Mike Judge is my Jonathan Swift, and I say that because I don't know any other satirists. But the problem with satire is that it's so easily misinterpreted.

I don't watch a huge amount of telly. I read a lot. I'm reading at the moment 'Freedom,' by Jonathan Franzen, a great big brick of a book, and I'm loving it.

My first celebrity crush was Jonathan Brandis. I even got to talk to him on the phone. I wrote a fan letter, and he answered. Talk about a surreal experience.

I'm not like Jonathan Hickman, who's able to sort of plot out three years of a book ahead of time. I'm much more of a guy who plots out an arc or two at a time.

Take Jonathan Franzen's work: it's just old wine in new bottles. They say he's the Tolstoy of the digital age, but there can only be a Tolstoy of the Tolstoyan age.

Jonathan Hill is an old friend of mine; I have worked with him for many years and know him to be a man of outstanding ability who has never sought a public profile.

I wanted to be an actor as a kid, and a lot of people would tell you to be realistic, but from a young age, our parents really realized that Jonathan and I were so driven.

'Jonathan Strange & Mr. Norrell' by Susanna Clarke is a big, thick book. About a thousand pages in paperback. I've heard several people say the size alone intimidated them.

The most brilliant satire of all time was 'A Modest Proposal' by Jonathan Swift. You'll notice how everything got straightened out in Ireland within days of that coming out.

There are a lot of similarities between Jonathan Higgins and Juliet Higgins: they're both British, they both come from military backgrounds, and they're both control freaks.

I love contemporary North American fiction and short fiction. My favorite writer is Jonathan Franzen, and my favorite writers of short fiction are George Saunders and Alice Munro.

I'm a Banksy fan. I'm also a fan of Chris Hobe, Mister Totem, Drew Wootten, Mad Clout, Hense and Sever, in visual and street art. And Jonathan Mannion and Shane Nash in photography.

I would like to thank President Goodluck Jonathan for his display of statesmanship in setting a precedent for us that has now made our people proud to be Nigerians wherever they are.

Through singing, I met my second husband, Jonathan, who is a professional musician. He transformed our lives and relieved me of much of the strain that I had been carrying for so long.

I appeared on a show with Jonathan Harris on it-the Bill Dana show-even before Lost In Space. Someone gave me a tape of it in the past year, but in all these years we hadn't remembered.

When I'm playing a character like Jonathan in Ripley's Game I want to be in the moment when he's feeling pain; this very ordinary person who finds himself in extraordinary circumstances.

I don't aspire to write like Steve King. Sure, I admire his work, and I think he's a hell of a nice guy; we met shortly after my first Stoker win. I aspire to write like Jonathan Maberry.

Jonathan and Joshua Fatu, they are pretty much well secured there in WWE. I taught my kids everything they need to know in the industry, but I think they have nothing else to prove in WWE.

I found out about Jonathan Winters' death a day after it happened. That seems wrong. A talent like his should be more revered. The world knew about Kim Kardashian's divorce before she did.

I think the best thing that Jonathan and I have done is… having really strong people working with us - our work environment and all of our employees and everybody, we're like one big family.

I don't want to see people decorating a house or digging a garden. As for guys like Jonathan Ross, he got an award there last Christmas. What for? He doesn't sing, dance or tell jokes, does he?

After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.

You know, I think everything I do cinematically for the rest of my life will probably have some direct route back to Jonathan. But I love him to death. He's like my best friend and my big brother.

How would Jonathan Lethem have obtained such a stellar endorsement for 'The Fortress of Solitude' from Michael Chabon, if not for the years they spent ghostwriting 'MAD' magazine fold-ins together?

When Jonathan Winters died, it was like, 'Oh, man!' I knew he was frail, but I always thought he was going to last longer. I knew him as being really funny, but at the same time, he had a dark side.

I once played a character called Mr. Jonathan in something called 'Razzle Dazzle.' I was a choreographer of children's pageants. That was something I never imagined doing. It did great in Australia.

While at Oxford in 1999, I met Jonathan Fortier, who is a Montreal-born Canadian. Despite the challenges of a transatlantic relationship, we remained keen on each other and eventually married in 2002.

