Quotes of All Topics . Occasions . Authors
For example, instead of being asked to write an article, suddenly editors wanted me to make super-short videos. The assumptions of those video gigs was that kids don't read as much news and basically need to be read to, which I found really problematic and kind of insulting. I thought, Isn't it just that you don't have any money and that's why you want me to make some crappy "content" for your website?
If you're outside the path of totality eclipse, if there's any way you can get into the path of totality for the eclipse, do it. Take the day off. Take the kids out of school. This is a once-in-a-lifetime opportunity for most people to see a total eclipse, and it is one of the grandest sights in all of nature. It's something you'll always remember, and you'll pass stories of it onto your grandchildren.
It's hard sometimes when you're in a regular high school, you just feel like the odd kid out. The great thing about going to an art school [is] it's kind of like it's all the odd kids. It's all the kids that don't fit in at their regular schools, because you're into something and excited about something that other kids really aren't into. When you go to art school, everybody's kind of on the same page.
I was gushing and I knew it. I surprised myself with my eagerness to please, felt myself saying too much, explaining too much, overinvolved and overexcited in the way you are when you're a kid and you think you've found a soul mate in the new boy down the street and you feel yourself drawn by the force of the courtship and so act as you don't normally do and a lot more openly than you may even want to.
With the audience I write for, I want to make sure that the reader is eagerly turning every page. I want each of my books to be an absorbing reading experience, an authentic piece of literature. The worst thing that can happen is for a book to have a chilling effect on the reader, to have a kid pick it up and look at a bunch of footnotes and think, No, I'm not going to read this, it's too intimidating.
I would say how important it is that we stop teaching kids, from the beginning, that boys are more important than girls. It's the 21st century, you know, let's go here. We have to show kids that boys and girls share the sandbox equally and do equally interesting things. We're teaching kids something that we have to try to get rid of later on. Why not just stop filling them with unconscious gender bias?
Sometimes, when you grow up in one of these poverty-stricken neighborhoods where the educational system isn't the best, you don't realize that you have any choices. Often, kids don't appreciate the choices available, as if it's either the street or nothing. I want them to understand that reality is what's relative to you, and that you can make choices that allow you to create a new reality for yourself.
What I've discovered from working with my father is that I'm still learning. I'm just a kid in this business. And I've seen from my father transitioning into being a director, that's where the power lies. And, like he says, it's feast or famine for an actor. If you're not creating your own material, then you're just fighting for whatever's out there. I definitely have the desire to go to the other side.
I just naturally started to play music. My whole family played-my daddy played, my mother played. My daddy played bass, my cousin played banjo, guitar and mandolin. We played at root beer stands, like the .Drive-ins they have now, making $2.50 a night, and we had a cigar box for the kitty that we passed around, sometimes making fifty or sixty dollars a night. Of course we didn't get none of it, we kids.
It used to be when a good record was about to drop you heard it out of every car and every kid with a boom box was playing it 3-4 weeks before it came out. Now it's not like that you just see ipods left and right and there's no anticipation factor. I have yet to see something drop with the anticipation that Illmatic had or that Ready 2 Die and Cuban Linx had. Those records had real anticipation factors.
Pretty much I want to be Steve Wozniak, who I decided I was at a young age and not change. I want to go back to school and get my college degree like I would have without Apple. I want to teach young kids like I would have without Apple. And part of it is I'm accessible. I'm open. And so many people e-mail me and get me. And as much as I can I try to answer people, listen to them, be polite and say yes.
I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.
We gauge risk literally hundreds of times per day, usually well and often subconsciously. We start assessing risk before the disaster even happens. We are doing is right now. We decide where to live and what kind of insurance to buy, just like we process all kinds of everyday risks: we wear bike helmets, or not. We buckle our seatbelts, smoke cigarettes, and let our kids stay out until midnight. Or not.
You may want to prove that you're worthy of other kids or neighbors who were wealthier than you and teased you. You may want to prove that you're worthy of high expectations. But I do think that there is a youthful ambition that very much has to do with making your mark in the world. And I think that cuts across the experiences of a lot of people who end up achieving something significant in their field.
I feel lousy about the pain that I've caused my wife and kids. I feel guilty and conscience-stricken, and all of those things you think sentimental, but which my generation calls simple human decency. And I miss my home, because I'm beginning to get scared shitless, because all of a sudden it's closer to the end than the beginning, and death is suddenly a perceptible thing to me, with definable features.
I had to call in because I do believe, I know of cases, it is happening that some of these kids that weren't born here but they've lived here all their lives, they are being deported. And I also know of cases where the kids are born here, they're American citizens, they're put in foster homes and their parents are deported, and their parents are begging to get their kids back. That actually is happening.
I think the greatest work in social psychology from the 1950s and '60s is enormously important. I wish every high school kid could take a course in social psychology. I think we're making enormous strides in understanding the brain. These aren't yet giving us great insights, but I feel like we're on the verge of it. In five or ten years this basically searching the brain is really going to change things.
