Camus] really did know Algeria. He was an exile from his country, but still living in its language. Solitaire et solidaire. It's not like those who are exiled to a country where the language is not theirs.

The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern.

To write about history or language is supposed to be within the reach of every man. To write about natural science is allowed to be within the reach only of those who have mastered the subjects on which they write.

Regarding language as an apparatus of symbols for the conveyance of thought, we may say that, as in a mechanical apparatus, the more simple and the better arranged its parts, the greater will be the effect produced.

The newest computer can merely compound, at speed, the oldest problem in the relations between human beings, and in the end the communicator will be confronted with the old problem, of what to say and how to say it.

As soon as we start putting our thoughts into words and sentences everything gets distorted, language is just no damn good—I use it because I have to, but I don’t put any trust in it. We never understand each other.

I am not learning definitions as established in even the latest dictionaries. I am not a dictionary-maker. I am a person a dictionary-maker has to contend with. I am a living evidence in the development of language.

It's kind of pathetic actually that we are all sitting here talking about Forth. It is not the wave of the future. It's never been the wave of the future. It's not within our power to make it the wave of the future.

Art removes boundaries and makes the world brighter. It is the common language for people all over the world. But politics are the opposite completely. Politicians, their very meaning is based on the lines they draw.

I'm always working on something new and while I'm working, I'm absorbed with my characters, their conflicts,my language and settings. I'm in another place and it is a shock to come out and consider my previous works.

The world does not speak. Only we do. The world can, once we have programmed ourselves with a language, cause us to hold beliefs. But it cannot propose a language for us to speak. Only other human beings can do that.

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