Quotes of All Topics . Occasions . Authors
It is something wonderful when one can love another author. That happens so rarely, without any kind of misgivings that authors often have between each other. It is a good fortune, when you can adore, when you can love, when you can find something so magnificent.
Every bit of theorizing I've ever done, including my interest in Berg, has come as a consequence of discoveries I made as a composer and interests that I developed as a composer. I never thought of my theory as being a kind of irrelevant activity to my composing.
They would sort of keep you on your toes that way - that kind of Italian allergic reaction to eagerness. It's very bruta figura, bad form, to be eager. You sort of glide in and have a conversation and work things out, then it takes two days to get up and running.
One of the biggest impediments for women is that they have never really understood, looked at or examined their own genitals. They have not really figured out what kind of stimulation and where feels best for them, so they are not able to guide a partner in this.
Most of arts what comes from the States to Europe has something to do with entertainment. I can't imagine artists in the United States having the same kind of isolated position that we have here in Europe. I have a feeling one lives more publically in the States.
I’m much stronger than most women. Consequently, when I work with men, or when I’m partnered by men... We can actually go into kinds of movement that haven’t been available before, simply because I’ve strengthened myself as a woman, not because I’ve weakened him.
I call my backup singers my sister wives. To me, they are my best friends. We are all super close. It's kind of like the closest relationship you can have without being blood related, to me. It's a joke that they're sister wives - obviously, we're not polygamists.
My very first friend was my stand-in, who's a very dear friend to this day, and she kind of saved my ass. She told me where to stand and where the camera was and where to look. I thought, "If I don't enjoy this, then there's absolutely no point in being an actor."
I think mystery is kind of great. I don't know anything about Bette Davis or Katharine Hepburn or Ava Gardner - not really - and I like that. I love watching their movies because they're my personal movie stars. I don't know what they eat and who their trainer is.
Because I've never made this kind of movie before, so I've never even been to Comic-Con. And Hugh and Evangeline keep telling me, 'Oh, my god... This is such Comic-Con fodder. We're going to have such a fun summer!' Is this the kind of thing they show? That length?
I only noticed this after I had finished the film 'The Bad Batch,' and watched it again a few months later... Arlen, main character, is kind of like a shark because she keeps on moving forward. I do feel that in modern society that still is the best way to survive.
The muse on my shoulder is very sensitive and does not abide claptrap of any kind... Only when I am totally immersed... absorbed in work... does she allow something magical to happen and I become aware of a faint heartbeat and gentle breath emanating from my brush.
Michael Jackson is a cake-and-eat-it kind of guy. He has never recognized or accepted the fact that when you shove yourself in people's face, they're not going to look just at the part you're showing them. People want to see everything that's connected to the face.
Auditioning is a horrible experience because you know you are being absolutely scrutinized and judged. There are days where you can do it and days where it's just not happening, and I feel like that's how it is with all artists; you have some days it kind of works.
If I could get myself to a place where I felt secure and I wouldn't have to kind of worry about money and I know my family would be secure, then I would leave the big studios so I could continue to make smaller films, and hopefully get to direct a few of them, too.
I'm not saying attacks doesn't bother Donald Trump. I'm not saying that he's immune to it. I'm not saying that he doesn't feel it, but I don't think he's the kind of guy that's gonna cave to it, and I don't think he's gonna sue for peace. I think just the opposite.
I'm not qualified to do anything else. So there better be another job. I'm kind of stuck now. I'm enjoying my life and I'm enjoying my work, and I'm enjoying the fact that the work I'm doing is garnering some interest and that's great. I just hope that it continues.
I keep following this sort of hidden river of my life, you know, whatever the topic or impulse which comes, I follow it along trustingly. And I don't have any sense of its coming to a kind of crescendo, or of its petering out either. It is just going steadily along.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
Whenever conditions arise in which a new kind of replicator can make copies of itself, the new replicators will tend to take over, and start a new kind of evolution of their own. Once this new evolution begins, it will in no necessary sense be subservient to the old.
I never say never about a lot of things. Whatever you want, then more power to you. If someone feels they have to live up to a certain image, then I can kind of understand that pressure because I'm considered to be one of those images, and I know how unreal they are.
People always ask, "Why jazz?" and I'm like "Why not?" It's kind of like asking Seurat, "Why so many dots?" I imagine if you asked Bjork, "Why the Tibetan bells?" She'd probably be like "That's just what I heard." It's the same thing. This is just the way I see music.
If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.
It wasn't the kind of touch that said, Hey, I've got a plan, so hang in there because we're going to get out of this. It was more like the kind of touch that simply said, You aren't alone. It was really the only thing he could offer. And in that moment, it was enough.
One of the great tools we use in acting is the idea of immediacy, that the audience gets to see you witness something apparently for the first time, so you create a lot of tools to kind of trick yourself into making it appear something is happening for the first time.
