Quotes of All Topics . Occasions . Authors
Don't believe the hype. I don't care how many number ones you have at the box office, I don't care how much they say you're great, don't believe it. Just stay in your lane and do what you're supposed to do.
Reading the final copy of my book was like walking down memory lane all over again. Sure, the writing process was emotional, but when I had the final copy in my hands, it was a completely different feeling.
We were racing at circuits where there were no crash barriers in front of the pits, and fuel was lying about in churns in the pit lane. A car could easily crash into the pits at any time. It was ridiculous.
I enjoyed a wonderful career at White Hart Lane. I had some terrific highs as a player in the eighties and to go from there and have so many years on the coaching staff is something that makes me very proud.
I kind of feel like curling combines this weird vision of people sliding down a lane, and it looks like it combines bowling and every bar game I've ever played. But I still don't understand what the hell it is.
Iris is the Lois Lane of 'The Flash.' It's a really special role. Knowing they were willing to offer it to an African American - Iris is traditionally white - I knew how important this would be for so many people.
Loveleen Tandon, the casting director of 'Brick Lane,' understood my capacity and suggested my name to director Sarah Gavron. The film has such universal appeal that given a chance I would like to remake it in Hindi.
There is a movie called 'My Dog Skip,' starring my 'Outsiders' costar Diane Lane. I do not recommend it. If you have a child, particularly one about to leave home, watching this film is to be emotionally waterboarded.
On the other hand, there are only so many people who really knew how she was exactly, like what did her accent sound like, and the fact that she developed profound deafness when she was first running the Harriet Lane.
NAPA has been with me from winning two Daytona 500s, to missing races with a new start-up team, and back to victory lane again. The relationship grew far past that of just a sponsor, but more of a partner and a friend.
Relationships, for me, have been elusive. And I would say mostly it's been my fault. I was always more concentrated on my career. And yes, you do question people's motives. Is it just because I'm him - I'm Nathan Lane?
The moment I prefer is the moment I put on the helmet, that everyone is leaving the pit lane, that I'm alone with the car and there it feels good. You don't have any feelings anymore; it's just racing and this I enjoy.
I don't like being pigeonholed at all. It stemmed from after 'Mandy Lane': I was being offered all these horror movies. I love horror movies, but when I dreamed of being a director, it was always doing all sorts of things.
Carla Lane's 'Butterflies' seemed to be on in our house at all times when I was a kid, as did 'The Good Life.' But it was 'Fawlty Towers that made me really sit up for the first time. Basil's incandescent rage made me howl.
I've had big record label presidents look me in the face and say, 'Your music sucks, you don't know who you are, your music is all over the place, and we don't know how to market this stuff. Pick a lane and come back to us.'
I don't really like to stand in one spot. People say that you have your lane or a certain type of music. I don't believe that. You choose your own lane, whichever one you want, then the people decide whether it's good or not.
You don't come around to the pit lane every mile; when you leave on a rally, you're gone for 500 miles in certain stages. You've got to work on your own car and fix it. It's a logistical nightmare, and it really challenges me.
I have a hard time doing anything someone else tells me to do! I've always been driven to follow my own path and not be pushed down another lane because some executive thought I could be more commercially successful or whatever.
Everybody comes to film differently; everybody has different backgrounds. Just find whatever your lane is naturally. Don't try to force yourself into someone else's vision or try to tell a story that you're not passionate about.
I've had wonderful collaborators. They're very different, just as actors are. Working on a show with Nathan Lane is different from working on a show with Chita Rivera. It keeps you on your toes because it's different every time.
When I am in that lane, and I hear, 'Caster Semenya from South Africa,' I always know I am doing it for my people. They love and support me, and I will always do them proud; I will always put them first. Without them, I am nothing.
I like playing the contrasting roles. It what inspires me to act. If I look back on my career I am happy that I have gotten to play a wide variety of different roles, from Mike Dexter, to Van Ray in Fast Lane, to Dr. Cullen to Coop.
Al Plastino helped redefine Superman in the 1950s. His work on 'Superman's Girlfriend,' 'Lois Lane,' 'Adventure Comics' and pretty much any title in the Superman family will be fondly remembered for years to come. He will be missed.
I cannot control what goes on in another lane and this is how I focus on the Games. There is no point in being nervous of other swimmers. It's just about focusing on yourself and what you need to do in order to perform at your best.
Swimming is by far the best tonic I've found for my back. I'm not a good swimmer - I do the breaststroke or elementary backstroke in the slow lane - but when I took a two-week break from swimming I was surprised how much I missed it.
When people say, 'Stay in your lane; you're a musician, so you should only talk about music,' what do you think songs are written about? I connect with music because what somebody has said has resonated with me in one way or another.
When it comes to everybody else's thing and their lane and their timing, I'm never doing anything intentional to, like, come after somebody. That will always be my biggest mistake or anybody's biggest mistake if that's their intention.
