Quotes of All Topics . Occasions . Authors
It seemed to me, in some way, especially when you're looking back at distant historical events, the "Truth" with a capital "T" is kind of the juxtaposition of all the many, many, many truths that seem true to people at the time.
I creep over to my chair and sit there with my notebook and my thermos of coffee. It's my best time for thinking, because I haven't started thinking about anything else yet, and the thoughts can kind of go in and out of my head.
I kind of feel like I have grown as just like a human being as a human being by being able to adapt and adjust and know that like you can't ever rest on your laurels, you have to sort of wake up; you actually have to be present.
In Peru, if you gave somebody a little chance to do something, they took it to the furthest extent. They took nothing for granted. And here in L.A., you kind of get caught up in your own little dilemmas and your own little life.
I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is The Shining. I don't really like slashers, but I love thrillers with tension.
When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
If you are truly involved in a film and if you are going to do any kind of good work, you have to have that full commitment to the work. If you aren't willing to do that, or if that is not in your nature, I say steer clear of it.
Fairs are good places to eat, particularly for stand-up eaters--which is one of the kinds of eaters I am, although when I eat standing up away from home I sometimes miss the familiar cool breeze coming from the open refrigerator.
It's this kind of wild unpredictability, megalomania, thin-skinned craziness that really has me worried, more than [Donald Trump] statements. Now, on the climate change there's just nothing to say, he's perfectly straightforward.
We now have 30 percent, for example, of Medicare patients who are seeing doctors who are rewarded for doing this kind of work, like high blood pressure control. So, the Affordable Care Act has pushed this direction down the road.
You have this kind of cross between abandonment and savior, and I think it's going to show that how a government as powerful as America is was able to drop the ball so badly, then maybe it can be used as a textbook in the future.
I'm just the kind of person who needs a change every once in a while. I'm not comfortable staying in the same spot for too long. Even 10 years, for me, is a very long time. I usually don't stay longer than a few years in a place.
Unlike the rest of everyone I hang around with, I don't drink, so I remember what happened after shows. And I have never hit on anyone after a show, I'm not that kind of person. Even if I was attracted to someone, I'd be too shy.
Fo lo, the gentil kind of the lioun! For when a flye offendeth him or byteth, He with his tayl awey the flye smyteth Al esily, for, of his genterye, Him deyneth net to wreke him on a flye, As cloth a curre or elles another beste.
Catching Trump out not paying his taxes, treating his employees like garbage - none of this sticks to him because that actually reinforces his power, power over other people, which is this specific kind of power that he's selling.
Poetry had in the hands of various people become a place for inconvenient knowledge insofar as it was a place for knowledge at all. But it was a place where you could talk about other kinds of experience than the official version.
I want the flashbacks to feel that once you're there they have their own unity, their own kind of atmospheric sensibility; I want the reader to be transported. The novel is a big, complicated, unknowable thing before it's written.
You call yourself some kind of goddess and you know nothing, madam, nothing. What don't die can't live. What don't live can't change. What don't change can't learn. The smallest creature that dies in the grass knows more than you.
Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge.
I learnt a lot in government, and I've learnt a lot since leaving government. The kind of journey of being in government is that you start at your most popular and least capable, and you end at your most capable and least popular.
A writer has to have some kind of compulsive drive to do his work. If you don't have it, you'd better find another kind of work, because it's the only compulsion that will drive you through the psychological nightmares of writing.
You never know when you're going to die in the show - it's kind of funny when you say that out of context, "I don't know when I'm going to die" - but you don't have time to have an ego or an attitude because you just get the chop.
And yet, I wake up every day to a sensation of pervading disgust and annoyance. I probably ought to carry around some kind of thermometer or other instrument, to keep checking that I am not falling prey to premature curmudgeonhood.
I'm just kind of interested in focusing on what I'm interested in and just kind of solidifying it, or at least experimenting, or actualizing some of the experiments that I've had in my head for years, either filmicly or with audio.
I love songs, and I love songwriting, and there's a standard of songwriting within Chicago blues in particular. I don't like the sad blues, necessarily; the Chicago blues is what I like, which is the kind of blues you can dance to.
