When you reach that kind of successful pinnacle, it is the nature of the business and the press and everything that they go about tearing you down.

I found out everybody's different--the same kind of different as me. We're all just regular folks walkin down the road God done set in front of us.

The kind of operation that is necessary to help us out of our dualistic thinking is a nondual experience. Then we begin to see things as one again.

COMMERCE, n. A kind of transaction in which A plunders from B the goods of C, and for compensation B picks the pocket of D of money belonging to E.

For the longest time, I never thought I was intimidating to guys, but I'm kind of finding out that maybe there is some tiny thread of intimidation.

I think that when Evel Knievel crashed over the fountain at Caesars, it kind of gave you a credibility and then anticipation for everything he did.

For a while, I was only being sent fat-girl parts. Seriously? Sometimes I feel like I'm making some kind of radical statement because I'm a size 6.

I'm good with words, but not the spoken kind; I've often thought what a marvelous thing it would be if I could only conduct relationships on paper.

I ask you, is it the fig tree's fault that it's not the season for figs? What kind of thing is that to do to an innocent tree, wither it instantly?

There are two kinds of trouble: The kind you have and the kind you haven't. There are but few of the first sort, but of the second there is no end.

I don't have any exteriors that would actually put me into some kind of different air that would actually intimidate somebody to stay away from me.

What kind of knife is this?” Locke held a rounded buttering utensil up for Chains’ inspection. “It’s all wrong. You couldn’t kill anyone with this.

I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.

Failing to find in women exactly the same kind of sexual emotions, as they find in themselves, men have concluded that there are none there at all.

She makes one happy, then miserable. You are to her kind, then unkind. Constant yet inconstant. Thus we have WOMAN. No real man can do without her.

I've found in my life that the parts that you're right for are the parts that you get. It's really usually quite easy because you're kind of right.

We sold 'Seinfeld' all over the world but it was a very specific kind of show. In some countries it went down really well, in others they hated it.

There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

I act here and there but you have to commit so far out in advance when you're directing that you - I'm kind of booked six months out, so it's hard.

If someone is genuine, compassionate and kind, that is a turn-on. A sense of humor is a huge turn on, and that goes hand in hand with intelligence.

I watched a bunch of kids movies on Christmas. I was kind of joking with our family by asking, "Is anyone allowed to die in a kid's movie anymore?"

I think everyone has a certain kind of formula in their life. When you deviate from that formula, you're going to fail big or you're gonna win big.

I think in show business, it's really kind of easy to perpetuate that feeling of, like, Oh, I don't measure up. Or always having to prove yourself.

I'm obsessed with shopping. I'll get these urges to buy, like to shop for stuff on the Internet. I search for all kinds of weird gizmos I could get.

I'm kind of still down with Virg Woolf on this one: "women must kill the aesthetic ideal through which they themselves have been 'killed' into art."

Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated.

Mike Holmes is insanely talented and his work bristles with the kind of humanity and insight that is rare in comics – or in humans, for that matter.

I came in ["MADtv"] kind of late in the season. Some of the producers didn't want me but the network did. It was all (messed up) from the beginning.

I don't like to get angry. It doesn't make me feel good. It is very human, but it's also a loss of control, and I like to have that kind of control.

You hear the beginning of a melody, you should kind of know it's going to lead down this path. It should start feeling like a friend, like familiar.

A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt . . .

I'm not over-reacting, but I do think people have to be a bit cautious when they say all kind of activities associated with witchcraft are harmless.

I know from the past, critics often say my films don't have any plot, that kind of thing. I'm used to being told, "Yeah, it's slow and has no plot."

I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.

Say, oh well, the Republicans don't like this therefor I shouldn't do it. What kind of a government would that be. We're not a parliamentary system.

You surround yourself with amazing, grade-A talent, and you're going to have to lift your game. You kind of thrive just by being around such people.

Writing is literally transformative. When we read, we are changed. When we write, we are changed. It's neurological. To me, this is a kind of magic.

I don't know what to say when I have a crush on somebody. I kind of lose my words. I really try to start a conversation, and I can't. It's horrible.

I found doing that kind of comedy without an audience is just... for me, it's almost impossible. You need the audience to do their half of the work.

You can be a woman in charge of a production and still be generous and kind and insightful and decisive without being considered a butch in any way.

I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.

I was a regular dork. I was a kid who was scrawny and all that, and probably kind of dumb or something. I wasn't unordinary; I wasn't extraordinary.

I never had to say to myself, 'OK now, I've got to grow up and work for a bank, or go and sell real estate.' I never had to make that kind of break.

I love playing females that are put into these pressure-cooker situations, but they're real. I didn't want to be this kind of Lara Croft superwoman.

I don't mind close-ups, I like them, but they're kind of forceful - you see a lot, you get a lot of information in a close-up. There's less mystery.

For anybody that works in any kind of demining or any kind of humanitarian aid work, there is danger and it's always a high-risk area [in Cambodia].

There's a long history of all kinds of cop films... But all these films are really about the same thing: the good guys triumphing over the bad guys.

All of us are extremely competitive. We're kind of competitive with how we work on Radiohead stuff. Having said that, there's also a lot of support.

What's going on in the Senate is kind of a politics of escalation. We're getting sort of like the Mideast: pay back everybody when you're in charge.

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