...she wasn't reading Deathly Hallows at all. Her book wasn't orange but rose and water and sand, and featured a kid on a broomstick and white unicorn. Harry Potter and the Sorcerer's Stone. She didn't notice me staring at her. 'Oh, I envy you,' I thought, but was smiling for her. She had just begun.

In the beginning, you tamp down the animosity for the kids' sake. I'm not going to deny that I went through the wringer. But I don't think I doubted we'd end up here. That was always my dream, that the kids can have two loving parents that show respect for each other. And I feel that's what they have.

For me, making music in general is a therapeutic process. It began as a way for me to meet friends, and when you're a kid just screaming your face off, you're processing anger; you're processing all the things that happened to you, whether it's mistrust or confusion, whether you've gone through abuse.

I still have every record company sending every new, hot track to me, to do music videos, so I'm chained by the foot to pop culture. I still know what kids dress like and speak like, and I still hang out with them. It's just the nature of my day job. I am a freak of nature that has to understand them.

I love acting. I just love it. It's in my bones. I remember when I was a kid, I watched an interview with Dennis Hopper talking about Jimmy Dean on the set of Rebel Without A Cause. Jimmy said to him, "If you've got to cry in a scene, you've got to cry. Make it real." And that's all that I believe in.

If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.

I never was that boy who loved gangster films, but when I was growing up, I was obsessed with the detective Dick Tracy. It was one of my favourite movies as a kid, and he really inspired me. I would have loved to be part of that golden age of Hollywood in the 1940s. It made me want to become an actor.

You know lots of criticism is written by characters who are very academic and think it is a sign you are worthless if you make jokes or kid or even clown. I wouldn't kid Our Lord if he was on the cross. But I would attempt a joke with him if I ran into him chasing the money changers out of the temple.

I think about quitting all the time. I'll take such a little thing and be like, "I quit! I've had enough of you people!" And then...I don't know, it gets better. I'm not really good at making plans so I don't have any definite plans for the future. I would love to have a family and kids at some point.

There are a lot of things going on that's causing a lot of these young kids to head in the wrong direction. I know a lot of kids that are cutting school. I try to give out a positive message, trying to get kids focused. If they don't then they're going to end up like every other hoodlum in the street.

Ours is the first society in history in which parents expect to learn from their children, rather than the other way around. Such a topsy-turvy situation has come about at least in part because, unlike the rest of the world, we are an immigrant society, and for immigrants the only hope is in the kids.

Trenchmouth, really great band. Here's a photo of them in 1979 playing the Valley Green projects. It was an incredible, unusual experience. We ran a cord through the window and plugged the PA and amps into that and played right in the courtyard. It was an incredible experience. It was just local kids.

It was much later that I realized Dad's secret. He gained respect by giving it. He talked and listened to the fourth-grade kids in Spring Valley who shined shoes the same way he talked and listened to a bishop or a college president. He was seriously interested in who you were and what you had to say.

I had a teacher once, grade school somewhere. Philippines, I think, because she always wore a big white hat. So it was somewhere hot. I was always twice the size of the other kids, and she used to say to me: count to ten before you get mad, Reacher. And I've counted way past ten on this one. Way past.

When I was a kid I believed everything I was told, everything I read, and every dispatch sent out by my own overheated imagination. This made for more than a few sleepless nights, but it also filled the world I lived in with colors and textures I would not have traded for a lifetime of restful nights.

My dad died in May of '97. The effects of his death immediately were not all that hard, but a year or two later it hit, when my job as Dad was sort of done and I was sending my kids to college. And somehow, the emotional intensity of that event mixed with the loss of my own dad, was kind of upsetting.

We get to go out into the schools and work with the kids on connecting them to their food at a young age, to actually see where their food is coming from, to see that their food is coming from the earth and not just from a supermarket. Once they make that connection, they can start to build upon that.

