Quotes of All Topics . Occasions . Authors
It was all very well being told that she could do nothing to make things better. Neverfell did not have the kind of mind that could take that quietly. She did not have the kind of mind that could be quiet at all.
I don't know if I'm a Twitter addict. That seems kind of harsh. I would say it's more that I'm seriously involved. That it's a long-term relationship - like a girlfriend, which my actual girlfriend loves to hear.
She had begun to read in the beginning as a protection from the frightening and unpleasant things. She continued because, apart from the story, literature brought with it a kind of gentility for which she craved.
It depends on what kind of minimalism you're talking about, of course. I love both those artists - Brian Eno and William Basinski. I would say my minimalism references are early American minimalists from the 70s.
I found at an early age the times when I learned the most about myself was when I got thrown out there on a stage in front of a microphone when you didn't really want to be out there, where you're kind of afraid.
My ability to notice that kind of thing, the sanctity of the bubble that you create, has not been so good in a way, in that I notice it concurrently with actually doing the thing. I always notice it in retrospect.
When you do the kind of work I do, everything is challenging, but probably the most challenging thing is getting up in the morning and getting on with it because it's so easy to stay in bed and not get on with it.
At the Isle of Wight, the sound went out and kind of kept on going. And I wasn't... when I came off stage I was kind of unhappy about how we had played. But now, I listen back to those recordings and it's not bad.
As for her perfume, it was the kind you only noticed after she'd left a room, not while she was still in it. Even then you didn't realize it was perfume, you only wondered what had made you think of her just then.
Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.
There is a complexity and layering that goes on with this kind of thing, so the music is slightly repetitive and when I say repetitive it's in the same tradition as people like Steve Reich or Erik Satie or even WC.
The thing that has always interested me in the kinds of shows that I do have more to do with the consequences of behavior than the behavior itself. Pulling a trigger and shooting somebody, or dismembering somebody.
Being known primarily for their well-knownness, celebrities intensify their celebrity images simply by becoming widely known for relations among themselves. By a kind of symbiosis, celebrities live off one another.
I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result.
Captain Lone Wolf Gonzaullas was one of a kind. I'm sure he would agree to this truth, If you continuously compete with others, you will become bitter. If you constantly compete with yourself, you can become great.
When I went through the break-up, I really looked for some kind of music, or art or literature that could say, "I've been in the same situation." I couldn't find anything at the moment, and that made me really sad.
We should take a lesson from the Irish potato famine: monocultures are vulnerable. Monocultures of any kind are very vulnerable, because one change and you're cooked. So we should be diversifying, wouldn't you say?
Normally, after a movie, you know, you don't want to get up and do another one right away. That kind of pretend muscle or whatever you use making movies is kind of, you know, spent. And you have other things to do.
The result is a twitching convulsion of vicious drivel passing itself off as a movie, which can be best appreciated by the kind of people who dig Showgirls, the Saw franchise and Spike Jonze-Charlie Kaufman flicks.
When I came in from Paris recently, for some reason the guy from customs wanted to know what kind of music I wrote. I was like, "I really want to please you so you don't keep me here, but I have no answer to that."
If the world economy is divided into isolated economic blocs of this kind, it will be rather difficult to achieve the same interpretation and application of international rules of economic activity and world trade.
Broadly speaking, most people lived their lives in a kind of unwilling conformity. The thing was that they were offered, as time went by, various kinds of freedom, most of which were sort of dummy freedoms somehow.
We've all gone through some kind of betrayal, whether it's with a boyfriend or a friend or a family member. That's why this is so relatable to everybody because we all know what it feels like to feel that betrayal.
There are some kinds of men who cannot pass their time alone; they are the flails of occupied people.(Bonald, M.} There are few wild beasts more to be dreaded than a communicative man having nothing to communicate.
360 deals are the new things of the industry. It's not about selling records; it's about selling T-shirts, getting a piece of your publishing, getting a piece of your touring, and all these other kind of properties.
I've always been interested in electronica, techno, trip-hop, that kind of music. The thing that bothered me about a lot of that music, though, was it seemed devoid of emotion. There wasn't a lot that felt personal.
