I am a singer first and foremost. I was lucky enough to have a manager, when I was 15, who knew the heads of a lot of record labels at the time.

I hate how I've had the mantle set on my shoulders as being against the record label. We've had some issues, but that is the nature of business.

If it wasn't for the TLC story, many artists would not have smartened up, and you wouldn't have the Lil Waynes and people with their own labels.

If you get the you-are-a-genius label, it can limit you. Because I'm not so scrutinized, I have more freedom. And that let's me write what I want.

All reduction of people to objects, all imposition of labels and patterns to which they must conform, all segregation can lead only to destruction.

A lot of people are trying to get me to go solo. It's just a thing I have to deal with a lot. Record labels are always trying to get me to go solo.

The Bible urges us to be respectful to all people, especially people with whom we have disagreements, to never libel people, to never label people.

The best part of being signed by a major label was having the support of a big company behind me and the ability to meet new artists and producers.

If people have to put labels on me, I'd prefer the first label to be human being, the second label to be pacifist, and the third to be folk singer.

I think ethnic and regional labels are insulting to writers and really put restrictions on them. People don't think your work is quite as universal.

There's definitely some sort of dissent brewing between labels, publishing companies and artists. A lot of it has to do with older licensing schemes.

Being a woman is an option, being trans is an option, and they're options that appeal to me. We need to listen to people - not labels, not semantics.

The thing with labels is they're not for you, they're for other people. Like labels are just a word for other people to understand you and that's it.

Green is a label for a certain attitude to life, a certain kind of respect that one might have for the very source of things that we take for granted.

We need to get away from labels. That's the way people talk in Washington, D.C. - through labels, through ideological frames, through partisan frames.

Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels.

Buying a matching blouse and skirt from the same store is a crime. A clever mix of chic and cheap hits the jackpot. Know how to mix styles and labels.

For quite a while I called myself a workaholic. I was proud of that label. Then one day it hit me; a workaholic is a label for an unproductive person.

Georgians aren't interested in labels or affiliation, they're interested in solutions. And that begins by making Washington smaller and America bigger!

Labels make us feel worse about ourselves, and I would love for all models, no matter what their size, to be treated equally and called the same thing.

Labels are actually not to make us understand things better: they are actually to ostracise and discriminate that what does not belong to the majority.

Humans are the most complicated, nuanced things that exist. We can't be reduced to labels or summed up with five traits - even if they are the Big Five.

By the end, everybody had a label - pig, liberal, radical, revolutionary... If you had everything but a gun, you were a radical but not a revolutionary.

Similarly, although we use prepositional phrases when we write, we apparently don't write more effectively when we can label our language in these ways.

We're getting caught up with labels: "Nudity: bad." It's not about "nudity: bad." It's about gratuitous oversexualization of children; it's complicated.

I have friends who have a CD mastering plant in Hollywood and they are very sceptical about European record labels' understanding of digital technology.

At a label, you are confined to the team you have, but I did all my solo work myself, and that makes you more agile and able to go into weirder corners.

Identification with your mind creates an opaque screen of concepts, labels, images, words, judgments, and definitions that blocks all true relationship.

I can't go back and label myself as an outcast because I was a pretty well-adjusted kid, but I can certainly relate to the feeling of being an outsider.

I realize that labels are placed upon an individual to simplify him or her, but it is impossible to capture the essence of an individual by a few words.

No, I don't think it's fair to label Islam 'violent.' But I will say that to my knowledge, no writer has ever gone into hiding for criticizing the Amish.

I'm not sure what the proper label might be, or the most accurate one, but someone once called my stuff Southern Ohio Gothic and I thought that was fair.

My experience working with a major label was not all bad, I was blessed to go through that experience, and I know what to do during the next time around.

I didn't want to be on a major label. I wanted all the attention and the noise to go away because I wanted to be something a little bit more substantial.

I've been offered things from alot of different labels and stuff like that, but it's just like, it has to be perfect. I'm not going to sign my life away.

The important thing is not to know who "I" is or what "I" is. You'll never succeed. There are no words for it. The important thing is to drop the labels.

When you sign with a major label there is no guarantee that they are going to release it either unless you have a guarantee clause or a marketing clause.

If I was rich enough, I would love to launch my own record label. I would love to try and give all my musically talented friends a start in the industry.

One of my biggest fears with 'Coloring Book' was that it would be labeled. I hate labels. I never sought out for people to recognize it as a gospel album.

Food is art and science. So, you take something out, you have to work with the recipe to make sure that you're providing delicious food with cleaner labels.

In the late 80s, artists could be signed to labels and be nurtured. It wasn't, "We're going to give you one shot, and if you don't measure up, you're gone".

I would rather label the whole enterprise of setting a biological value upon groups for what it is: irrelevant, intellectually unsound, and highly injurious.

If you look at something like Spotify, many record labels are investors in the company. So from that standpoint, the money is all going back into the labels.

It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.

I don't want to be a star. If you have to label me anything, I'm an actor - I guess. A journeyman actor. I think 'star' is what you call actors who can't act.

You know how it is with drawers and labels in the music business. They don't want anything to be complicated. They just want it simple, as simple as possible.

For me, I love to dream big, and I love to find ways to be a bit of an explorer. These days, it seems like everything is padded and comes with warning labels.

'Clown' was written when I couldn't find anyone who believed in me as an artist. Maybe those labels will think twice next time a young songwriter comes along.

I hate labels; the problem is that if you say you're one thing, it's hard for people to imagine you as something else. Music is way more complicated than that.

Make no mistake about it: once a band has signed a letter of intent, they will either eventually sign a contract that suits the label or they will be destroyed

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