'Holes' was my favorite book ever. So you know when you love a book and you hear it's being made into a movie and it makes you a little annoyed at first? But I would've loved to play the Shia LaBeouf role in that movie when I was younger. I just wanted to be the rebellious kid on the old digging camp.

The opportunities of the twenty-first century make those of us who care about cities feel like kids in a candy store: How will cities survive and lead the way in the transformation required to combat global warming? Resilient Cities gives us a road map for this epic journey upon which we are embarking.

My point of view comes more from the literature I've read and the comedy of the era. When I was a kid, coming across National Lampoon Magazine, that was a big thing. I suddenly felt like there were other people that felt the way I did, and there was a way of expressing and communicating this worldview.

I've noticed that girls between like 20 and 30 seem to know 'Can't Hardly Wait.' I got the goth kids who know 'Buffy.' I got this wide spectrum of people who range from like 8 to 13 who seem to know 'Scooby-Doo.' Then I get the international people who seem to know 'Austin Powers' and 'The Italian Job.

One of my favorite stories growing up was A Wrinkle in Time. I loved that book. I still remember the image, so strongly, of all the kids coming out of their house at the same time, they're all bouncing a ball at the same time, and they all go back in at the same time. A Wrinkle in Time moved me deeply.

Bradford specifically there were a lot of Pakistanis there. Even today it has a very large Pakistani population.It was something that I experienced - getting chased home from the bus stop after school by English kids, boarding school, being targeted for praying to what they call Allah wallah ding dong.

We live in a world, it's very hard for Americans to understand that every 20 seconds a kid dies, a kid under the age of five, right, dies somewhere on the Earth because of lack of access to clean water and sanitation. Every 20 seconds that happens on our planet. It's just very hard for us to relate to.

I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.

Apparently on the screen I look tall, ageless, and damned close to omniscient-delivering jeopardy-laden warnings through gritted teeth. But when people see me on the street, they say 'by God, this kid is 5 foot 5, he's got a broken nose, and looks about as foreboding as a bank teller on a lunch break.'

I started very early. I started to be interested in design when I was 14 years old, basically, and before I was just like anybody else, any other kid. I was playing with everything. I loved to do stage sets by cutting a piece of board and making a cut in three sides, flipping it down, making the stage.

Kid 1: *examining my gorgeous strawberry and blueberry pies*: Wow, Mom, your pies don’t look awful this time. Me (Ilona): ... ~A little later~ Kid 2: *wandering into the kitchen* Kid 1: Hey, you’ve got to see these pies. *opening the stove* Kid 2: Wow. They are not ugly this time. Kid 1: I know, right?

On My Last-Place Finish in the 50-Yard Dash During Little League Tryouts “It kinda looked like you were being attacked by a bunch of bees or something. Then when I saw the fat kid with the watch who was timing you start laughing…. Well, I’ll just say it’s never a good sign when a fat kid laughs at you.

Can I jump over two or three guys like I used to? No. Am I as fast as I used to be? No, but I still have the fundamentals and smarts. That's what enables me to still be a dominant player. As a kid growing up, I never skipped steps. I always worked on fundamentals because I know athleticism is fleeting.

It's hard to put what it means into words. It's just a dream I had when I was a little kid. It's not every day [you] get to make your lifelong dream come true. The point of doing things in life is you pursue a goal, and you go after it, you reach it and you pick another one. But they're hard to attain.

There are three basic ways [to use a dog to work with autistic children], one is just to be companion person and I'm thinking now more of autistic kids not somebody in a wheelchair or the dog belongs to a therapist and then it's used as an ice breaker to get the kid talking and get the kid interacting.

There is a trend in child-rearing that I find abhorrent: "Whatever the kids want to do is fine." For me, the classic example of this is when someone has a visitor and says, "Go kiss Aunt Gertrude," and Aunt Gertrude says, "She doesn't have to kiss me if she doesn't want to." Well, I think that's wrong.

Racquetball was always number one but when our first child was born things I thought I cherished weren't as important. You put yourself in a position to win, but now you're extra careful. Because I never wanted my kids to see me losing. I wanted them to remember me winning...thought that would be cool.

