Kind Quotes - Page 106

Grid View List View
Quote of the DayPicture QuotesTop 100 Inspirational QuotesTop 100 Love QuotesTop 100 Happiness Quotes
Khalil GibranOprah WinfreyDeepak ChopraStephen CoveyJordan PetersonRobert FrostFriedrich NietzscheRuth Bader GinsburgKanye WestRodney Dangerfield
JourneyTimeMotivationalBeautyI Love YouPetJealousBreak UpChristmasMovie

There are a lot of movies about misfits that are quite cool, that kind of glamorize it on some level. I think there are fewer films, certainly with a lady at the center, about the agony of what it's like to feel like you're not accepted, and you're different, and somehow you're weird.

Of course, most luxury goods in China are for corrupted officials and their relatives. And that made China become the biggest luxury-goods market. In this kind of dictatorship, in this kind of totalitarian society, it is easy to make deals that you cannot make in a democratic society.

It almost seems like anyone who doesn't seem political in any way is at an advantage. It's almost like anti-politics. A stage where anyone who acts - and it is an act - as if they have nothing to do with the way that daily politics works is lauded as some kind of superstar human being.

I like the desperado aspect of essays, the free lance, that mercenary kind of thing, so I just do it, without asking anyone's permission. I've never written a query letter, I don't pitch pieces, I have no market in mind, I don't spend any time trying to figure out where I might fit in.

Until then I had lived as I had painted and versified - that is, I never got far beyond priming canvas, beyond penning an outline, a first act, a first stanza. There are simply people who start all sorts of things and yet never finish any of them. And that was the kind of person I was.

I'm sensitive to how people are feeling if they feel like they got it wrong, and sensitive to the people who are kind of gloating that they knew all along, they figured it out. I'm loving them through this process, because I know that it took me a while once I found out that it was me.

Amen meaneth assuredly, namely, that I am sure that petitions of this kind are accepted by my Heavenly Father, and heard by him, because he hath commanded us, that we should pray after this manner, and hath promised that he will hear us. Amen, Amen: that is, truly, certainly, so be it.

I never really have blank page syndrome. I don't get blocked. I have a plan for my novel before I start which, although incomplete, probably contains enough material for several novels by a quieter kind of writer. And I try to get my arms around that material and see where it takes me.

I shall not attempt further to define the kinds of material I understand to be embraced within that shorthand description (of pornography), and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that.

If you'd asked me what I'd wanted to do five years ago, I'd have told you I wanted to be Viktor Vaughn or The Game - I would want to be a rapper with an eight ball of coke in my pocket and a wad of hundreds. Because that kind of freedom - well, perceived freedom - is where I want to be.

When you meet people that you know from other films - as often happens to me, and as tends to happens to you when you're an actor, you constantly meet people that you've seen in other films. But when it's people who've kind of had a seismic effect on your life, it's quite extraordinary.

We just say there are five, you know, racial groups in the US. I say that these folks are what we call a sixth American. There's something different. They are somebody who - they don't exist in any particular racial category, so they all feel it and they kind of congregate to each other.

He who fears death either fears the loss of sensation or a different kind of sensation. But if thou shalt have no sensation, neither wilt thou feel any harm; and if thou shalt acquire another kind of sensation, thou wilt be a different kind of living being and thou wilt not cease to live.

I just try to bring a kind of consciousness to the work I'm doing. I'll worry about the next job when I have the next job. There are a lot worse things than being known for a certain kind of specificity. You'll get calls for that thing. And that's better than not getting any calls at all.

We need not become fixated upon our own suffering, whatever its origin. We offer it up, thus participating in the well-being of the universe. When we experience an illness or depression not as our own but as the universe's, we are one with all beings who experience this kind of suffering.

I'm always thinking ahead, and I'm always curious about what's happening next. I thrive on that kind of thinking, so I don't burn out. And I think that's a sign - if you can't stop thinking about your job, in a positive way that energizes you, then you're probably where you're meant to be.

I'm old-fashioned enough to really still believe that the poem is an object to be memorized, venerated... I still believe in that kind of poem. A lot of poets today don't, they want to get away from the poem as object. They want something looser. Unfortunately, a lot of it is boring to me.

As a student at the time, I kind of felt like my only options as a nonfiction writer were to either jump on the personal essay bus or linger back at the station, hoping that some other heretofore unknown mode of transportation was going to magically show up to take me where I wanted to go.

Being so pathetic, I don't read. I just ... do things - writing out interviews you can't read, on pictures of footprints and things like that. I kind of like the idea of nailing the thing down and not really showing too much about it. There's just so much you can take for collage nowadays.

Un homme qui lit, ou qui pense, ou qui calcule, appartient a' l'espe' ce et non au sexe; dans ses meilleurs moments, il e chappe me" me a' l'humain. A person who reads or thinks or calculates, belongs to a kind and not to a gender; in his or her best moments, he or she escapes being human.

I think there's nothing more painful for anyone than unrequited love. If you've ever had that kind of physical access to someone and then, all of a sudden, that is denied, and yet you're still in love with that person, it's very, very, very painful to be around that person in a certain way.

We do not want to create a situation like that which exists in South Africa, where the whites are the owners and rulers, and the blacks are the workers. If we do not do all kinds of work, easy and hard, skilled and unskilled, if we become merely landlords, then this will not be our homeland

I want 'Vogue' to be pacy, sharp, and sexy - I'm not interested in the super-rich or infinitely leisured. I want our readers to be energetic executive women, with money of their own and a wide range of interests. There is a new kind of woman out there. She's interested in business and money.