Growing up, I was the weird, theatrical kid who always tried to make people be in my plays. I've always loved comedy, but when it came time to figure out what I was going to go to school for, my parents were like, "Acting?! I don't think so. No." It took me a while to get the courage to pursue it. I had to do it in secret for a little bit, and then when I got married and was out on my own, I went for it.
I agree that all kids of all colors love hip-hop. My point in writing the book was to raise questions about the ways the hip-hop generation and the millennium generation, both who have lived their entire lives in post-segregation America, are processing race in radically different ways than any generation of Americans. I think they have a lot to tell us as a country about ways of addressing race matters.
Praise God for those of you who do homeschool. I can't emphasize enough: Do what you can to get your kids out of public school. If you can't afford to put them in a private Christian school, homeschool. Because they're being poisoned in the public schools. They're being brainwashed in the public schools, with all this secularism, with all this immorality that is being immersed into them on a daily basis.
It's not Comic Con any more. It's this huge marketplace for the motion picture and television industry. And the toy manufacturer's and the game people. One of the problems with International Comic Con is that tickets go on sale for the next year's event and the place is full of thousands and thousands of kids who have scraped together every dime to get admittance because they want to get all the freebies.
And that is true in 85 percent of kids; it's kids who live in old, dilapidated, mostly urban housing. But that still leaves 15 percent of the cases that occur in middle- or upper-class families, usually associated with home renovations. People are sanding paint, removing banisters, cleaning up windowsills, and they don't realize that they're spewing lead dust around in the house. And then the kids get it.
Every child needs a safe place to fall - a place where he or she can explore things without worrying about failure and judgment. A library is one of those places. In a library you can learn by following your own nose, which is very different from someone telling you what you should learn. Once a kid learns a library is hers, to use as she wants, the world opens up., I've seen it happen. It happened to me.
Sending our kids in my family to private school was a big, big, big deal. And it was a giant family discussion. But it was a circular conversation, really, because ultimately we don't have a choice. I mean, I pay for a private education and I'm trying to get the one that most matches the public education that I had, but that kind of progressive education no longer exists in the public system. It's unfair.
One of the most durable successes of the war on poverty was to dramatically reduce the number of elderly poor in America. That's still true today. But, by contrast, child poverty has shot up over the last few years: A decade ago, about 16 percent of children in America were poor - which is a shockingly high percentage. But it's not as shocking as today, when we see that 22 percent of kids live in poverty.
I was always really shy. That's why being in front of cameras like this is uncomfortable. I found that when I was a kid, I would hide behind playing pretend. That's when I would come out of my shell. I would dress up as an old man or something and go out onto the street with my mom. I would come out of my shell that way. So I ended up stumbling into acting. It was the one thing that I found a passion for.
[Madness] happened so frequently. I think what I was most maddest about - and it's in the book [Speaking Freely: A Memoir] - when the House and the Senate, back in 1984, were debating a bill that would - at least delay and maybe stop some of the ex - summary execution of disabled children - infants. And the Down syndrome kids and other kids had been, in some cases, routinely let die, to use the euphemism.
I contemplate the notion that maybe regrets are a process of accumulation of time, as unavoidable as a closet full of clothes and more bags of them in the attic. Is accumulated baggage what makes people get old? If so, they need to clean out their fecking attics, send the stuff to consignment shops and remember how to walk around naked like kids, little bellies sticking out, always ready for a good laugh.
I promised myself as a kid that I would not become that guy. So I have my finger on the pulse of what is going on and I love relevant music today. We are talking about artists like Kendrick Lamar, School Boy Q, Absoul, that whole crew. Of course Evidence and Alchemist, those guys are my brothers and I love those guys, they have been lifelong friends but I have always sort of looked up to them artistically.
Before babies, I worked very hard to make sure I understood my surroundings and figured out where I fit in the world, whether it was at work or whether it was in a social situation. And with kids, you just can't. The rule is you can't really do that because they dictate and they change so much so you just have to go with the flow more and be present and not have big expectations and be amused all the time.
From as early as I can remember, I wanted to have something to do with the acting business. I was a TV junkie as a kid and I think, because I grew up in a small town where I couldn't imagine myself staying there and couldn't see myself being any of the people that I was surrounded by in this town, I just knew that I wanted a different kind of a life, but I didn't know what that meant and I didn't know how.
I had some pretty weird fan mail growing up, sometimes from prison and wherever else. Nothing too intense. Some superfans that maybe went a little overboard with gifts and whatnot, expecting something other than what it could be with a kid. That's a little weird. But at the same time, it's like, "Hey, I'm getting free video games. I'm not going to return it if you sent it!" Thankfully we never felt unsafe.
Don't seek approval. This may be the toughest suggestion for you to follow -- and the most important. Whether you'te a teenager seeking approval from your peers, a middle-aged parent seeking the approval of your kids, or a man or woman seeking the approval of a partner, it all amounts to the same thing. You're giving your personal power away every time you seek validation from someone else for who you are.