It's interesting to see how some of the womenswear designers that we have long worked with at Net-A-Porter are developing menswear collections - Christopher Kane, Jonathan Saunders and Richard Nicoll.

So way back, Jonathan and I were - we were entertainers as kids. We were actors; we did theater, musicals; we ended up getting into commercials and some TV spots. Actually, one of our jobs, we were clowns.

Jonathan Lynn is one of the last actors Orsen Welles used in a production. It was wonderful. He's very sharp, very sharp. It's funny I've been asked how weird it was to have a Brit do a church gospel movie.

Personally, I'd never seen a graphic novel. I knew they existed because friends of mine like Jonathan Ross collect them and some very literate and intelligent people really rate the graphic novel as a form.

Even at 10 years old, Jonathan and I started saying things like, 'Hey, what about this for the property?' And I remember my parents saying, 'You're 10. What do you know about real estate? Go play with toys.'

The phone conversations about a possible TV series of 'Jonathan Strange & Mr. Norrell' stretch back years, but now that the moment has come, now that I am actually here at Wentworth Woodhouse, I lose my bearings.

I would have liked it to have stayed serious and have the adventures of a family lost in space. This isn't to take anything away from Jonathan and the Robot. I watch his performance today and he still makes me laugh.

For a while we were chasing a book by Graham Greene to do Brighton Rock as a musical. We didn't get the rights, so we decided to create something from scratch, with Jonathan. By that time we were big fans of his work.

When I first started out, 'Time' magazine did an article on what it called 'the sick comics,' and they were myself, Shelley Berman, Nichols & May, Jonathan Winters, Lenny Bruce, and Mort Sahl. We were considered 'sick.'

There is a tendency to presume autobiography in fiction by women or minorities. Guys named Jonathan write universal stories, while there's this sense that everyone else is just fictionalizing their own small experiences.

I was a screenwriting major at Georgetown, and I was in class with some really strong writers like Jonathan Nolan, who co-wrote 'The Dark Knight' with Chris, his brother. He wrote 'The Prestige,' the story for 'Memento.'

The Republican Party, I really believe, suffers from post-traumatic stress disorder from years and years of bullying and taunting. The Republican Party is Jonathan Martin. The Democrat Party and the media are Richie Incognito.

I'm like a unicorn; I'm a midlist writer who hasn't done anything else but write. But because I wasn't amazingly famous, I didn't become Stephanie Meyer, or even a huge literary name like a Jonathan Franzen or a Joshua Ferris.

I screen tested for 'The Tudors' in N.Y. That was my first experience of N.Y., being flown here to screen test with Jonathan Rhys Meyers. So I have very, very fond memories of New York - New York helped give me my first big break.

The only person who had any control was Jonathan Harris. His character was so flamboyant that he was able to make things happen. My character was fairly one-dimensional, so I had my relationship with Dr. Smith and with the family.

I've immersed myself in reading more and more of American literature, but no editor has asked me to comment on Jonathan Franzen or Jennifer Egan. It is assumed I'm an expert on writers who need a little less suntan lotion at the beach.

A movie I must have seen 10 times is 'Jonathan Livingston Seagull.' It's an old movie, but still such a beautiful message. If I had only one film I could take on my computer on a desert island, I would take 'Jonathan Livingston Seagull.'

When I'm channel surfing, and 'Silence of the Lambs' comes on, I have trouble turning it off. I wouldn't say that about 'Beautiful Mind.' It's a good movie, but I'm much more in awe of what Jonathan Demme did with 'Silence of the Lambs.'

My greatest reward is knowing for certain, as I do with many other acts and artistes, that without Jonathan King being alive and involved, Genesis would not exist, and the guys would have had careers as intended - as accountants and lawyers!

I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'

I think Woody Allen calls it 'anxiety of influence.' When you're in your formative years and you watch a movie that makes you want to make movies... For Wes Anderson, it's Truffaut. I'm sure for P.T. Anderson it was Scorsese and Jonathan Demme.

As I was writing, I realised I wasn't sufficiently extrovert to gather enough interesting souls with tall tales around me. I was no Louis Theroux. But neither was I interested in exploring my inner life in public, in the manner of a Jonathan Raban.

Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.

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