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We are the first on the frontline to go into countries to liberate people in the name of freedom - that's what we've claimed. And now, all of a sudden, they need our help and we turn them away. Yet the rest of Europe stands ready to help. Why are we the first to jump ship?

I have a lot of brothers. It's easy for me to do physical stuff. I had to survive. I really love it, and I'd love to do more of it. I want to do action films. I want to go and hang off of wires, and jump off of bridges, and hang on bungee cords. I've always really loved it.

I'm one of 3; I have a 16-year-old sister and an 11-year-old brother. We're all very close. We're an interesting family, and we moved a lot when I was younger. I feel like we are very tight knit because we had to sort of jump and leave places and start over again and again.

I can almost see the music. It comes in the form of colors - colors jump out at me, and that translates into notes. They come fully formed: the orchestration parts, not just the melodies. Even though they're not always the right ones to use, the initial idea comes like that.

I go through phases as far as working out goes. I'll do yoga for a few months or then work out at the gym, and then if I'm not doing either, there are things that I usually try and do something active, whether it's trying to jump in the ocean with the surfboard or go hiking.

Coming into my rookie year, I could kind of eat whatever I wanted - you're really not too concerned about it. But you don't realize that a pound here and there is really not a good thing. It's just basic physics: it's harder to move faster and jump higher when you weigh more.

Some people like just sitting down and being taken for a ride. That's a beautiful thing that fiction can do. But it's not the only thing. In television and film, people are ready to accept any kind of jump cut, but the slightest disturbance on the page ruffles their feathers.

In terms of the black female audience, usually if you're true to that character but more so in your body of work if you've proven that you love your sisters and you proven you will come back home like in 42.4% they'll give you a pass when you jump ship. I hear it all the time.

No one knows this, but when I would play the clubs back in '65, '66, they used to call me 'Screaming Chicken,' 'cause I would go out and scream, fall on the ground, beat myself, smash stuff, jump through the ceiling, roll on the floor, and act like I was having epileptic fits.

I think that I represent people that sometimes don't have a voice because of how they grew up or where they grew up or the options that were given to them. I was able to kick my way out of that, but we have a real class problem in this country, where it's hard to jump classes.

I don't like to change things too much. I think pretty hard about things before I jump in, and once I do, I feel, 'All right, I don't want to waste the energy of buying, selling this, going on Consumer Reports, test driving, buying, selling a house.' I feel life is to be lived.

Maybe it's my freak flag that, when I go to a haunted mansion, I would rather blend in with them and be part of the story rather than have someone jump out at me. To be part of the fantasy seems way more interesting to me, to embed myself in there and just drop in, in that way.

I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very small details, but then jump back for sort of that big picture perspective. And I think that ultimately, that's one of my strengths, because you have - every detail matters.

There's no reason to keep a piece of furniture in your house that is so sacred and rare that you can't put your feet up on it and a dog can't jump up on it. Likewise, a book that sits on a shelf like a piece of porcelain, only to be admired, never to be read again, is a dead book.

It's not normal when you finish playing collegiate ball to be able to jump right into the NFL and work for Jon Gruden. That doesn't happen if you don't have your grandfather that has the connections and has earned the respect around this league. And for that, I feel very fortunate.

I write songs as honestly as I can without worrying about genres or labels. Sometimes I sing, and sometimes I rap, and sometimes I do something in between. I jump around on stage and don't care too much about how I look. I try to be myself even though I'm still figuring myself out.

I realized there might be monetary or financial reasons to jump in and write a 'Winter's Bone Retriumphs' or something, and nobody would object to me doing that in publishing. But it would be a waste of my time, and they always take a little longer than you thought they would take.

There are so many steps you have to go through to reach a high level, so you're kind of building your own, I would say, mountain. You have to go piece by piece by piece. When you're young and really ambitious, you want to jump right up. It kind of teaches you a lesson, I would say.

Cyclists need to help themselves and should not jump red lights. I would ride in London, but I certainly wouldn't ride like that; you just have to be careful. I can understand going down the outside of traffic, but you should obey the rules of the road because we're all road users.

Really just about the only remembrance I have from when I was very young is the way Daddy used to place me on the refrigerator and then say, 'Jump!' and I'd jump into his arms. It was so much fun for me that even when I got too large for it to happen, I still wanted to do it anyway!

I'm getting asked a lot, 'You don't have kids, so how do you know how to act like a mother?' I know nothing could compare, and I haven't had that experience, but when my niece was born, I felt like I would jump in front of a car and die for this little person I didn't even know yet.

I always thought the objective of basketball was to get the maximum amount of movement to get the easiest shot, closest to the basket. With the three-point rule, the whole strategy changes, and you make a move and then throw it 30 feet out, where somebody takes a standing jump shot.

There's no need for me to go out there and try to set the world on fire, try to win races and put myself in a tough spot, not be able to capitalize on it. If the opportunity presents itself, yeah, we'll jump on it. There's no need for me to force a hole, end up tearing up a racecar.

You can't expect a poodle to guard your house the way a Doberman pinscher does, and you can't expect a Doberman pinscher to jump in your lap the way a poodle does. Some people are just animals of a certain nature, and they are always going to have certain impulses that motivate them.

What made me so different is they would use me all over the place instead of the traditional tight end where you're taking off right next to the left tackle or right tackle. They would split me out wide and put everybody on the other side and throw me jump balls, they'd throw slants.

