It's the nature of journalism to need to be close to your subjects. And either you're able to be tough on them, which a lot of us are, or you get in bed with them, and some people do.

The danger of the blogosphere is reading only those you agree with. While there are right-wing blogs that are entertaining freak shows, it's hard to find substantial journalism there.

I mean, journalism is very detailed... you try to get down in the weeds and sort out exactly what happened. And I don't think that a feature film is really a place where that happens.

My intent was to gain experience for fiction I eventually hoped to write. But there's no question I was drawn in by the hope that journalism would be a creative, thrilling environment.

In my career as a writer, I preferred to avoid current events: I wrote young adult novels and book reviews and lifestyle journalism about health and parenting and other such evergreens.

The media has not done a great job in fulfilling their role - journalism's role in a democracy is to provide information on profoundly important subjects so we're an informed citizenry.

The lowest form of popular culture - lack of information, misinformation, disinformation and a contempt for the truth or the reality of most people's lives - has overrun real journalism.

One of the great pressures we're facing in journalism now is it's a lot cheaper to hire thumb suckers and pundits and have talk shows on the air than actually have bureaus and reporters.

Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.

Journalism, some huge percentage of it, should be devoted to putting pressure on power, on nonsense, on chicanery of all kinds and if that's going to invite a lawsuit, well, bring it on.

We've seen how grassroots journalism by blogs has had an impact at various points politically, as ordinary people have amplified stories that were being ignored by the traditional press.

My aunt got me interested in journalism - she found an old typewriter, had it worked over, put it on the dining room table, gave me a stack of paper and said, 'Play like you're a writer.'

To presume that my greatest achievement is that I dated someone famous twenty years ago is completely sexist and anti-woman. It's lazy, nasty journalism that makes me sad about our world.

Never awake me when you have good news to announce, because with good news nothing presses; but when you have bad news, arouse me immediately, for then there is not an instant to be lost.

I think the future of journalism is going to be a battle between caution and recklessness. And I think a little bit of recklessness is a good thing, as some of the WikiLeaks cables proved.

Freedom of the press is not questioned when investigative journalism unearths scandals, But that does not mean that every classified state document should be made available to journalists.

When I finished grad school, I sort of fell into journalism. Someone mentioned that there was an entry-level job at the Reuters News Agency. I applied, and, to my amazement, I got the job.

Great journalism will always attract readers. The words, pictures and graphics that are the stuff of journalism have to be brilliantly packaged; they must feed the mind and move the heart.

poetry has been able to function quite directly as human interpretation of the raw, loose universe. It is a mixture, if you will, of journalism and metaphysics, or of science and religion.

Don't count out other amazing programming like Frontline. You will still find more hours of in-depth news programming, investigative journalism and analysis on PBS than on any other outlet.

There is a long-standing tradition in the mainstream press of middle-of-the-road journalism that is objective and fair. I would hate to see that fall victim to a panic about the Fox effect.

The whole sort of debate of classic objective journalism versus a new immersion journalism - that can go on forever... I made no bones about my position: I don't think you can be objective.

The only authors whom I acknowledge as American are the journalists. They, indeed, are not great writers, but they speak the language of their countrymen, and make themselves heard by them.

Yeah, I think of what I do as a work of journalism. It's more like the op-ed page, though. These are my opinions. My point of view. The opinions are mine and I let you make up your own mind.

There is a tradition that sees journalism as the dark side of literature, with book writing at its zenith. I don't agree. I think that all written work constitutes literature, even graffiti.

A key purpose of journalism is to provide an adversarial check on those who wield the greatest power by shining a light on what they do in the dark, and informing the public about those acts.

TV journalism is a much more collaborative, horizontal business than print reporting. It has to be, because of the logistics. Anchors are wholly dependent on producers to do all the hustling.

Writing one's first novel, getting it sold, and shepherding it through the labyrinths of editing, production, marketing, journalism, and social media is an arduous and nerve-wracking process.

America is strong because its journalism is strong. That's how democracies work. They're only as good as the quality of the information that the public possesses. And that is where we come in.

The function of journalism is, primarily, to uncover vital new information in the public interest and to put that information in a context so that we can use it to improve the human condition.

Many fiction writers write for the critics or for themselves; they forget the common reader. I never do. I don't think journalism clashes with my fiction; on the contrary, it helps enormously.

Joe Klein is the flower of American political journalism, a sharp raconteur who shows traces of the gonzo style that was in vogue when he was honing his craft at Rolling Stone back in the day.

The only thing which can keep journalism alive - journalism, which is born of the moment, serves the moment, and, as a rule, dies with the moment - is - again the Stevensonian secret! - charm.

I seem to be one of the few people in journalism who never worked or wrote for the 'Boston Phoenix.' I certainly read and admired it, and feel the same general malaise at news that it is gone.

We like long-form narrative journalism, and we feel there aren't enough high-profile outlets in Canada running the kind of stories we want to showcase - long, meaty, thoughtful, investigative.

I think that more diversity is a good thing, and fresh points of view articulated by people who are committed to excellence in journalism is a beneficial change in the American media landscape.

In order to have quality journalism you need to have a good income stream, and no Internet model has produced a way of generating income that would pay for good-quality investigative journalism.

When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't true. What became important was to have a point of view.

I have a degree in journalism, which is something that I make very clear very frequently just so people are aware of it. I went to school to write... Editorial integrity is very important to me.

So much of journalism is conveying a place and time that existed, to someone at a later date: giving a person the context and trying to make them feel as informed as if they were actually there.

Most magazines have become wallpaper, they're all the same, all the same celebrities. It's really an abysmal time in American journalism right now. But occasionally one story or two will pop out.

Anderson Cooper is fine. He is a smart, conscientious guy, and he seems to want his show to produce and highlight good journalism. But he also seems to want to replace Regis, or maybe even Oprah.

I was not going to use writing for advertising or journalism. I would tend bar, load trucks, chauffeur - do whatever it took. But from the moment I took my first writing workshop, I was a writer.

The focus of entertainment is taking away from what the public needs as news. I think investigative journalism will always be important and always find its way, be it on the Internet or wherever.

I studied journalism and was idealistic as a student. In course of time, I learnt that there's a lot of politics, and it's not easy to put forth your point of view as an investigative journalist.

I'm fortunate to work for a company that supports investigative journalism with strong editors and lawyers. That's the benefit of working for a company that's been around for more than a century.

When I say that I went to grad school in Iowa City, people often assume that I went to the famed writers' workshop MFA program at the University of Iowa. I didn't. I got a master's in journalism.

The art of the three-minute song is more like journalism than writing a big 400-page book. You want to be brief, you want to make sense right yen and there. And sometimes that takes a bit of work.

I read Popular Mechanics, Popular Science, Reader's Digest... I read some responsible journalism, and from that, I form my own opinions. I also happen to be intelligent, and I question everything.

As I went to college, I went into radio and television. Now I suppose most people think that's one step ahead of basket weaving as a major in college, but it was part of the journalism department.

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