The bowed head, the buried face. She is silent, she will never speak, never forgive, never reach a hand, never leave this frozen present tense. All waits, suspended. Suspended the autumn trees, the autumn sky, anonymous people. A blackbird, poor fool, sings out of season from the willows by the lake. A flight of pigeons over the houses; fragments of freedom, hazard, an anagram made flesh. And somewhere the stinging smell of burning leaves.
Cerise ran through the course in her mind. “Three miles, stream on the right, Mozer Lake, Tinybear, Bigbear, Miller’s Path.” She paused, not sure if she’d said it correctly. “Three miles, stream on the right, Mozer Lake, Tinybear, Bigbear, Miller’s Path.” “Thank you, Dora. Put the sword back into Backpack and we’ll go.” He nodded at the river. “Who is Dora?” “You are. Dora the Explorer. Vamanos. Put the sword away or I will take it from you.
When called to the Council of the Twelve, October 4, 1963, he said in the Salt Lake Tabernacle: I think of a little sister, a French-Canadian sister, whose life was changed by the missionaries as her spirit was touched. As she said good-by to me and my wife in Quebec, she said, "President Monson, I may never see the Prophet. I may never hear the Prophet. But President, far better, now that I am a member of this Church, I can obey the Prophet."
As we lay huddled together under the tent, which leaked considerably about the sides, with our baggage at our feet, we listened to some of the grandest thunder which I ever heard, -rapid peals, round and plump, bang, bang, bang in succession, like artillery from some fortress in the sky; and the lightning was proportionally brilliant. The Indian said, 'It must be good powder.' All for the benefit of the moose and us, echoing far over the concealed lakes.
English literature, from the days of the minstrels to the Lake Poets,--Chaucer and Spenser and Milton, and even Shakespeare, included,--breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wildness is a greenwood, her wild man a Robin Hood. There is plenty of genial love of Nature, but not so much of Nature herself. Her chronicles inform us when her wild animals, but not the wild man in her, became extinct.
I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
Reelfoot is, and has always been, a lake of mystery.In places it is bottomless. Other places the skeletons of the cypress-trees that went down when the earth sank, still stand upright so that if the sun shines from the right quarter, and the water is less muddy than common, a man, peering face downward into its depths, sees, or thinks he sees, down below him the bare top-limbs upstretching like drowned men's fingers, all coated with the mud of years and bandaged with pennons of the green lake slime.
The village is the place to which the roads tend, a sort of expansion of the highway, as a lake of a river.... The word is from the Latin villa, which together with via, a way, or more anciently ved and vella, Varro derives from veho, to carry, because the villa is the place to and from which things are carried.... Hence, too, the Latin word vilis and our vile, also villain. This suggests what kind of degeneracy villagers are liable to. They are wayworn by the travel that goes by and over them, without traveling themselves.
Here when the labouring fish does at the foot arrive, And finds that by his strength but vainly he doth strive; His tail takes in his teeth, and bending like a bow, That's to the compass drawn, aloft himself doth throw: Then springing at his height, as doth a little wand, That, bended end to end, and flerted from the hand, Far off itself doth cast. so does the salmon vaut. And if at first he fail, his second sommersault He instantly assays and from his nimble ring, Still yarking never leaves, Until himself he fling Above the streamful top of the surrounded heap.
We do not need to plan or devise a "world of the future"; if we take care of the world of the present, the future will have received full justice from us. A good future is implicit in the soils, forests, grasslands, marshes, deserts, mountains, rivers, lakes, and oceans that we have now, and in the good things of human culture that we have now; the only valid "futurology" available to us is to take care of those things. We have no need to contrive and dabble at "the future of the human race"; we have the same pressing need that we have always had - to love, care for, and teach our children.