And my wife is - you know my wife, Hanna Rosin - it's hard, there's no doubt. We have three kids, and it's a pain. I'm away a lot and it's hard on her, but she's been very generous about it and my kids have been very good about it, too. It also allows me when I'm Washington to be more intent with them.

People were being so mean as a result of my ability - a gift, really. So I think that's what makes me fight harder to provide an option to aspiring kids or artists. I wouldn't want anyone to go through what I went through... to see a little girl or a little dancer experience such unnecessary rejection.

Lots of kids in books are only-child orphans, but I think it’s fun to have family as part of the adventure, to have familial love be as important as romantic love, and to show that love can go through fire and darkness - not unchanged, because experiences like that change everyone - but never faltering

[Hillary Clinton] never misused [ information that the Central Intelligence Agency has]. She always protected it. I would trust her with the crown jewels of the United States government. And, more importantly, I would trust her with the future security of the country and the future security of my kids.

The comic-book industry today is not what it was back then, unfortunately. Kids are no longer interested in reading comic books; they've got television and the electronic games that they can bury themselves in like ostriches. They don't have to pay attention to what's going on in the world around them.

but all I could think was in New York that kid would have been stuck in a straitjacket practically from birth and dangled over a tank full of Educational Consultants and Remedial Experts all snapping at his ankles for the next twenty years arguing about his Special Needs and getting paid plenty for it.

I think all kids are curious. They're drawn to the bad guy and they're drawn to things that are dark. It's not just simply a desire to be wicked. I think there are things that frighten us in life and, especially children, they want to understand and take it on or understand it so it frightens them less.

I think it's great to see how they've grown up, not just as actors but as people. They're still very much the same kids that I met many years ago. They've grown up and they are funny and wicked and naughty and bright, and I think as actors their work is just getting better and better. They've blossomed.

Eyes Wide Open' took shape from two real life events straight from my own past. One was the sad suicide of my young nephew, a troubled kid, who was found at the bottom of a landmark cliff in central California. The second was a chance encounter forty years ago with none other than, ahem, Charles Manson!

I hurt for my Marines, goodhearted American guys who'd bear these burdens for the rest of their lives. And I mourned for myself. Not in self-pity, but for the kid who'd come to Iraq. He was gone. I did all this in the dark, away from the platoon, because combat command is the loneliest job in the world.

For me, the moment the mic is on and it's rolling, it's impossible to vocally relax for some reason. But one day, I'm going to be able to sing the way I sang when I was a little kid, completely open and free. That's, I think, the one thing that's changed: Growing older, I'm not ashamed to hear my voice.

As a kid I had a dream - I wanted to own my own bicycle. When I got the bike I must have been the happiest boy in Liverpool, maybe the world. I lived for that bike. Most kids left their bike in the backyard at night. Not me. I insisted on taking mine indoors and the first night I even kept it in my bed.

It's botherin' me, man. You know, you can't say this, you can't say that, I'm like, well, how am I gonna talk about the world? You know? I mean I need to talk about something to you all, can I - can I do it? Can I talk to y'all? I mean, I hope the kids are in bed, you know, because I got to talk, y'all.

I wanted to be like Nolan Ryan. I didn't want to be like Pete Gray...And I don't want kids to be like me because I have one hand. I want kids to be like Jim Abbott because he's a baseball pitcher at Michigan and he won the Big Ten Championship game, and not because I can field a bunt and throw to first.

If you ever watched 'Hercules,' you can see that it was made in a comical way for the most part. I remember getting lots of letters from kids around the world saying that the show helped them curb their temper and not look for trouble and just walk away from it because that was the stronger thing to do.

It was my second show as a writer, and Justin Timberlake was just coming off boy-band stardom. People were rolling their eyes, but I used to watch the Mickey Mouse Club, and I knew all those kids were talented as hell. Justin was as comfortable on camera in that first episode as any of our cast members.

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