The label doesn't do anything but put your record in the store, that's all they do. And tell you, you don't have a single... and tell you, it's not gonna sell... that's what the label does.

The control game has just been changed. The artist has a lot more control than the label, which is special. I feel like the fans crave that. I feel like they can tell when it's not genuine.

The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.

One of the key problems is that the Germans know what they do because everywhere they go there's a 'made in Germany' label on it - they can feel proud of Volkswagens and Audis and Mercedes.

I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.

Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.

I think anyone who's willing to be brutally honest with who they are and express themselves is always going to get the oddball label, the pyscho label, the twisted label. That's what happens.

I produced the Buckcherry album and I just finished a band called American Pearl on Wind-Up Records. That's Creed's label. They're pretty rocking. Now I'm looking for another band to produce.

'Die a Happy Man' was one of those that, when I wrote it and sent it to my label, their response was, 'This is a career record.' I was like, 'Why do you think that?' I think the stars aligned.

I feel like it's important for me to expand, to create my own label. With a label, I can just give someone the opportunity that I was given, you know? That's what it's all about, just helping.

I just am who I am. And then when people label me eccentric or different, I'm kind of astonished because I think, 'This is completely normal. This is just how I am, it's how I've always been.'

I was more comfortable with guys growing up, but now I find myself more comfortable in my own skin and open to people, regardless of their gender or popularity or any other label, as a result.

When I was shopping around trying to get signed, I made it a point to say, 'This is who I am.' I dress the way I normally dress, and I just wanted to find a label that would accept me for that.

Every project might only sell like 30 to 50,000, but I mean, I'm getting seven, eight dollars every CD. I make more money per record than an artist on a major label - I can definitely say that.

One of my favorite moments was when me and Jay-Z made a song 'For Rhyme or Reason.' It ended up on 'Reasonable Doubt,' but they switched the beat because we couldn't get clearance from my label.

I have no problem calling Donald a narcissist - he meets all nine criteria as outlined in the 'Diagnostic and Statistical Manual of Mental Disorders' (DSM-5) - but the label gets us only so far.

I remember in 2016 when I got signed to my record label Good Soldier, which is a very small indie label. They took a big risk on me because ballads were the furthest thing from cool at the time.

It's the worst feeling, going into your record label when you haven't got a hit. It was like: 'Maybe you've lost it.' And, once you're done, that's it. There's no support, or anyone to help you.

Aborting my baby is the most serious of the many maternal crimes I tally in my head when I am at my lowest, when the Bad Mother label seems to fit best. Rocketship was my baby. And I killed him.

Getting a Grammy nomination for 'Brooklyn' meant a lot, especially because, as an album, it was one that was very personal to me but also one that I self-produced and had gone outside the label.

Individuals have little opportunity to get elected to Parliament under the label of the government party... unless they are in good standing with the Prime Minister and pledged to be cooperative.

Putting out my album on my own label has been a great experience for me. It's been very inspiring. It's like a new start for me and having all this creative freedom is so liberating and exciting.

I don't know if it's how I speak or what it is about me that presents that sort of label, but I don't know how many times I have to be out in public with a girlfriend to stop that from being said.

There are some people who need to wear a label round their necks to show that they are Christians at all, or else we might mistake them for sinners, their actions are so like those of the ungodly.

I try to eat super clean: No processed sugars, no corn syrups, nothing frozen in a box that you can microwave. If I read the ingredient label and I don't know what something is, I assume it's bad.

Basically we just created our own label, but again we just did it to document our own music and create our own thing, so the major labels were just always out of our picture, we're not interested.

On everything I do I'm always taking someone's money, whether it's a movie studio or a record label. Somebody's paying for it, and I'm always respectful of that. But I'm never going to compromise.

Meditation is difficult for many people because their thoughts are always on some distant object or place. One form of meditation is to label the thought as it appears and then choose to let it go.

I always wanted to run a major label, and I feel like I got the skills to do that. The one thing about me is that I won't sit behind a desk the whole time - I'll go to the clubs and see what's hot.

I resent the label on cigarettes. If they're going to warn you, why don't they put the same sign at the entrance to every freeway or on every banana that's sold? You can slip on the peel, you know.

There's no such thing as 'sissy bounce.' We don't separate it here in New Orleans at all. It's just bounce music. Just because I'm a gay artist, they don't have to put it in a category or label it.

I'lI say this: I recall entering Congress in 1971 and being called a 'feminist' by members of my own party as if it was a dirty word. They didn't realize that I wore that label as a badge of honor.

There has come into being a kind of a Shia belt from Tehran through Baghdad to Beirut. And this gives Iran the opportunity to reconstruct the ancient Persian Empire - this time under the Shia label.

Many artists would want a major label. But, if someone made you big, it doesn't mean they're no longer good enough when you get big. If you want to add, add. But don't get rid of your original team.

If you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia.

What I write, if you have to label it, is crossover, and I think that much of the stuff that is called children's or YA is in fact crossover and is equally valid for anyone who likes to read fantasy.

My ultimate goal was to make the music that I wanted to make, and give shows. I was never going to get a major label deal - I never wanted a major label deal - so I was really free to express myself.

My family makes these vinegars - out of everything from grapes to peaches and cherries. We go through the whole process with the giant vat and drainer, label them, and give them as Christmas presents.

I wanted to first build a platform and then use it to shine a light on music/people that I believe in. This record label is for people across all corners of the world, to showcase all genres of music.

Manny Smith & Interscope CEO John Janick understand me and my vision for myself and also my label. Interscope gave me the opportunity to take over the game completely, and that's what I'm going to do.

I have friends that are reps and run labels, but I don't like to get into that world. I just like to pick what I like with my ears and play it for no other reason, not because of the label or the rep.

Virtually every society that survived did so by socializing its sons to be disposable. Disposable in war; disposable in work. We need warriors and volunteer firefighters, so we label these men heroes.

My manager was Buddy Glee, who put me together with Mike Curb, and was basically the idea to bring some soul to the label and bring something different to the label besides the Hank Williams situation.

I've worked in the studio with a lot of young girls, and they'll go, 'Oh, the label is telling me to take off my clothes, and I don't feel comfortable.' Well if you don't feel comfortable, don't do it.

It's not that I'm afraid to be tagged with the label of right-wing or even centre-right; I just don't believe it properly describes either the choice that we face politically or what I'm trying to say.

I've always wanted to push someone who's not really known but has mad talent. I don't know if I'm going to do a publishing company or a record label, but I'm interested in pushing artists in any sense.

When I first heard 'Let Me Love You,' I knew immediately it was going to be a hit. I believed in it and I had to literally force it down the throats of his record label, who weren't believers at first.

Major labels act as banks in terms of how they produce and release your album. No major label is really good or bad; they just 100 per cent operate as a business, which makes sense... no hard feelings.

There's a Nina Simone record that I love, 'Live at Vine Street,' and she sings flat on it. I can imagine she might've told the record label, 'Oh, God, you're not releasing that!' But I'm glad they did.

I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.

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