Most literature on the culture of adolescence focuses on peer pressure as a negative force. Warnings about the "wrong crowd" read like tornado alerts in parent manuals. . . . It is a relative term that means different things in different places. In Fort Wayne, for example, the wrong crowd meant hanging out with liberal Democrats. In Connecticut, it meant kids who weren't planning to get a Ph. D. from Yale.
The thing that got me about the Orphan Trains was that the experiences were so varied. Some of the kids went from neglect and hunger in New York to loving farm families who couldn't wait to fatten them up, who gave them medical care, an education, affection. And some of the kids became the victims of terrible cruelty, and more hunger, and more neglect - it all depended on who adopted them off of the train.
This definition about against their will, that's a made up term. Did any of those little kids say I didn't want to come here? Did they say I was brought here against my will? Some of them were walking across the border on their own, lots of them, and we'll see them coming across every day at McCallum, Texas. They're still pouring across the border. They know what they're doing. It's not against their will.
You don't want to be slavishly doing the same thing over and over again that everybody else has done, but at the same time, you're conscious of, "This is important. I owe something to my ten year old self right now. I need to respect that." I need for that kid who is obsessively reading comic books, I need there to be something rewarding for him where he's like, I didn't waste my time. I know what this is.
I have enjoyed teaching most of the times that I have done it. I also like being by myself and making things and performing, so much that if I hadn't needed an income I probably wouldn't have done much teaching. Having said that, I think working with others, having to come up with art projects, and learning how to present your ideas in a clear way, to adults and/or kids is always interesting and rewarding.
I have a lot of friends who come from alcoholic families, and they aren't alcoholics, because someone explained it to them. When I was in Washington DC, they really talked about the difference statistically between families that talk about drug addiction and ones that don't. The kids that can say "I see where this is going" have a much better chance of not becoming addicts, because they have been educated.
I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.
In Crash, you've got a pathological cop who at the end justifies police brutality. He tells the naïve, young cop that you're going to end up the same as him. He's the most sympathetic character in the movie. So, the naïve cop ends up murdering this Black kid and tries to cover up the evidence. It sort of justifies police brutality and the planting of evidence which is what happened in the O.J. Simpson case.
A couple of pieces of advice for the kids who are serious about writing are: first of all, to read everything you can get your hands on so you can become familiar with different forms of writing: fiction, non-fiction, poetry, journalism. That's very important. And also keep a journal. Not so much, because it's good writing practice. Although it is, but more because it's a wonderful source of story starters.
Fact is that I played piano and performed, as a young kid, a Mozart piano concerto with the Chicago Symphony Orchestra . Don't forget I was only eleven-years-old and to be on the stage at that age had tremendous impact on me. Basically love for classical music and performing as a kid on the big stage probably led toward this decision, which meant that music is going to be my big love but also my profession.
Of course, I was completely enthralled by the space program as a kid - particularly Apollo 11 - and was glued to the television like most of the world. Then I stopped thinking about it too much. I was a little disappointed that they weren't going on to Mars at the time, but I didn't think much of it. I was more interested in becoming a director at that point in my life and falling in love, things like that.
I was talking to the great Armen Ra, the world's most renowned theremin player, and he told me, "I don't trust old people that do drugs, but I don't trust young people that don't do them." I think what he meant by that is that you've got to be young, you've got to be adventurous and experimental. I'm certainly not asking any of my fans or kids to do drugs, but I certainly wouldn't judge them for doing them.
My parents put me in the water very early, and also had me skiing at a very early age. They put me on skis when I was one and a half. I was fortunate to have parents who understood the importance of exposing their kids to different sports, different cultures and different activities in order to discover what we liked and what we didn't like. They didn't push us, they just gave us many things to choose from.
Nothing is more fatiguing than winter, the extreme and unrelenting snow and below zero temperatures, and the seemingly unbearable sameness of the days without sunshine, and the measures one takes - if they're locals, permanent residents - against an environment such as this. And most vulnerable/susceptible are the kids, who have no options other than to scheme and dream themselves into all kinds of trouble.
I took care of my wheel as one would look after a Rolls Royce. If it needed repairs I always brought it to the same shop on Myrtle Avenue run by a negro named Ed Perry. He handled the bike with kid gloves, you might say. He would always see to it that neither front nor back wheel wobbled. Often he would do a job for me without pay, because, as he put it, he never saw a man so in love with his bike as I was.
I think that it has to be a very humane approach to this issue, and we have to come up with solutions to it. But we also have to do something about the drugs that are coming across our southern border that are killing our kids... I think there are some people who want to leave this country and return to the country they came from, but obviously it requires a broader solution that that, and we all know that.
Suppose that you want to teach the 'cat' concept to a very young child. Do you explain that a cat is a relatively small, primarily carnivorous mammal with retractible claws, a distinctive sonic output, etc.? I'll bet not. You probably show the kid a lot of different cats, saying 'kitty' each time, until it gets the idea. To put it more generally, generalizations are best made by abstraction from experience.