Quotes of All Topics . Occasions . Authors
I think we make too many records. One record a year is crazy to me. But some people have to sell tickets. The label has to meet their quarterly number: 'We need a record a year.' All of a sudden, the tail's wagging the dog. It's not the music; it's everything else making the music. That's just backwards. It's wrong.
The distinctions of what makes a book one genre or another can sometimes be a bit muddy, but generally it's a matter of projecting who the audience will be, which is a judgment that's based on the subject matter. 'Mainstream' is the cleanest label for a book that draws readers of both sexes and from a wide age-range.
The hard left labels anyone who challenges it 'divisive.' The leftists live in a world where everyone is free to look different but must think the same. I don't play their game. I threaten them and their narrative. That's why they slap the 'divisive' label and attempt to dismiss me. It's not going to work - not on me.
I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
In order to maximize your profits at the poker table, your goal should be to play completely opposite of the way other players at the table perceive you. Simply put, if opponents label you a conservative player who never bluffs and only plays premium hands, you'll do better playing aggressively and bluffing frequently.
The title 'Crazy Ex-Girlfriend' is meant to be a deconstruction of a stereotype, and the whole show is about deconstructing the boxes that we're supposed to be put into. We like taking apart the tropes and the stereotypes and explore the nuances, so 'Crazy Ex-Girlfriend' is a label that we go deep underneath to explore.
It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.
If something comes that it is so extreme that you have difficulty thinking of it as a good thing, don't think of it as a good thing and kid yourself. To the extent that you can, don't label it a bad thing. Refusing to label something a bad thing opens you up to possibilities you would not have even considered otherwise.
We make a lot of movies that I don't think merit a wide release. We have this label called Tilt, and we have the movies come out on that, and that's fine. But it shocks me when, having done this a few times, when I really believe a movie should get a wide release, and I struggle to get it released. That does surprise me.
I've been different things in different contexts, and I didn't really feel beautiful until I had my first child. I knew that I was considered 'People' magazine's Most Whatever, but all that stuff is just how we label different groups. And I've been very not beautiful in my life. There's no way I was beautiful growing up.
I've been doing my record label for 15 years called Dim Mak. I started my label when I was 19 in '96. I started putting out an eclectic roster of artists. In 2003, we found a band called Bloc Party, and in 2004, we started getting remixes for Bloc Party, and at the same time I was throwing Dim Mak parties in Los Angeles.
I think, in a way, I invented the term 'fight club' and that these things have always existed, but they never really had a label. Nobody had a language to apply to them. I created that language in two words and I've been paid a great deal of money for inventing two words and labeling something that has always been around.
Nobody taught me to play bottleneck. I just saw it and taught myself. I got an old bottle and steamed the label off, put it on the wrong finger, I basically did everything wrong until I met some of the Blues legends early in my career who taught me another way. I didn't have anyone to tell me women didn't play bottleneck.
I spent 2010-2012 in Stockholm, trying to figure things out. I caught up on life! At the end of 2012, the relationship I was in ended, and I took the first plane to L.A. where my Swedish label has been setting up base. I felt so much more inspired to write and record than I had ever been, and the songs just started coming.
The GOP is broken. They need a Bill Clinton moment with someone to figure things out. Let me just say - and I don't agree with his policies, so let me put a warning label on the side of the packet here - If George W. Bush had never gotten in the disastrous Iraq war, he was trying to modernize the party on a series of fronts.
There is no war on women. Women are doing well. But women are thoughtful. And what we in the Republican Party and across the country, Republican, Independents and Democrat women say is we're more thoughtful than a label. We care about jobs and the economy and healthcare and education. We care about a lot of different things.
In one week, I went from being a girl who owed a guy thousands of dollars - my manager Anthony was paying for my outfits, paying for my food; I was sleeping in his parents' basement - to taking meetings with every major label in America. The next morning, I had a record deal and wrote him a cheque to pay back all that money.
A lot of artists feel it's not worth it to sign with a major label, because if you don't have a giganto hit, then you're not going to get a video made. You're not going to probably get much tour support. You're not going to get promotion. You're certainly not going to get a publicist who's going to pay much attention to you.
You don't learn charm. It's not something that you can acquire. I have used it much in my life with great success, but it's not necessarily what makes me an actor. It became a very easy label to attach to me. It also feels a bit dismissive. People go, 'You're so lovely and charming', but it's a wee bit, 'That's all you are.'
Narcissism has existed for a long time; social media is just a new outlet to express it. Anybody who is going to record themselves and put that on the Internet, hoping people will watch, there is a degree to which that exists, yeah. I don't know if I would call myself a narcissist. I don't necessarily identify with that label.
America's sanctions policy is largely consistent and, in a certain sense, admirable. By applying economic restraints, we label the most oppressive and dangerous governments in the world pariahs. We wash our hands of evil, declining to help despots finance their depredations, even at a cost to ourselves of some economic growth.
When Def Jam wanted to sign Method Man, they wanted to sign Method Man and Old Dirty. And Old Dirty wanted to be on Def Jam - everybody, that was like the dream label. But if I had Old Dirty and Method Man on Def Jam, that's two key pieces going in the same direction, whereas there's other labels that needed to be infiltrated.
The Adversity Index was created by msnbc.com and Moody's Analytics to track the economic fortunes of states and metro areas. Each month, the Adversity Index uses government data on employment, industrial production, housing starts and home prices to label each area as expanding, at risk of recession, in recession or recovering.