The most difficult quality is to make the right decision. Because you can be quick, you can be strong, you can jump incredibly, you can have the best shots and you can be able to score goals from 50 yards, but if you don't know when to shoot, when to run or when to jump, you're lost.

Most of our physical education teachers were just teachers, and they had to do the extra stuff on their own. I remember very vividly that they would hold a cane pole between two of the students down low, and we would all jump over it. And they would raise it and raise it and raise it.

We're growing into an entertainment medium as opposed to 'We make games. We make Mario jump.' We no longer have to focus so hard on the technical hurdles and can ask, as a player, why am I doing this? Why am I making these choices? Games that don't have that strong foundation stumble.

American stuntmen are smart - they think about safety. When they do a jump in a car, they calculate everything: the speed, the distance... But in Hong Kong, we don't know how to count. Everything we do is a guess. If you've got the guts, you do it. All of my stuntmen have gotten hurt.

To answer the question, though: I didn't always want to direct. I just liked the idea of it. If a friend was making a short and needed someone who knew screen direction, I would jump in. It would be horrible, but it led to a short, then another, and another. It was like student films.

What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.

I travel often, which can make maintaining a workout schedule a little difficult, but I try to make time for it whenever I can. Sometimes I wake up extra early so I can fit in a run or a bike ride, and other days I'll just blast music and jump around or watch a 30-minute exercise video.

I think theatre must be an event, an experience, not compete with cinema. When people are able to download stories on Netflix, you need to give them a good reason to jump into the car and drive two hours. It has to be something you can only see in the theatre, and it has to be worth it.

I had just finished working on a play, and we started to talk to the 'Happy Endings' folks. There was interest from both sides, which was exciting, because I thought it was very fresh. Adam Pally's just a really funny, talented dude. I thought I'd be great to jump on and do some comedy.

Golfers who play a lot of courses often encounter short ledges or retaining walls, and I always had fun hopping down from them. I could jump off something six feet high and land like a cat, no problem. Well, today I can't jump off anything higher than two feet without it just killing me.

I've seen so many people - loved ones and colleagues - who jump from one diet to the next, one exercise regimen to the next . I was trying to figure out what were some of the basic things that each of us can build into a lifestyle for good, instead of bouncing from one thing to the next.

It seems that the hurdle you have to jump over is everyone's informed opinion. When you're a young playwright, you're probably too precarious in your own technique to understand that when these seemingly informed opinions are contradicting each other, it becomes this paralyzing monolith.

It is hard to get animals which normally pay little attention to each other to do things together. One can teach dolphins to jump simultaneously out of the water precisely because they show similar behavior spontaneously, but try to make two domestic cats jump together and you will fail.

I spend a lot of time in L.A., and I think it would probably be easier if I lived there work wise, but there's no city like London, there is so much going on. I can jump on the Tube and be anywhere in 20 minutes, and all my friends and family are here and I'm not prepared to give that up.

One of the reasons that DC, Marvel, and other comic book companies have always asked me to do covers and variant covers is because they know that when they tell me 'icon,' I jump over their words, and I give them an iconic cover - but while I'm doing it, there is going to be an idea there.

When I originally came from 'Cheetah Girls,' I was making music that was real to me but not believable. I think there was a disconnect there. I am a grown woman, and I've been through a lot. The most important thing about my music is that we don't jump the gun and throw anything out there.

Sometimes, you might meet somebody that you love that's turning into a 'they.' My key is invite them to Miami and take them to the ocean and let them jump off the boat in the ocean, on the sand bar, and cleanse off and pray and then go take a shower, and hopefully the 'they' is out of you.

I'm a career prosecutor. I have been trained, and my experience over decades, is to make decisions after a review of the evidence and the facts. And not to jump up with grand gestures before I've done that. Some might interpret that as being cautious. I would tell you that's just responsible.

In 1981, when I went down to visit Georgia Tech, I watched Michael Jordan play and literally get ridiculed for taking a jump shot in the championship game that went off the backboard, and they won. People are forgetting that Michael was just one of the players when they went to the Dream Team.

I grew up in Atlanta, Georgia, and I honestly started performing for my family when I was around three. I would jump up on the coffee table and I would get in the closet and ask that they introduce me to come out, and from that point on, my mother stuck me in dance class and children's theater.

I think what people don't realize is the transition from NXT to the main roster is a big jump. It's getting a whole new audience familiar with a certain character. If you debut too many women at one time, it's hard for the audience to get to know, understand, and see the rise of that character.

If falling into desperation worked to make things better, then I would say, 'Let's all jump into despair.' But it doesn't help. The only way to truly find meaning and fulfillment is to look at the disaster, the pain, the difficulty, and know with complete certainty that good can come from this.

No matter how many times you've seen the movies and the TV shows that have a protagonist leaping in the path of a bullet, physics forbids such sacrifice. Because of a bullet's radical speed, you can't jump in front of it, but you could get in its way. It's not as dramatic, but it does save lives.

There were many times that I took such a big hit that I was dazed; I'm not going to lie. I'd see black, but I'm still looking for the puck. Where's the play going? I'm going to keep going. Same thing in figure skating. If I take a hard fall, I'm going to get up, and I'm going to do the next jump.

Listen, if you a comedian, and you try to jump in the rap lane, it's not gonna work out the way you think it's gonna work out. Just cause you got 4 million followers, 5 million followers, them people follow you 'cause you a comedian. So, once you try to rap they are not going to take you serious.

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