I met Ne-Yo in London. I sang for him and he said, 'I want to sign you.' It was amazing - it meant my name was buzzing around the industry and I got to meet lots of different labels.

I've pretty much run the circle of labels and dealing with that whole kind of battle, because you're the one creating the music, but you're not the final say. That's always been hard.

Labels like 'Chinese Science Fiction' or 'Western Science Fiction' summarize a vast field of work, all of which are diverse and driven by individual authors, with individual concerns.

I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.

I hate the industry even more now, no bands get nurtured anymore. Labels only spend money promoting acts they know will be Top Ten. I find it offensive spending $2 million on a video.

I have been in films before where people have been in a rush to label them as a Black film or even as a history lesson. These are ways to make the film feel niche and not for everyone.

The labels can't do anything for a band anymore - they're stuck and they have no money and they're just holding onto contracts that have existed from a time where there were resources.

I've never been very attached to genre labels and never set out intentionally to write historic fiction. Besides, what you consider historic depends on how far back your memory extends.

As a rock fan, you read of the big labels and the multinationals and the big tours with road crews and semi-trailers full of gear, and playing stadiums. In the '90s, that's what we did.

Terrorism and extremism bear different names and labels. It uses diverse causes. But in each case, it is driven by distortion of religion and a misguided belief in its power to succeed.

Would I describe myself as new Labour? I'm Labour, organised Labour. I think labels have a limited use and that's where you really get into boy stuff sometimes, just sticking on labels.

I can't say I'm one way or the other because I've honestly fallen in love with a man and I've honestly fallen in love with a woman. I don't know how you label that, it's just how it is.

From doing Power Station, it was like, it's the same guys, but it doesn't sound like them. When we were in Duran, the labels and management wanted more Duran stuff so they could sell it.

Some record labels want to package you in a certain way and we didn't want that. Once the record company saw we had some substance and were not a one hit wonder. They got 100% behind us.

I don't have much time for shopping so I pick things up when I can. My favorite labels are APC, Isabel Marant and Agnes B because the clothes are cut small and have a simplicity to them.

I consider myself to be an entertainer, given that I'm most known as MGK "the rapper" I don't have a problem with the label, I just want the people to know that I am much more than that.

I wanted control over the merchandising, the actual packaging of the product. That was a big factor. The only way for me to exercise control on all those levels was to start my own label.

My label in Toronto was Stand Pat and I think that was a fair assessment. I tried to be patient, but if a trade came along - big or small - that I thought should be made, I would make it.

The hardest thing to do in this business is to still be around. When music changes, when labels' resources have dried up, it becomes harder and harder to continue to make a living at this.

It used to be that labels would spend two or three or four albums developing a new artist before they threw in the towel and moved on, which kind of gave the artist an opportunity to grow.

The Moody Blues were a blues band, so when we got discovered, we were taken to London. That's where we started to make it. That's where the record labels were. That's where the action was.

In accepting death as inevitable, we don't label it as a good thing or a bad thing. As one of my teachers once said to me, “Death happens. It is just death, and how we meet it is up to us.

Randy Wittman told me not to shoot 3-pointers. That got me very uncomfortable. There were certain labels tagged on me very early in my career, spots on the floor where I felt uncomfortable.

This is my favourite thing about being raised in Africa: we don't do labels very well; we don't do this, 'Oh, you're a Democrat; oh, you're a Republican.' Because we live in the real world.

Given how dangerous it is for someone to consume something they are allergic to, you would think that companies would just make sure they print labels which have the allergy information on.

I wanted to break into producing, so I would peddle my tracks and beats to labels. I always heard the same thing: They liked the music, but it didn't fit any of the artists on their roster.

One of the key problems is that the Germans know what they do because everywhere they go there's a 'made in Germany' label on it - they can feel proud of Volkswagens and Audis and Mercedes.

Not all my shoes are designer. In terms of clothes, everything is on the same level for me. If I like it, it doesn't matter if it cost £200 or £2. I'm attracted to things rather than labels.

I try not to assign labels to myself. Sometimes I shop in the plus section, and sometimes I don't. I feel we attach too much significance to labels, and ultimately, it doesn't really matter.

I help with everything. My wife and I are a team. I pack my son's lunches, and she takes him to baseball practice when I gotta go train. It's hand-in-hand. There are no labels on our chores.

I don't think I've ever really been a science fiction writer. I'm closer to a fantasist, speculative fiction, whatever, but labels are ultimately derogatory, and I eschew them as best I can.

I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.

Those rare individuals society labels geniuses are almost always freaks of nature and are naturally gifted rather than being diligent students who became geniuses because of their education.

Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.

It's weird to get gifted things as an actress because it usually happens when you've made a movie, and you can finally afford something, and then these fashion labels give it to you for free.

I've never really gotten into the whole labels thing. There were times I would cover a pop song, and people would say 'You sound really country.' I gave up on that whole thing a long time ago.

I don't agree with the way labels are set up. I don't agree that anyone should sign 360 deals or sign away their publishing or take most of the infrastructure that's included in a formal deal.

Putting labels on entire groups of people makes things much simpler. If all New Yorkers are pushy, or all politicians are dishonest, we don't have to do the hard work of figuring out who's who.

As I've gotten older there's just more awareness around what is good for my body internally, externally, physically. It's all about reading labels and being aware and conscious of what goes in.

I don't know why no one ever thought to paste a label on the toilet-tissue spindle giving 1-2-3 directions for replacing the tissue on it. Then everyone in the house would know what Mama knows.

Fleet Foxes will never, ever, under no circumstances, from now until the world chokes on gas fumes, sign to a major label. This includes all subsidiaries or permutations thereunder. Till we die.

I've gone through a lot of 'nos' from record labels but I've built a great team along the way and that's the best thing you can have - people around you who believe in you and drive you forward.

I was always looking to record, but how much I actually pursued it was another thing. The major labels weren't that interested in me, and the smaller labels didn't have any money to do anything.

I'm a kid who grew up in an all African-American neighborhood and got into schools and aspired to just be me, and didn't worry about labels or anything. Just wanted to be a success at what I did.

I don't have any labels for myself, really. Sometimes, when I am out with my wife, I am just Mr. Thompson. Or at my daughter's school, I'm Gaia's dad. I don't think of myself as Greg Wise, actor.

I don't know if it's how I speak or what it is about me that presents that sort of label, but I don't know how many times I have to be out in public with a girlfriend to stop that from being said.

The fundamental defect of Christian ethics consists in the fact that it labels certain classes of acts 'sins' and others 'virtue' on grounds that have nothing to do with their social consequences.

On everything I do I'm always taking someone's money, whether it's a movie studio or a record label. Somebody's paying for it, and I'm always respectful of that. But I'm never going to compromise.

All my work at Armani is based primarily on my personal vision of style, and while I differentiate between the look and mood of my various labels, I am never overly concerned with being 'on trend.'

New Amsterdam Records, a new label run by composers, has begun documenting this hybrid music, with invigorating discs by the band itsnotyouitsme and the composers Corey Dargel and William Brittelle.

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