Quotes of All Topics . Occasions . Authors
When somebody listens and laughs, you're always in better shape than when you're with those folks who just kind of look at you when you say something funny. You wonder if they're looking at you because they're mad that they didn't say it or something. It's hard to handle that.
My hair - it's baby thin and feathery and drives me crazy no matter what I do with it. It's weird because you see people with thicker hair that just kind of stays put, but if I'm in any sort of weather, I look like Bill Murray in 'Kingpin' when it starts to all come unleashed.
I'm just kind of odd. There are dark forces in the world, and if you pay attention to what's going on around you, you end up incorporating it into the storytelling. Maybe it's some aspect of myself that's coming through that people are seeing, that I am in fact a quiet psycho.
If you ever have a mistake, you try to just kind of forget about it because if you carry that with you for the rest of the routine, then the rest of your routine might not go as planned. So you just kind of shake it off, and you just continue your routine like you didn't fall.
I think I fall into a lot of cracks in terms of I'm too something. I'm too this, I'm too that. And my music has never really had a home. I've been this floating alternative. I'm too mainstream for alternative. I'm too alternative for mainstream. And I'm just kind of wandering.
I just kind of went into the blue-collar workforce at a really young age and discovered music, in terms of being a musician, around the same time. The good news is, I was probably 17 when I knew that's what I was going to do with the rest of my life, no matter what that meant.
For me, honestly, one of the first movies I did I was always pounding coffee, and I crashed so horribly. So I've kind of weaned myself off. You keep getting second and third winds. But for me, I've stopped doing energy drinks or any kind of stimulant. I just kind of go natural.
I do realise and understand very well on a profound level how lucky I am and what a privileged position it is and what it's done ultimately for me, my family and my kids. But at the same time, there are moments in a man's life when you just kind of want to feel somewhat normal.
I was a junior at school, and I had just taken my first comics class, and we were doing an exercise for this other class where we had to create our own characters,and 'Nimona' just kind of came out of that. I decided that I liked her so much that I wanted to do a comic with her.
I have felt that there's a lot of receptiveness to female stories now. I think some of it has a little bit - a lot of it is economically driven and driven by, just, kind of studios wanting to check that box because now they know they have a woman problem that they need to solve.
We started 'Heaven And Earth' in 2016. That was probably the heaviest touring year of my whole life. We probably did almost 200 shows in 2016. We went into the studio, and I honestly didn't know what the album was going to be. So I just kind of started picking songs that I liked.
I hope that I'm sexy in a different kind of way than I think that a lot of girls are right now. I think a lot of girls in the public eye, especially musical artists, are just kind of objectified a little bit and wearing super-skimpy outfits and leaving nothing to the imagination.
You have those times where you bump heads with your parents because they want you to do this, or you want to do that, or whatever it is, and that's just kind of life. She was just always like that safe place, and obviously she was the matriarch of the family, my mom's best friend.
The New York world is definitely geared toward fashion. So many people work in the fashion industry, photography, all sorts of satellite businesses that have to do with it, so there's no way that it can't affect you, and it just kind of makes you think with more of a fashion edge.
I'm obsessed with great endings and crazy intros and stuff like that. I think we all are from what we've listened to and stuff, so I've always focused on great bridge melodies that just kind of naturally fit, or like a crazy ending at the end of 'Seize the Day,' something like that.
I'm in East L.A., like Mount Washington, Highland Park. There's a little strip that they're gentrifying, trying to make a hip spot, but you go there, and it's just kind of barren. Nobody hangs out anywhere in L.A. There's no loitering in L.A., so I don't know what to do with myself.
Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.
Why was Barack Obama attractive to people in 2008? If you think about Barack Obama, there's all this anxiety about society, just kind of wracked by centripetal forces - the idea that the center's not holding, no one can talk to each other, the idea of a political system that's broken.
The interviews have gotten much longer with 'Humans of New York.' When I was first starting, I was just photographing people. And then I went to just kind of including a quote or two. Now when I'm approaching somebody on the street, I'm spending about 30 to 45 minutes with them often.
I always hated when the studios just kind of said that anybody can act. You look at people like Spencer Tracy, Henry Fonda - and I'm just talking about the male actors - there aren't a lot who can act. It's a very special talent, and I wish it were recognized as a very special talent.
I love to apply my foundation with BeautyBlenders - I just think it gives the most natural kind of glow, but I've learned from being on set that you should use a damp BeautyBlender but that you should dampen it with rosewater. It just kind of brings your skin to life a little bit more.
I'll never lose my roots. I think I'm too close to my family for that. I still make my trip back to Nebraska every year, and I still love going back to Texas where I grew up, as well. I've just kind of had to mature a little bit more and get used to a little bit different style of life.
Well, a lot of people don't know this about me, but I'm actually shy around people I don't know. I would just say with my first concert, my first tour, I didn't really talk onstage. I was like, 'Thank you, I love you guys,' or whatever. But now I've just kind of learned to work a crowd.
It's rare in the NBA, but I have a lot of young female fans from eight to eighteen because of the way I dress and the way I do my hair. People sometimes call me a pretty boy, but I embrace it. It's fun, and I guess it just kind of comes with being a good looking white guy in the league.
I've been writing since I was 10 or 11. I started with poetry because that was the easiest thing. It just kind of came naturally. I think at that time West Coast hip hop was huge; all these kids around me were like, 'I want to be a rapper.' But I'm a white girl, not going to be a rapper.