I remember the time an older man asked me when I was young, "Do you know what you are doing now?" I thought it was some kind of trick question. Tell me," I said. You are building your memories," he replied, "so make them good ones.
Every time you play one old-time picture along with today's kind of work, and they throw in the computers and the guns and the this and the that and the God-almighty, it gets to be a hassle and you wonder who the hell's doing what!
It will hurt. Because deep down, I'll know there was someone.. someone I was supposed to have met. Only I'll never meet him. I'll go through my whole life waiting for him to come along, only he never will. What kind of life is that?
I know I'm still young and there's a lot of time for things to happen, but sometimes I think there is something about me that's wrong, that I'm not the kind of person anyone can fall in love with, and that I'll always just be alone.
If you've ever swum in the ocean, and you go underneath the waves, you know, you're kind of moved by the currents, but you're not being slapped around at the top of the water by the waves. And that's sort of what meditation is like.
No human society is too primitive to have some kind of literature. The only thing is that primitive literature hasn't yet become distinguished from other aspects of life: it's still embedded in religion, magic and social ceremonies.
I started NetSuite. NetSuite was my idea. I called up Evan Goldberg and said, 'We're going to do ERP on the Internet, software-as-a-service.' Six months later Marc Benioff, finding out what NetSuite was doing, and kind of copied it.
We seem to forget that innovation doesn't just come from equations or new kinds of chemicals, it comes from a human place. Innovation in the sciences is always linked in some way, either directly or indirectly, to a human experience.
We must distinguish between the kind of structural transformation that would leave in place (even increase) the realities of the exploitation of labor, and one that would undo this kind of exploitation or at least radically reduce it
What is Obamacare doing? It's destroying the only kind of plans people without insurance ever get. And nobody seems to be noticing except the people who are being canceled and then can't find a replacement because it's too expensive.
You can't write for the cultural environment - if you do that, by the time it comes out, that cultural environment has passed. You have to be aiming for something that's original - that's the only way you can have any kind of impact.
Whatever the situation, just take it for what it is. You don't have to make it worse or better than it is. It just is what it is. Always deal with the honesty, the truth of what something is, and then you've got all kinds of choices.
I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
The ideal trademark is one that is pushed to its utmost limits in terms of abstraction and ambiguity, yet is still readable. Trademarks are usually metaphors of one kind or another. And are, in a certain sense, thinking made visible.
Franklin Roosevelt saw the world as a possible alliance, with the UN involved, of course, where we would never have these kinds of wars again. And he was equally opposed to the British Empire as he was against the Communist Russians.
If somebody takes the parking place you were waiting for, I tend to kind of let it roll off my back. Maybe I'm harboring a lot of something and it will all explode somewhere down the road, but I tend to just let it slide off my back.
I hate to use this as a metaphor, but making movies is kind of like going to war. It's not - but the stamina required and what it takes to tell a story that is this big in scope, you need a general that will bring out the best in you.
There are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
I learned that I'm not young enough to think I know everything. Honestly. I think you hit a certain point in life where you expect that you have so much to learn, and you may think that you've arrived, but you have kind of just begun.
I mean that's my entire life right there. I re-evaluted everybody in my life. I narrowed it down to the people that really cared about me. And did away with everybody else. Just kind of distanced myself. Same thing with the producers.
You know, you can't see or touch and isn't embodied. But they were all fallible, the Gods. And they would kind of rise and fall. You know, they all, like Achilles, Icarus, you know, they all had their high points and their low points.
'Breaking Bad' - I've heard that question phrased in many directions, and it always means the same thing. It's when someone can't... when a decent person can't take it any more. They just kind of turn and go in the opposite direction.
My whole life had been spent waiting for an epiphany, a manifestation of God's presence, the kind of transcendent, magical experience that lets you see your place in the big picture. And that is what I had with my first [compost] heap.
I think we saw our reaction coming from Dada, but at the same time, it formed into punk, which was very much a reaction to the social conditions. That was part of it for us as well, and that's why we were kind of swept along with punk.
If we are hungry enough for God, we will find a way into His presence. We should be so hungry for the presence of God that we absolutely will not go out of our house or tackle any kind of project until we have spent some time with Him.