Quotes of All Topics . Occasions . Authors
I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes.
Before I ever heard about '60 Minutes,' I had been a writer, a columnist for 'Life' magazine and for 'Newsweek' - that was about as high as you could get in column writing. I care about my writing. I'm not a quack-quack TV journalist.
It is really no surprise that, in a media world that has been so compromised by an invasion of political partisans and inarticulate airheads with communications degrees, a fake journalist can seem more trustworthy than the real thing.
It was a June day when I began my career as a national journalist. I stepped into the Detroit Bureau of the 'Wall Street Journal' and started on what would be a long, varied, rewarding career. I was 23 years old, and the year was 1970.
Unlike other professions - doctor, lawyer, teacher, journalist, sales clerk, stock broker - when a cop makes a bad mistake, it could mean someone is dead. They take home mental baggage unlike anything carried in almost every other job.
In February I secured permission to enter Osama bin Laden's compound in the northern Pakistani city of Abbottabad, where he was killed and where he had lived for the last half-decade of his life; the first, and only, journalist to do so.
When it came to political power, blacks need not apply. Add to this steaming stew the growing tensions over the Vietnam War and the movement for civil rights, and you had plenty of elements to fire the imagination of a novice journalist.
It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
In an interview with a journalist, you look petty taking the pot shot but in a slick ad you can really do damage - including unfair damage - from afar. It is not that much different than waging a war by a drone than by hand-to-hand combat.
As a journalist, you have to have multiple sources and verifiable science, and when you've done that and satisfied the most skeptical voice in your head, you have an obligation to ride through the streets - let people know what's going on.
When I was a journalist, I didn't care how many people talked to Ice Cube before I talked Ice Cube. I just knew that when I talked to Ice Cube, it was going to be different than what anybody else had done, and it was the same with any group.
I feel really blessed to work in a place that values me for what I bring as a journalist and as a professional storyteller and navigator of the news. But I also know that they appreciate about me, my perspective as a woman, as a black woman.
I'm not searching for hard news; I'm not a journalist, but I'm interested in pushing to boundaries of where we can do the kind of stories that we want to do. I mean, it's a big world and CNN has made it a lot bigger and they haven't flinched.
And I think because of the passion of every English player and every English supporter, and every English journalist for the game, most of the game is played with passion, love for football and instinct, but in football you also have to think.
And I came away from that experience, and it was a very difficult experience - I came to understand that you have to practice at being a good father and practice at being a good husband, just as you have to practice at being a good journalist.
I've played journalists before, and I have good friends who are journalists. I think being an actor is not very far from being a journalist. Because you investigate, you try to understand, you're asking questions, you're interested in the other.
I have experienced power as a journalist. On three different occasions, when I wrote about individual immigrants or refugees, the article - or, in one case, my presence in the courtroom - appeared to positively change the outcome of their cases.
My father once said something very shrewd about me to a woman journalist who had told him how courageous she thought I was for always speaking my mind. My father said, 'If you couldn't care less what anyone says about you, then it's not courage.'
Whether you're working in corporate America or you're a journalist, construction worker, a teacher or an actor - we're all trying to keep working. If one job is ending, you look for another job. When 'Psych' ends, I will be looking for another job.
Being a journalist, being exposed to the world, to social injustice, to intolerance, growing up here, under apartheid, benefitting from that, has all shaped who I am and what my passions are, and of course that's going to come through in my writing.
On career day as a young journalist, I scraped up my money and went to this big conference for young journalists, and the great feedback I got was that I would not or should not become an anchor because my eyelashes were too long and too distracting.
And I'm hoping that fair-minded people will stand up and say that what's been done to me is wrong, and that-that people's personal lives have no impact on their ability to be a journalist, you know. Why should my past prevent me from having a future?
There was one point where my mother was dying of lung cancer, and a journalist dressed up as a nurse and got in the house to get a picture of her, dying of lung cancer and stuff like that, and then you realise the fame's not all it's cracked up to be.
I don't necessarily take issue with the label 'conservative journalist,' but I never particularly use that to describe myself. But I guess the values and principles that I have may be aligned with issues that are either seen as center or center-right.
Possibly because I did start off as a journalist, my starting point has always been that you've got to keep an audience with you. Whatever you're doing, you always want a script to be a page-turner. It's very important never, ever, to feel above that.
I'm in politics to change things - if possible, for the better. I was a journalist for a long time, but I had a kind of midlife crisis, and I decided I needed to do something to get on the pitch and stop endlessly kicking over other peoples' sandcastles.
In any event, the proper question isn't what a journalist thinks is relevant but what his or her audience thinks is relevant. Denying people information they would find useful because you think they shouldn't find it useful is censorship, not journalism.