I think - you know, I want to intimidate people when I'm on the field. I want people to be scared of me. That's just kind of the nature of who I am as a person and player. But I also know that you have to be emotional. You have to be in touch with your feelings. I think that's important.
There's a certain thing when you start getting into your late thirties or early forties where you stop caring. Not to the extent where you stop caring about the music, you just stop caring about what anyone thinks of you, and you just kind of let it go - let the chips fall where they may.
For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville.
I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go. But there's just that few days of frustration to get to that point.
I got traded in the middle of an injury - my ankle injury - so in '09, I came back and just kind of flukishly had some success. I was far, far from healthy. I came back in 2010 still nursing that ankle injury. Yeah, it was a rough, rough go. My first few years in Chicago were not much fun.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
It just kind of puts you in awe a lot of times. To see fans, and especially kids, really want a bobblehead or really want your jersey, that's something you only dream of. Sometimes we take it for granted, don't understand the importance of it, how a little bobblehead can make somebody's day.
I think when I was about 12 or 13, my dad started taking me out to the local golf course, and that's the first time I ever hit a golf ball. I picked it up pretty quickly, just kind of monkey-see, monkey-do. But when I was 12, golf was so slow to me. For me, it was basketball, girls and music.
I definitely carry a little bit of a burden with me, being a gay athlete going to the Olympics. I think that there's pressure on me... It presents an amazing opportunity, and I think that it kind of gives us a chance to shed people's misconceptions and just kind of, like, break down barriers.
I come from a performing family. My parents are Nigerian, and their parents and their parents - and it's all about performance in their culture, you know. The music. The dancing... you're told to stand out at family gatherings and perform in some sort of way. You're just kind of born into it.
There'd be days I was in the locker room with my dad doing media, and there'd be other days that I'd be with my mom in the press box and just kind of looking at stuff from that point of view. I'd see guys writing stories after the game and stuff like that. So it was cool to me to see both sides.
I went to the University of Maryland for a year and was considering maybe, you know, being a medical doctor but decided my other interest was maybe flying airplanes in the Navy and just kind of changed my mind and changed schools and changed majors and decided to focus a hundred percent on that.
I'm normally running three to 10 meetings at a time. I just pile them all up. I have no schedule and everybody just kind of meets at the same time. It sometimes makes people who are really important in their minds very uncomfortable because they're used to getting an automatic three hours alone.
So I always respected the guys who were trying to do it on their own without taking a handout from a big organization. They were trying to create their own thing, the DIY style, which is sort of always been my style, kind of a makeshift survival mode and really just kind of forging your own path.
For like everyday, just kind of hanging out, I love flannels. Part of my closet, there's a whole section of flannels because I love them so much. Slouchy, oversized hats and fedoras. I just got these 2 amazing hats that I really love, blue and gold trim with woven material by D&Y. I love D&Y hats.
In a sense, I'm always hearing music of some sort, whether it's people talking or surface noise or whatever, because there is no privacy. So when I'm by myself, I just kind of like to be and reflect, and I can't do that when I'm listening to music. Because it's someone else's reflections, not mine.
The way it works in commercials is they come to you with the script, and then you do the visual, you do the storyboards, and you give your vision of it, but it's very much their baby. You just kind of put your polish and sheen on it and your interpretation of it, but it's very much the agency's idea.
For some reason I did something where I realized I could get a reaction. That was when I broke out of my shell at school, because I really didn't have any friends or anything like that and I just kind of was going along, and then finally I did this zany thing, and all of a sudden I had tons of friends.
I wasn't really actively trying to pursue music, so I was really just allowed to create freely without any pressure or outside influences like, 'Oh, I should be making this' or 'I should be collaborating with this person.' It was just kind of like whatever I wanted to do. I was just having fun with it.
I have a very specific memory of watching 'Singing in the Rain,' and looking at myself in the mirror after watching it and perceiving myself as one of those people that I was just watching on T.V. It was just kind of a knowing that this would be the world that I would enter into. And that's what I did.
I was not really worried about what people thought of me or how offensive my jokes were. I was just kind of saying whatever I wanted, and that gave me the reputation of being this crazy, loose cannon, you know, psycho guy. It still kind haunts me to this day. Like, 'Oh, Shane Dawson - that guy's nuts.'
My dad, who is a screenwriter, showed me all these great movies. He showed me 'E.T.' when I was 2-years-old, and I just kind of progressed from there. It was also my brother. We'd always watch movies together, and he'd do these voices and he'd always want to do skits and he'd come up with stuff with me.
After I quit the U.S. Ski Team, there was a fair amount of, you know, grief that follows that, and I just wanted to take a year off. And I had a friend that lived in Los Angeles, said I could crash on his couch. And so I just kind of did the first really spontaneous thing I'd done in my young adult life.
I've got this inflatable Darth Vader that I stole off the roof of a Burger King. I went in and asked the girl at the counter if I could have it, and she said she didn't care, but she wasn't going to get me a ladder or anything like that. So I just kind of pulled myself up there, cut it loose and took off.
Imagination is a pretty powerful thing, and when you're in the moment and you're riding a train and you're asked to look scared, I don't know, it just kind of works out. And in those moments where you're actually doing some of the stunts, then it's not so hard at all, because there's an actual fear there.