Whether I do jazz or R&B, there are always complaints. I would just listen to the complaints about what I do instead of celebrating what I do, and that I'm different and in my own lane. It took a while for me to just ignore the doubts.
I went to Cyprus with a friend and her family when we were about 16. She was riding on the back of a scooter we'd hired when we got surrounded by local boys on their scooters down a dark country lane. They tried to get us to pull over.
I was into all sorts of music as a kid. I was very curious about ethnic music and different styles. I loved Django Reinhardt. I loved Ella Fitzgerald. I was also influenced by all the crooners of the day, like Johnny Ray, Frankie Lane.
I know, if I would have won 'X-Factor' and if I would have continued in that lane, I would have spiraled out of control. Performing on there was good, but it wasn't me. It was me compromising for the judges, just different people around.
I didn't worry about leaving the fast lane - I was just so consumed with my baby that it seemed like the right thing to do. I never felt like I left New York, though. If you've lived in a place and loved it, you never feel like you left it.
My mental analogy for TalkTalk is an ageing Ford Cortina going flat out in the fast lane of the M4 in the pouring rain. We are always hammering along faster than anybody thinks is sensible, with things not quite working, but huge enthusiasm.
Because we're in a small town and somewhat isolated from the fast lane of high tech, we've been able to grow and concentrate on our work instead of being distracted by the competition and getting caught up in the soap opera of Silicon Valley.
You fouled a guy who needs to be fouled. If he's going to the basket, you don't give a knick-knack foul and then argue with the ref. You foul him so he knows, so the next guy coming behind him knows, so his team knows you can't go in the lane.
In large organizations there are discrete functions. I do this; you do that. I swim in my lane; you swim in your lane. That can be very effective for certain processes and in certain stable conditions. But it doesn't work in unstable conditions.
In California, the lines on the road are just a suggestion. They're in the left lane with the left indicator on, so naturally it's time to turn right! Are you kidding me? In your Prius? I know, you're saving the Earth by trying to kill the people!
I'm a fiend for costume jewellery and have countless pairs of rhinestone or diamante earrings, which are so flattering when they catch the light. I love the designers Alexis Bittar and Kenneth Jay Lane, and I always go to jewellers Butler & Wilson.
Perceptions really do define what our realities are. What we're hoping to do with 'Atlanta' is to really shatter that. To shatter it completely wide open. To go from the furthest lane of absurdity to the furthest lane of reality and make them blend.
We've changed a lot of things to help certain groups of people. We widened the lane from 6 feet to 12 feet to 16 feet to make it so the big guys aren't as dominant. Well, why didn't we just say, 'You've got to learn to play against them in the post?'
The basic rhymes in English are masculine, which is to say that the last syllable of the line is stressed: 'lane' rhymes with 'pain,' but it also rhymes with 'urbane' since the last syllable of 'urbane' is stressed. 'Lane' does not rhyme with 'methane.'
I was frustrated in the past, like, 'Wow, why do they have to throw me in the R&B urban adult contemporary lane?' 'Woman' was a no. 1 hit at Urban AC, so there's no disrespect to that lane. But did it get a fair shot at urban radio? No, I don't think so.
People have been saying life will change for us now but me? No chance. I may be a World Cup winner but I will always be the lad who played cricket with his friends and cousins in the park on Stoney Lane in south Birmingham using an old milk crate for stumps.
It's not an easy thing to be in this league 10 years. Especially with me being a second-round pick, the 46th pick, and an undersized guard, to carve a lane for myself and have a career, for my family to realize that and appreciate that, it meant a lot to me.
I did what every other actor did: there were agents all the way up the Charing Cross Road and up St. Martin's Lane, and I would go out each day and do the agents - walk into these buildings, along their corridors, bang on these doors and say, 'Anything today?'
In the case of 'Ocean at the End of the Lane,' it's a book about helplessness. It's a book about family, it's a book about being 7 in a world of people who are bigger than you, and more dangerous, and stepping into territory that you don't entirely understand.
I grew up during the war years in a tiny cottage with no electricity. Water for washing was pumped from a pond. My brother and I had to fetch drinking water from a tap at the end of the lane, and light was from candles, paraffin lamps, and our nightly log fire.
Moving forward, hopefully the platform my career has given me will allow me to continue to be a voice in culture, whether that's doing lectures on campus or writing books or whatever that looks like. I feel like that's really the lane that I uniquely connect with.
When I was young, I originally wanted to be a radio on-air personality. Once I realized I may not be fit for that - I was infatuated with hip-hop - that I still wanted to be a part and give back the community, so I decided to carve my own path and make my own lane.
There's a difference between being a drag queen on TV where the masses can tune in and watch, and then at a nightclub where you have to be a certain age to get in. There's a different decorum. We're all trying to push boundaries, but also trying to stay in our lane.