I wasn't always a novelist. I began my writing career as a journalist, working on an afternoon newspaper in Sydney, Australia, doing the crime beat and court reporting. Having grown up in a small country town, I felt as though I had nothing to write about.
During my past career as a journalist, I relished writing obits and equally dreaded phoning relatives for the necessary facts. But to my surprise and great relief, they often wanted to talk - they wanted their recently deceased loved ones recorded in print.
In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.
I was the first journalist allowed on a hunting boat during harp seal season in almost 15 years. Around the late 1970s, white coat pups became the poster child for the anti-fur movement, and by the '80s, the media was lambasting the hunters for killing them.
CBS fought very hard on this because it believed and believes that there's a principle at stake here. The principle is that Dan Rather doesn't work for the police, and that people that speak to Dan Rather understand that he's a journalist and not a police agent.
There are potentially many offences that journalists could commit in the course of their business. It would be very unhealthy if you had a situation where a journalist felt that they needed to go to their lawyer before they pursued any lead or asked any question.
That was par for the course but I also found that commissions were being canceled and in fact I considered this directly libelous - I write biographies for a living as well as being a journalist - for a non fiction book to be called fiction from beginning to end.
It is tiring to be Turkish. The country is badly polarised, bitterly politicized. Every writer, journalist, poet knows that because of an article, a novel, an interview, a poem or a tweet you can be sued, put on trial, even arrested. Self-censorship is widespread.
Take the perspective of a journalist or scientist. Really study what's around you. What are people wearing, what do the interiors of buildings look like, what noises do you hear? If you bring your analytical powers to bear, you can make almost anything interesting.
Everyone, regardless of the mode of expression, has a constitutionally protected right to free speech. But when it comes to freedom of the press, I believe we must define a journalist and the constitutional and statutory protections those journalists should receive.
We have rights in America. In tandem with those rights, we have responsibility. Whatever type of journalist we are, whether it be in the entertainment business, or as professional journalists, we always have the consequences of the way we present fact and information.
I kept thinking, I'm not going to do political journalism, because there's no way to keep my principles and be a political journalist, so I'll edit a popular science magazine. This will be my salvation, and I'll emerge with my integrity intact. That didn't even happen.
I grew up listening in awe to stories of their wartime adventures. My granny, Joan, was a journalist and wrote amazing letters to my grandpa when he was a prisoner of war, while my nana, Mary, was a Land Girl, then a Wren. They were so independent, resilient and glamorous.
As a journalist, I've always treaded carefully about being Jewish and caring a lot about Israel and having that not become too big of an issue that could affect my journalism. But I also don't think it's essential to my Judaism, as I think it might be for some other people.
Karan Thapar is an endangered species. They don't make them like him anymore. True, thousands have gone to the Doon Valley School after him, as indeed to Oxford and Cambridge universities. But Karan Thapar is more than the sum of his upbringing. He's a gentleman journalist.
As a journalist, I try to avoid talking to American diplomats, because I am stunned again and again by just how little grasp they have of what people are really feeling in a country. Especially CIA guys. Maybe they're just really good at playing stupid, but I don't think so.
I'm a huge music fan. I usually say that if I had been born with a musical inclination, it would've been great. The Beatles changed everything for me, and I wanted to be a journalist for 'Rolling Stone.' I'm a big music fan in a Cameron Crowe way, kind of in a spectator way.
In 2002, a Scottish journalist, during a dinner meant to be private, absolutely wanted me to react to Stephen Hawking's comments. I said one shouldn't pay too much attention to what Hawking was saying because he was a celebrity but not a specialist of elementary particle theory.
Everyone with a cell phone thinks they're a photographer. Everyone with a laptop thinks they're a journalist. But they have no training, and they have no idea of what we keep to in terms of standards, as in what's far out and what's reality. And they have no dedication to truth.
My dad was a journalist. One great trip we took was to Israel. We went there and drove through the whole country, and it was pretty incredible. We went to the Philippines and saw the beauty of that country but also what poverty really looks like. That had a profound effect on me.
Once Iraq became a hot bed for kidnapping, reporters had to use every kind of trick they could manage to avoid it. This included chase cars, security men for more prosperous agencies and networks, and GPS signals on satellite phones that could pinpoint the journalist's locations.
Few Westerners know Iran as well as Robin Wright: her first trip there as a journalist was in 1973, and she has covered every important milestone since, from the Islamic revolution and the hostage crisis to the more recent staring contest with the West over Tehran's nuclear program.
I was a painter, then a novelist, then a journalist, then a screenwriter, and now I'm a director, and it feels all part of the same continuum. One led to the other, and it just feels like the natural confluence of all the ways of storytelling that I've been doing for almost 30 years.