I was a very bad journalist. Awful. I would just invent everything. If I did an interview, I had a preconception of what that person should say and I would put my words in his mouth.

What I learned in school made me a better journalist and a better writer because forensic science is, as scientific disciplines must be, about critical thinking and objective analysis.

As a professional journalist, I've been interviewing people for almost thirty years. And the one thing I've learned from all those interviews is that I am always going to be surprised.

Too few journalists become screenwriters. I say to all the would-be screenwriters: Become journalists. And I’ll say to working journalists: Do not stay journalists. Become screenwriters.

I have been fiercely private, in part because I could never understand how a journalist could be otherwise. I was also the mother of small children, and security concerns were paramount.

Assange is not a 'journalist' any more than the 'editor' of al-Qaeda's new English-language magazine 'Inspire' is a 'journalist.' He is an anti-American operative with blood on his hands.

Sixteen years as a freelance features journalist taught me that neither the absence of 'the Muse' nor the presence of 'the block' should be allowed to hinder the orderly progress of a book.

I don't think I'm an intentional liar, but I'm a little bit of an exaggerator sometimes. If I'm exaggerating, and the journalist exaggerates on top of that, then we end up in funny territory.

I speak as the journalist who, on the first day back at work for 'The Daily Telegraph' after the birth of my daughter, went to interview Tom Hanks with an epaulette of banana sick on my jacket.

Obama was referred to in terms so glowing, so fulsome, so toadying that it was easy to pin down the journalist class of 2008 as a group of fangirls squeeing and fainting at his every utterance.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

I became a journalist at 17. A few hours later, I saw my first dead body, which was somewhat... colourful. That's when I learned you can go on throwing up after you run out of things to throw up.

Sometimes, in a fictional story, you can be more honest and truthful, actually. As a journalist, you're a prisoner of the data, in effect. You have to tell the story with evidence you can verify.

I get much more information about the rest of the world from people who are not Americans. You get a distance from America that is useful for a journalist; useful for my perspective on the world.

I think any journalist who spends time in a place realizes that there are lots of stories around beyond their primary story. You meet so many interesting people and have all kinds of experiences.

I'm loath to use my personal life to promote what I do, but at the same time, I don't like a journalist going away with no more than you could get off Wikipedia, where most of it's invented anyway.

When I was a kid growing up, I always thought I would be a journalist, and I thought, you know, I'd cover stories about other people, and we're always taught never to make the story about yourself.

It's a journalist's job to be a witness to history. We're not there to worry about ourselves. We're there to try and get as near as we can, in an imperfect world, to the truth and get the truth out.

You come across words all the time that are everyday sexism. I was described as 'competently bossy' and 'bossily competent' by a male journalist, and I thought, 'Gosh, 'bossy' is never used of a man.'

Everyone needs to start doing interviews over email. Whether you're a journalist or a spokesperson speaking to the media, you're better off communicating questions, statements, or inquiries via email.

I think the way to be an influential journalist is to be accurate and to be fair and to get things right and to really characterize things in an honest way, versus being really snarky or cheerleading.

No-deal Brexit could be Boris Johnson's biggest deception yet - worse than the Boris bus or the lies that had him sacked as a Times journalist or as a spokesman by the then Tory leader, Michael Howard.

I was in California when this journalist made a blanket statement about the fact that she did not think that black men and women had the kind of love relationship that Rebecca and Nathan had in Sounder.

I grew up with 'The Denver Post' and the 'Golden Transcript.' There was never a moment that I thought I'd work at the 'New York Times.' My goal, starting out, was just to see if I could be a journalist.

As a professional journalist who nonetheless champions a 'people's' Internet, I am happy to compete against the thousands of amateur bloggers out there reporting and commenting on the same stories I do.

I don't believe a poet has a better hold on truth or morality than a fiction writer has. And I don't think a fiction writer has anything over a journalist. It's all about the good word, properly inserted.