And the writers are good in that it's easy to memorize, and good writing has an innate rhythm to it. And I've always felt that it's easier to get in your head than writing that has very kind of mind busting moments.
At the assassination of Caesar when Cassius says, "How many ages hence shall this our lofty scene be acted over in states unborn and accents yet unknown!" And you kind of went, "Never was there a truer word spoken."
There are all kinds of darkness, and all kinds of things can be found in them, imprisoned, banished, lost or hidden. Sometimes they escape. Sometimes they simply fall out. Sometimes they just can't take it any more.
I never actually wanted to write horror, oddly enough. It was a kind of misnomer, because I didn't ever actually write horror in the sense of the genre known for it. It was more a type of pigeon-holing in bookshops.
My broad sense of this is that authors like Smil really paint the clear picture, and once you see that, it's kind of Oh, of course. That's such a primal thing to all these physical services that we take for granted.
Marriage and the creation of families has been an integral part of our society since its creation; it should not be defined without the kind of involvement by the people which a constitutional process would require.
I tried to make the punchline as close to the setup as I could. And I thought that was the perfect thing. If I could make the setup and the punchline identical to each other, I would create a different kind of joke.
If you look at the rest of my stuff, I always play characters that kind of don't look like me, 'cause I love transforming into someone else. I love being able to act, work and act, and then doing it under the radar.
I would say that in some ways George Mitchell is kind of an old fashioned guy, in terms of these basic values, but he was a very modern person, encouraging, he was not only accepting but he was actually encouraging.
I don't need to go onto Facebook and pretend to have friends I've never even met. To my mind, that kind of destroys the meaning of the word 'friend.' I take exception to that. Because I value and respect friendship.
Supposing all the great points of atheism were formed into a kind of creed, I would fain ask whether it would not require an infinite greater measure of faith than any set of articles which they so violently oppose.
For me the music is not so much anger as much as it is of passion. And I've always associated that kind of intense emotional output with music just because the nature of the music that's attracted me as far as live.
hubris, n. Every time I call you mine, I feel like I'm forcing it, as if saying it can make it so. As if I'm reminding you, and reminding the universe: mine. As if that one word from me could have that kind of power.
That kind of woman who used to be there at the time is not here any longer. In 10 years, people disappear. But I fantasize still about those kinds of women, and that kind of life that doesn't really exist any longer.
I don't have to muzzle myself when I'm a civilian. When you're a governor, you kind of have to do it, because you represent the whole state. You have to leave your personal opinions to yourself a lot. I learned that.
If you write for the New Yorker, you always get people critiquing your grammar, you can count on it. So, because a lot of New Yorker readers are kind of, you know, amateur grammarians and so you do get a lot of that.
I think revolution is always a little bit possible. I think it won't look or sound anything like what we would expect. But I think revolution is very difficult, and I'm not optimistic for any kind of dramatic change.
Miles: Well, things are kind of complicated right now. When you’re a grown-up, you’ll understand. Jonah: I don’t want to be a grown-up. Miles: Why not? Jonah: Because grown-ups always say that things are complicated.
Senator Hillary Rodham Clinton is now facing a kind of personal dilemma. She can't decide whether to drop the name Clinton from her name, or drop the name Rodham. They can't figure out which one is more embarrassing.
I have problems with the word lo-fi, because it's sort of like the term "hipster" in the way that it's used to describe things. It's kind of almost always used as a derogatory term, in the same way that "hipster" is.
So many times I've encountered people who are just kind of like, 'Yeah, Nigeria,' and, you know, thump their chest and seem very sure of, like, being Nigerian. And I'm just kind of, like, I wish I could be that sure.
I'm one of the most fortunate guys around,I still get to do those kinds of movies, and then I get to do Green Lantern, and I get to do Buried with an auteur like Rodrigo Cortés. I enjoy that I can get away with that.
I used the music kind of as therapy, and it's just amazing that I feel so free after doing that. I feel like I had it trapped inside of me and now I feel free. So it's been a very good therapy session for me as well.
You can go down the list of great artists and kind of understand that they are products of their environment. Whether it's U2 or Henry Rollins or myself or Johnny Lydon, they're gonna be products of their environment.