Right now, American government has stepped back from offering any kinds of protection for human rights and public health. And the fossil fuel industry thinks that they have just absolute free rein to go for it. The one thing in the way is public opposition. It's civil society. It's activism.

When you're first in love with somebody, and it's not true love, it's borderline obsession, it's kind of like an addiction. You switch into this weird, weird part of your mind when you just can't live without that person. And you want to envelop them. You want them flowing through your veins.

When I did my first film I kind of fell into it. I got cast in this movie called 2:37... the director, Murali K Thalluri, basically saw me and said: "I'm going to put you in this movie." And that week I felt like a void had been filled. I was so in my element. I was thrown in at the deep end.

Most of my records are never going to be commercial successes, and I don't expect that. It's just all a learning process to me. If something appears as a failure, fine. If there's success, fine. I like the record, and my friends like the record, and that's kind of all I can really care about.

I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.

I'm a big fan of things in writing in general that are subtle, that suggest something without actually in-your-face saying it. And it's funny, I've started to notice it, I started to see it after a while, that that's kind of a way of writing that I was doing. But I didn't set about to do that.

Novels–and memoirs–are perhaps the most comprehensive reports humans can deliver, of their private experiences, to other humans. In these terms there is only one kind of novel: a human attempt to transfer or convey some part or version of their world of noumenon to another’s world of noumenon.

Our government has been in a surplus position up until this year. We should be able to recover to a surplus position shortly, as quickly as the economy recovers. So, we're able to do the kind of stimulus that you see in the United States without deteriorating our debt position in the long-term.

Some Internet operators are concerned that video services such as Netflix and YouTube consume lots of the bandwidth on the network. While there is some truth to this, my guess is that the operators wished they could provide the same kind of services with the same success as Netflix and YouTube.

There's a certain pleasure in violating the strictures of your education. The trick is, if you're going to explore ideas in a poem, to be suspicious of ideas and suspicious of your own mind at the same time. It's often a matter of orchestration and pacing. Of shaping some kind of dialectic flow.

In terms of getting super successful, every once in a while, something very different gets successful and than everything that comes after is kind of like it, maybe. That's what happened with Nirvana, which was so out there and changed everything, and then so much after became imitative of them.

Every project you're involved in and any character that you're invested in ... you learn a message from that experience. I know that sounds a little cheesy, but it's true. Its kind of funny the parallel that I drew from that, you kind of learn something and you get to apply it to the next thing.

You are the accumulations of your experiences at any given point. And when you express something those things come out. The thing is I hate seeing my films when I'm done with them, so I don't look back as a chart of my life, but I leave it as a kind of chart. Though, it is a photograph, captured.

I try to follow my instinct as a moviegoer and I do the thing I would love to see it at a movie. I'm like everyone, almost, I go to a movie once a week. I like every kind of film if it’s well made. I’m fine. I’m not a specialist fighting for a genre of film. You just have to follow your instinct.

Donald Trump doesn't have significant tells when he's lying because truth and lies to him are kind of homogenized. He's such a pro at it that you don't see a lot of divergence in his body language when he's lying or telling the truth. It's just constant bulls**t. He's probably a very good bluffer.

We're more of a touring band than we are anything else, because it kind of all makes sense when we're on the stage. For us, success in America would be having as many people come to see us as they do in the UK and Europe, and I think anything that would surpass that would just be a surprise to us.

Though my heart may be left of centre, I have always known that the only economic system that works is a market economy... This is the only natural economy, the only kind that makes sense, the only one that can lead to prosperity, because it is the only one that reflects the nature of life itself.

The images for my works are somewhat insignificant to me. It became an exercise of variation. I only see the surface images as doodles in a sketchbook, but it's hard to not see an image and bring some kind of personal association, though there's not a prescribed idea of what you're supposed to see.

Once you were just insentient cells, no more aware of anything than your liver is now. Today you are brimming with consciousness. How did you make the grade? What catapulted you into consciousness? There must be some kind of natural process behind this astonishing leap, but this process is obscure.

Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.

I genuinely love to be by myself, but at the same time, it's such a relief to know that I have another person's head who I can go into and whose life I can live. It's kind of an escape route, almost like therapy. It's refreshing to know that I can go back to a place where I don't have to be myself.

Anonymity was nothing more than me wanting to make it about the music and not necessarily the image. Of course, you realize later that by going anonymous, there is an image, and it's mysterious. So that kind of backfired. But it also worked to my advantage, since it certainly got people's attention.

I am surely a feminist filmmaker, but not because I set out to become one, or am trying to make any kind of statement. Rather, it's inherent in the act of expressing myself, as a woman who is deeply alienated from mainstream cinematic structures of seeing. I express myself and am instantly feminist.

One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.

If I had the chance to spend a day with Werner Herzog, I would want there to be a canoe involved. I want to be down in Patagonia or something, and kill some kind of wild beast and skin it and gut it and cook it. And then turn its fur into some kind of layer of warmth. And then trek through the hills.

Florida is kind of notorious. But also because it's a rich place. Phonetically, narratively, historically. I wanted to know Florida better and I could easily find stories. My relationship with Florida is fraught because I didn't want to be living there always, but then after I left I really missed it.

I think, when you see kind of dysfunction among the Democrats of the Republicans, it impacts the whole country: the way we feel about each other, our ability to speak as one. And in this case, I think there are lots of Republicans who are worried about, does Donald Trump really represent conservatism?

Share This Page