Jump Quotes - Page 20

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The way some papers write about me, you'd think I was some kind of gold digger. The truth is, I've always earned my own money. Before I became a model in Europe, I even worked in a bakery store - for $1.50 an hour. It's a big jump from a bakery store to driving a Mercedes in California, but I'm the same person inside.

When a parasite moves to a new habitat, it can find new hosts through a process called the trans-species jump. Often, the new host has no resistance; it and the parasite haven't had time to adjust to each other through natural selection (it is frequently not in the best interest of a parasite to kill its host quickly).

The only time I had what you would call life-threatening fear was when I was on the Moon. Towards the end of our stay, we got excited and we were going to do the high jump, and I jumped and fell over backwards. That was a scary time, because if the backpack got broken, I would have had it. But everything held together.

The joy of 'The X-files' is how it plays on so many different realities never knowing what is the truth and what is the deception. So my approach to my character has always been that we are alive and have always been alive and were never 'killed off' but held a fake funeral in 'Jump the Shark' to get the heat off of us.

Mark Jackson played 19, 20 years in the NBA. Shouldn't even have probably been in the league, and he's the third-ranked assist guy in the NBA. But you describe his game: Can he jump? No, not really. How's his outside shot? Eh, it's inconsistent. Can he defend? Nah, he can't stay in front of guys. And he played 19 years!

I've had a decent career, I've been a decent player but coaching is a whole different ball game. I can take the experience that I've got but there's so much more to it than that and I'd never take it for granted and just say I can jump into a new role and it will be easy and a breeze because I know it won't be like that.

The only thing that I've really noticed in my own experience is just people kind of saying that a woman, when they react to something exciting, 'Oh, that's a masculine way of reacting.' And to me, that's absurd. It's like, that's how humans - they get excited, and you yell, and you jump, and you flex. That's what you do.

When I jump into something, I really do it to the fullest extent that my time and energy will allow me. I'm from Texas, and to see so many people that are obese and with disorders that are preventable. They haven't been shown or told. I'm really passionate about making sure my fellow countrymen are healthy. It's a shame.

I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.

If I'm paying people, and they're not handling my business right, I have to check them. 'Cause sometimes you're nice, and people don't jump on what they're supposed to do, but if you go in there screaming at everybody - 'Look, why aren't my posters up?' or 'Why wasn't my single out on this day?' - then they jump right on it.

I don't want to be in a position that could make me vomit, like air travel. I've purloined airsick bags and stuffed them everywhere, just in case I ever feel the need to throw up. I haven't vomited since 1977, but I think about it all the time. I recognize that it's irrational, but I'd rather jump out of a window than vomit.

I keep getting asked out by really young, good looking boys and really ugly lesbians. So, even if I wanted to jump onto the tuna boat, I wouldn't because I'm not getting high-class babes that I should get at this level of my career. And I always know the ugly ones are serious and that the good-looking ones are goofing on me.

Colorful garments - ball gowns, kimonos, evening pajamas - made from yards upon yards of iridescent silk or velvet. I own an unjustifiable number of such outfits and jump at the chance to wear them. Against the etiquette about which I am otherwise all too conscious, I frequently, and unrepentantly, overdress for the occasion.

The part I hate is when we go out to eat. My youngest son, who's 11, doesn't like to eat in more fancy restaurants, so we often go out to places like Red Robin and such. Well, as you can imagine, in that kind of place I probably have to jump up about 10 times during a meal to take a picture with somebody or sign an autograph.

There is a shop close to where I live, outside which, on certain nights of the month - I've no idea if the transit of the moon determines precisely when - fans of designer skateboards queue from early evening in order - well in order, I presume - to be among the first to jump on a skateboard when the shop opens in the morning.

I do this maneuver, my finishing maneuver. It's called the 054, and it's a 450 splash, but it's going backwards. I know my opponents aren't going to be thrilled to hear this, but I don't know what I'm doing up there. I literally close my eyes, and I just jump, and my body just takes over, and thankfully I haven't hurt anybody.

I directed my first music video for Sara Bareilles. I like writing and directing. I co-wrote '21 Jump Street' and I'm in that. To me, they all inform the other one. I think writing makes you a better actor, acting makes you a better writer, directing makes you better at both. To me, I'm just trying to learn as much as possible.

For so long I focused on all that I had lost - my legs, my anonymity, even my freedom in a way. I couldn't jump in the car, blast some music and just get away for a bit. I couldn't play basketball with my brothers. I couldn't even get up in the middle of the night to go to the bathroom without making it some sort of production.

In high school, I was the best broad jumper on our team, and I kind of thought that when I got to MIT, I'd probably still be the best broad jumper, 'cause why do broad jumpers come to MIT? But it turned out to actually be the other way around. There was another person in my class who could jump about 3 feet further than I could.

In swimming, especially training out in the ocean and open water, you got fogged-over goggles, you're stuck with your own thoughts - there's great benefits to that, deep thinking like that after many hours, but there's also tremendous loneliness. You burn out. You want to run, jump, ski, do anything. So at age 30, I was finished.

As far as superhero stories, what's appealing is of course that aspect of wish fulfillment. I mean, you start out reading them as a kid, and a couple things jump out at you - there are heroes out there, and you wish you could run into a phone booth and change your life, or be like Peter Parker and put on a mask and become a hero.

Christianity asserts that God made himself human. Those are two different categories - two different levels of worthiness. God is one category, and human is another. That's a downgrade. After that jump, there are no more categories - no more downgrades. There are no human levels of worthiness. There is no hierarchy in God's eyes.