What interests you most is our present condition: it is what we would have desired, thorny and difficult, but it is made easier by the unction of grace and alleviated by an all-kind Providence whose help is never withdrawn and whose protection is felt at every moment.
I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.
I think it's nearly impossible to be original now. For anything revolutionary to happen again, new instruments have to be invented. A new kind of guitar, maybe, and a new way to play it. There are only so many ways to manipulate sound, if you look at it scientifically.
Honestly, I don't listen to nobody else's music but my own. It's kind of like sports to me. You don't see Kobe Bryant at a LeBron James game - he just works on his own game. And that's what I do. I only listen to me, so I can criticize and analyze and all those things.
It’s like the grief has been covered over with some kind of blanket. It’s still there, but the sharpest edges are .. muffled, sort of. Then, ever now and then, I lift the corner of the blanket just to check, and .. whoa! Like a knife! I’m not sure that will ever change.
There's also just socially, personally. There is something naughty about pot. There is something that is rebellious and outlawish and a kind of, you know, a finger in the eye of the government saying, hey, you can't tell me what to do. That would be gone if legalize it.
A novel requires a certain kind of world building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see. I would say that all short stories have mystery naturally built into them.
I don't like dates. If you meet someone that you like then meet them out somewhere. That's good because that's comfortable. I don't like the feeling of going to pick someone up that I don't know that well at their house and then take them to kind of a formal restaurant.
Being internet famous is kind of like being a camp counselor, and you've got this group of rowdy energetic kids every day. You've got to come up with something new every single day to entertain all of us. The internet is a 24-hour playground, there's a lot of enthusiasm.
The idea of how to read a poem is based on the idea that poetry needs you as a reader. That the experience of poetry, the meaning in poetry is a kind of circuit that takes place between a poet, a poem and a reader and that meaning doesn't exist or in here in poems alone.
Using that kind of scare rhetoric is just terribly unfortunate. You [Donald Trump] should meet with some of the women that I have met with, women I have known over the course of my life. This is one of the worst possible choices that any woman and her family has to make.
Carrie was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. He was banned from the set, but that was kind of an A-plus production. So that was my first experience.
What we love that 'The Way Back' is not subsidized, it's alive and kicking. And if I can't make the kind of film that I want to make, then the hell with it, I've had a great run. But I'm more concerned with the younger people coming up that want to make this kind of film.
We're shooting bathing suits down here in St. Barts of course, I do get extra self-conscious. But I'm still here. If there were really something wrong with me, then they wouldn't fly me over here to do this kind of thing - and they can use Photoshop and make me look nice.
What I've kind of learned about comedy is that when comedy gets too expensive it might not be funny. Sometimes it's good to keep the conditions where you're pressed for time and it's just about getting the work done, as opposed to how much things are we eating on the set.
The truth is that you are nothing more than the custodian of your inner and outer wealth while you are on this planet. All you have to decide is what kind of custodian do you want to be? Do you want to be a good custodian of your inner and outer wealth? Or a bad custodian?
It's a tricky one when you're playing somebody who is mad. There's often the big actor's question, if you're playing a part like that: do you take it to be an internalized thing, pull the audience in, or do you go full-out, and kind of present it as quite a shocking thing?
So far Trump has done everything he could possibly do to pit Americans against each other, to sow division, to fuel distrust of American against American, to adopt a kind of Bannonite strategy of fueling racial antagonism, xenophobic antagonism against Dreamers, et cetera.
Listening to a lot of guitar rock and roll music and feeling quite eccentric because everyone expected me to learn and develop like R&B. This kind of made me feel a little bit better, because I realized it was all the same, you know. There's no difference. It's just music.
They think you can't feel anything, because they've forgotten how. You're very, very dangerous, I get that, and you're prone to some very theatrical brooding, but don't let yourself mistake that for some kind of inner corruption. They see themselves in you and are blinded.
I think the American people said, look, you know, we can't control what every government does to its people, but we shouldn't be aiding and assisting a government in having these kinds of repressive prisons. It added to the public outcry against our involvement in Vietnam.
Playing live is so weird because I go out there and I try so hard to give something, which will be recognized. And in turn, something will be given to me, there'll be some kind of shared moment in that. So it's very affectively intense - so much longing and lack of control.
My method is the magpie's: I look for shiny things. That is, I look for concrete material details of daily life, and I look for vigorous prose, which is the only kind I can read for very long. That effectively bars a great deal of scholarly work, but I didn't feel its loss.
A person influenced by circumstances can become viciously envious or affectionately kind. Our company and our surroundings have a crucial effect on our consciousness. How important it is to be an instrument to bring out the inherent good of each other rather than the worst.
You know, things come up and we have those conversations. I feel that they're all in a kind of similar state, which is that we all keep working on them, in house, until we feel like it's ready and then it goes from being something that were working on to ready very quickly.