I had a lot of jobs before I got into music. When I was 15, I was a copy boy for the 'Evening Chronicle' in Newcastle. Then I was a journalist. I value those experiences - I got to see how the world works.

I consider myself to be a guerrilla journalist. Some would call me a provocateur, but I am a journalist who uses ambush and undercover tactics to uncover the truth and expose people for who they truly are.

I write in all sorts of places; it's a legacy of my time as a journalist, where I could turn out copy in a hotel corridor. But I have a little office that I rent in my local town, and that's my ideal place.

If one more 'journalist' makes a cavalier statement about me and my band, I will personally or with my fans' help, greet them at their home and discover just how much they believe in their freedom of speech.

Probably having fallen in love with music and movies at a young age and then first learning about writing by kind of following the path of writers like Dave Marsh and Lester Bangs and being a rock journalist.

I had left the music business and became a conflict journalist. The conflict journalism started for me in the Gulf and the oil spill. When Skynyrd needed a new bass player, they knew me from the Black Crowes.

Journalists become candidates for cardiac arrest when they see or hear an African American disagreeing with an African American. We would become inauthentic if we did not have disagreements with this president.

Being a journalist always makes you a quick study of wherever you're at. You're out all the time and seeing places that normally you wouldn't get to see. It gives you an unusual level of insight into any place.

I was a car journalist when I started on 'Top Gear.' It was all about cars. And then it all spun out of all control, and we turned into figures of ridicule to keep the viewers happy. It's a fair deal, I suppose.

This is the whole ball game, and this is what I really want to say. I'm proud that journalists are standing up, individually, speaking up in ways that we rarely see. They're not anti-Trump. They're pro-democracy.

I almost became a political journalist, having worked as a reporter at the time of Watergate. The proximity to those events motivated me, when I wound up doing philosophy, to try to use it to move the public debate.

My whole model, from the beginning, was not to personally publish a single document. I provided these documents to journalists because I didn't want my biases to decide what's in the public interest and what is not.

I hate the celebrity architect thing. I just do my work. The press comes up with this stuff and it sticks. I hate the word starchitect. Stuff like that comes from mean-spirited, untalented journalists. It's demeaning.

My dad was a journalist. He was in Rwanda right after the genocide. In Berlin when the wall came down. He was always disappearing and coming back with amazing stories. So telling stories for a living made sense to me.

If I was President of the United States, I'd rather be right than interesting. If I was CEO of a company, I'd rather be right than interesting. But I'm a journalist - what journalist would rather be right than interesting?

I prefer the word 'journeyman' to 'journalist' because I think that certainly, when you hear a story, you want to hear certain facts. But I also think what makes a story interesting is the points of view expressed therein.

My father was a journalist for 50 years in Leeds and Fleet Street. I thought about a career in business to show I could do something different, but the reaction among prospective employers was, shall we say, underwhelming.

But, I swear, they're turning Donna into Annie Hall this season. More ties. More suits. But they're also keeping her really motivated, ya know? Like, wanting to be a rock journalist. Wanting to be the first woman president.

Nothing is better for a young journalist than to go and write about something that other people don't know about. If you can afford to send yourself to some foreign part, I still think that's by far the best way to break in.

As communicators and marketers, people are so accustomed to thinking from the 'top down.' Finding the great analyst or the famous journalist who will endorse what you do and tell the rest of the world to go and buy your product.

I thought I'd give myself 10 years as an entertainment journalist and build up so much clout that there was no way Hollywood could ignore me when I started delivering scripts. Little did I know they were very good at ignoring it.

I used to be a freelance journalist, so I had to write fast, but I always found writing nonfiction constraining. I like the freedom of fiction, where I get to invent everything, and tidy, conclusive endings are within my control.

After working as a journalist I went to a writing program at Johns Hopkins. It was interesting because it was neither journalistic nor historical, but it emphasized writing style, and afterwards I was asked to write my first book.

Any journalist who asked critical questions, anyone on social media who questioned about the extrajudicial killings was bombarded with abuse, threats of violence death threats from trolls and bots and these fake Facebook accounts.

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