I'm not a fan of taking too long in the studio. I always do one vocal take and jump out of the control room, and people push me back in... It's a real turn-off to hear things that are too polished. I feel like I've almost fought for the right to be that kind of musician - we used to be on a major label, and now we're on an indie.

In 1983, my second year of law school, I became the only white player in the Ogden Park Basketball League at 65th and Racine. My teammates joked that I integrated the league, which I guess is true. They weren't so much focused on integration as on winning, and they knew you can't teach height. 'He can't jump, but he sure is tall.'

When you're guest-starring on another show, it really requires you to jump through hoops in a way, because you're servicing the stories of the main characters. You have to be able to portray a lot of different elements. You show up and get on board and get on their journey; you have to be flexible as to what they need for the role.

I remember being at Greenblatt's on Sunset, and some guy just walked straight up to me, and he had some bling on and whatever, and said something about a party down in Malibu and asked if I would jump in his car and go to the party. All I could think was, 'Who are you? I don't know you, and I don't care about how good your car is.'

At its very core, virtual reality is about being freed from the limitations of actual reality. Carrying your virtual reality with you, and being able to jump into it whenever and wherever you want, qualitatively changes the experience for the better. Experiencing mobile VR is like when you first tried a decent desktop VR experience.

Even the dullest bird or face becomes interesting when you give it a good look in the wild/flesh. The way the shadow drops across the cheek, the light hits an eyebrow, etc... there are many more angles, positions etc. than you can ever imagine. My heart always makes a little jump when I see things in birds or faces that surprise me.

Hmm... my bedroom's really messy. It's probably the messiest bedroom you could ever think of. Like, you think it's messy, but when you go there, you can't see one bit of floor anywhere. Clothes, makeup... I'm getting sent loads of clothes and stuff, so it's just piling up everywhere. I've to jump over it in order to get into my bed.

Every trial lawyer knows what it is like to sit patiently while the other side puts on its case. Inevitably they make a few points that appeal to the jury, and waiting for the opportunity to respond can be painful. The desire to jump up immediately - to point out the flaws in logic or the factual distortions - is often overpowering.

I spent many years in college studying English literature. I was on the verge of attending grad school to get a Ph.D. in Renaissance poetry - my lost careers were being a writer, artist, or academic. Do I regret spending all that time poring over Shakespeare when I could have been getting a jump start on the competition? Not at all.

You make a record like 'Jump,' people are stuck in that world. They want you to keep making records like 'Jump.' People don't understand that you got to move on; you got to do something else. You have to evolve and go to something else. And most of the time, when it's time for you to move, other people are not prepared for that move.

The dark space is one of the biggest concerns on the part of counterterrorism officials right now. Comey did a good job of explaining how they jump into a direct messaging box and then go into platforms designed specifically to be secure. There's no way, even if we have a lawful court order, to be able to access those communications.

'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.

A lot of 'Shonen Jump' anime, you see a lot of battles, a lot of aggression, and it's very relatable to players. There's a hero, and he has to go through a lot of rough training, put his body through the unthinkable so that he can save the world or do his task. His or her challenge is saving the world; our challenge is winning the game.

The Perfect Dog is an enticing fantasy pooch. It's the dog that instantly learns to pee outdoors, never menaces or frightens children, plays gently with other dogs, won't jump on the UPS guy, never rolls in gross things, eats only the appropriate food at the right time, and never chews anything not meant for him. This dog does not exist.

You want to get to the top of the cliff. But that's not what you focus on immediately. You focus on the next ledge just beyond your reach, because you need to do one clever thing to get up there. And then, once you get there, you do it again. A lot of this is rather boring and not very glamorous. But you can't jump cliffs in a single bound.

A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.

One of the sports I do - my wife thinks I'm nuts - is open-water spear fishing, what we call blue-water hunting. We get in a boat, and we go offshore, normally about 30 miles. So when you jump off the boat, there are no reefs, and the bottom is no longer fifty or a hundred feet: it's thousands of feet. It's sort of like being in outer space.

Many first-time founders fail to understand the difference between the potential of the Total Addressable Market (TAM) and the very finite subsection they can hope to capture. No company ever captures the entire market they pioneer. Innovation doesn't happen in a vacuum, and others will jump in from the moment you've identified the potential.

If you go from $7 to $15 in a very short period of time, potentially that could have a negative effect on some economies because that is a very big jump. And you're saying to businesses that employ a large number of minimum wage workers, your payroll is basically going to double. That could have a negative impact. It would have to be studied.

I played college soccer before I was hurt, and just to be able to jump back into something that you could be so competitive at or you can achieve, to get to the Paralympics, that's the first really big achievement that you can have. It's the second biggest sporting event in the world. To be a part of it and to get a medal for that, it's unreal.

I like doing what I do, but I like having the opportunity to do different things, and obviously comedy would be a fun jump. I've just been lucky enough to stay working. In my case, playing intense roles or playing character roles is something that people will hire me for, but yeah, I'd like somebody to think I'm funny. I guess we all do, right?

If you look at the end of a roll of toilet paper, like the brown paper tube, I basically worked in a factory that made humongous ones like that - for concrete or anything you wanted to put in there. I was the guy who chopped those up into smaller pieces, put them in a box, throw it in a pallet, wrap it up, jump in a forklift and put it on a truck.

In England I played everything - swimming, athletics, football, rugby, badminton, cricket - all of that stuff. I was in the first teams for all the sports at Brighton, played on the wing in rugby, and ran 100m, 200m, 400m, and did long jump and even the javelin at one point. In the States I did a bit of track, but mainly I was there for the boxing.

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