My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'
You know, 'Professor Obama' has been a label applied to him by Republicans and Democrats alike. He's a very smart guy. But I think he'd be, you know, better served not to spend so much time trying to impress us with his particular position on an issue and understand that there are things upon which we simply have a disagreement.
Imagine someone so infatuated by a band that they have every different pressing of every album the band made. Most of the time, the only difference in the album is the matrix number or a different 'made in' notation on the back cover or label. This is enough to make some people extremely excited. Actually, much more than excited.
Generally speaking, I don't think people know a great deal about the Viking culture, apart from the label that is usually attached to them, either pillagers or deviants who came and brought back loot to Norway. It was an incredibly sophisticated, complex and layered culture. They had their own laws, many of which protected women.
I've never tried to measure myself on any scale. A person is more multifaceted than the label they often get stuck with. On the other hand someone's whole behaviour allows you to characterise them in a certain way. This person has liberal convictions, that person has conservative ones, this person is a radical socialist, and so on.
My plan was always to leave school and live in a flat with some friends, have a 9 to 5 job, and try to get as many gigs as I could. I wanted to keep writing and then eventually, in my twenties, head to a record label and hope they'd sit down and listen to my book of songs, sign me as a songwriter and maybe an artist in development.
Columbia was a wonderful label for me. Wonderful. The records I made there garnered me an audience. I won a number of polls during the years that I was at Columbia. The Downbeat Jazz Poll. Leonard Feather, who was a huge critic back in the day, different polls that he had. The Playboy poll, a number of polls. So the music was great.
I want to figure out what kind of artist I want to be, because with the 'American Idol' process, it just works really fast. The night of the finale, they said, 'OK, here are all the label people that you're gonna work with, this is the album you're gonna make and blah, blah, blah.' So it was a pretty fast process, but it's been cool.
I read comments where our fans say Geffen screwed up 'Coming Home,' they screwed New Found Glory, but that's not really true. Maybe Geffen didn't have the right tools or whatever to get it to the kids, and internally, there were a bunch of changes going on at the label when our record came out, so I don't know if it's anyone's fault.
A snappy label and a manifesto would have been two of the very last things on my own career want list. That label enabled mainstream science fiction to safely assimilate our dissident influence, such as it was. Cyberpunk could then be embraced and given prizes and patted on the head, and genre science fiction could continue unchanged.
You know, if a band on a label sold a few hundred thousand copies of their record these days, they wouldn't make any money. But if a band can pump out 10 million copies of a record for free, and 50,000 of those fans come to the band's website to watch pay-per-view videos or buy a t-shirt, that's roughly $10 million in revenue per year.
The people at my label are always endorsing what I say. They say, 'You see the truth, so speak it.' They believe in me. They respect my opinion. At least I have an opinion, and I'm not trying to play it safe. I don't go around saying, 'I think everyone is great, and the world is fantastic.' Everyone has opinions. They just don't say it.
I spent a long time experimenting, saying, 'Here's a record that's free, or $5 if you want a nice version or $250 if you'd like a really nice coffee-table thing.' Everything felt like the right thing to do at the time and then six months later would feel tired. And I would feel tired. So that's one reason for returning to a major label.
I was invited to L.A. when I was 16 for a weekend-long songwriting session by a writer I had met through my voice teacher in Pittsburgh. My first hit, 'Hide Away,' was one of the songs written during those sessions. It was played for a radio rep who then started a new label; the song got a pretty organic start at radio and then took off.
I realized that I get pleasure when I'm told, 'Don't listen to the haters; they're losers in their moms' basements.' I imagine these 'losers' and feel better about myself. Their insults hurt less if I label them 'pathetic.' I diminish their value in order to protect mine. I noticed that I'm quick to make a joke at someone else's expense.
I am a feminist - I just think the label reflects my beliefs - but, you know, we say 'Rookie' is a website for teenage girls, not a feminist website for teenage girls. That's not because I'm not proud to call myself a feminist, but when you're calling attention to a project, you can very easily be pigeonholed by choosing certain identifiers.
About 10 years ago, in an effort to gain a better grasp on McCone's world, I took up the hobby of building fully electrified scale models: first of the legal cooperative where she started out, and then of her own brown-shingled cottage, a pursuit that the more tactful of my friends label unusual, and that the more blunt refer to as obsessive.
Signing to a major label was an experiment for us. It was a challenge: working in a big studio with a producer was a challenge in a lot of ways. It all shaped what the band went on to become through the '90s. After we made 'Goo,' we went out and toured with Neil Young in ice hockey arenas for three months, and that was the same kind of thing.
Because I was independent for such a long time, and I was always just feeding my fans - every month, I'd be giving them something new. So I had to adjust to the process of making a record. And after signing with a label, there are just certain things you can't do anymore. It was frustrating at first, but as the months went by, I got used to it.
I like how people will post pictures of me with other women that I adore, hugging on red carpets, and say, 'See?' Are we so uncomfortable with love between two people of the same gender that we immediately label it as sexual? But I've never been bothered by the lesbian rumor. There's nothing offensive about it, so there's no reason to be offended.
When you label somebody and put them in a box, then you put the lid on the box, and you just never look inside again. I think it's much more interesting for human beings to look at each other's stories and see each other. Really see each other and then see themselves through other people's stories. That's where you start to break down stereotypes.