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J. Tillman was kind of an alter ego. There was a lot I didn't want people to know about my real life. With Father John Misty, I leave everything in: so much so that I lose sleep before these albums come out because there is always a line or two in there where I'm just like, 'This is not going to go down very well.'
I'm a big John Steinbeck fan. Cormac McCarthy. I've always loved the stories of regular people. Mark Twain, too. When you look back at some of the epic writers of our country's history, very rarely do you find upper-class royalty. We seem to delve into the struggle of life and the labor of life much more frequently.
My dad came over from Ireland when he was 13 and lived on the streets, working on building sites, and has just retired from his job delivering furniture for John Lewis. My mum has had the same job for 30 years as a sales assistant at Marks and Spencer. They've always been really great; they just want me to be happy.
Every Valentine's Day, I pretend I don't care. Like many of us, I say I don't want the flowers or chocolates or a homemade card. How cheesy. I pretend that it's over-the-top to want the person you like to make you a ridiculously nice dinner, or do some showy gesture, ala John Cusack with the boombox in 'Say Anything.'
Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
When I heard The Beatles, that was my turning point. They were like my mentors. You know, the funny thing about that, when I heard 'I Wanna Hold Your Hand,' at first I said these guys are like a flash in the pan. But the second album, I had to take all that back. John Lennon - one of the greatest writers in the world.
People, on their bucket lists, are saying, 'I want to see a game at Rupp Arena.' Magic Johnson will call and say, 'I want to come to the game tonight. I want to see John Wall or Anthony Davis or Michael Kidd-Gilchrist.' It's become fashionable to be seen here, because people want to be seen and associated with success.
I believe history will come to view 9/11 as an event on par with November 22, 1963, the date on which John F. Kennedy was murdered, cutting short a presidency that was growing ever more promising. Dreams died that day in Dallas; it is easy to imagine the 1960s turning out rather differently had President Kennedy lived.
Long before social media made things like bib replication easier, banditing at major races was viewed as a brave act. Rebellious runners like John Tarrant gatecrashed races as a political statement, in protest of rules about amateurism that limited how much money athletes could earn in appearance fees and endorsements.
You can't learn to write in college. It's a very bad place for writers because the teachers always think they know more than you do - and they don't. They have prejudices. They may like Henry James, but what if you don't want to write like Henry James? They may like John Irving, for instance, who's the bore of all time.
I think when romantic comedies are done well, it's a great genre. 'When Harry Met Sally' is kind of a benchmark for me, but I'm very happy to admit that I love 'Pretty Woman.' I do! It's a great film, and so is 'Sixteen Candles.' I was a big John Hughes fan - still am. I have moments where I have to watch a Hughes film.
Just as the England football manager starts with bells and flags and balloons and ends up reviled, so do prime ministers. Tony Blair - is there anyone more despised now? Gordon Brown - all right, nobody voted for him but, you know... just think of any of them. Margaret Thatcher. John Major. Steve McLaren. Fabio Capello.
I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.
For Mitt Romney, the complex question of anti-Mormon bias boils down to the practical matter of how he can make it go away. Facing a traditional American anti-Catholicism, John F. Kennedy gave a speech during the 1960 presidential campaign declaring his private religion irrelevant to his qualifications for public office.
The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all a difference of imagination.
I want to collect more records from terrorists, but less records from innocent Americans. The Fourth Amendment was what we fought the Revolution over! John Adams said it was the spark that led to our war for independence, and I'm proud of standing for the Bill of Rights, and I will continue to stand for the Bill of Rights.
When you're playing the part of a saxophone or a trumpet player, both of which I have done, it would be nice to be able to play like John Coltrane, but you can't. Your job is to do something else. And I'm not sure what it is, but I don't think I'd be acting Niels Bohr any better if I went and studied physics for five years.
I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
John Wells and Christopher Chulack were pretty honest from the get-go in our first meeting about 'Southland.' They were looking to create characters that were believable in the environment of the LAPD - multi-dimensional, layered characters with real flaws; good-hearted cops mixed with the perfect amount of heroism and irony.
My first cousin, by the way, on my father's mother side was John Marshall Harlan, who was a Supreme Court justice, as was his grandson. And I think a lot of my fight and my work to struggle for fairness and the techniques of theater and in subject matter probably stems in some way from some sense I have of his issues in life.
I have a lot of analog. I think a lot of people do. There are a lot of people that are re-discovering it. I still have a lot of my old records from back in the day. It's a joy to play things like Junior Wells' 'Hoodoo Man Blues,' and John Mayall & The Blues Breakers with Eric Clapton. There's a warmth that you can still feel.
I've become a workaholic. When the shows slow down and there's no press and I can get my time to myself in the studio with my music, I get into this zone, man. I enter this incredible space where I'm just making music. And I feel like I can work with anybody - with Elton John, with Hanson - and I can make something incredible.
The CIA's official history of the Bay of Pigs operation is filled with dramatic and harrowing details that not only lay bare the strategic, logistical, and political problems that doomed the invasion, but also how the still-green President John F. Kennedy scrambled to keep the U.S. from entering into a full conflict with Cuba.
I had a conversation with John Cena, and I told him, 'If only I could be a giant with abs,' and he said, 'Maybe you could be a giant with abs.' That kind of got me thinking that maybe John was onto something, because when it comes to obviously being successful and marketable, John is one of the smartest people I've been around.
There are numerous different kinds of drum sounds - some are more ambient and roomy and this, that, and the other, the John Bonham kind of thing. Then there's kinda what I did with Pantera, which was much more attacky, and then with what I did for 'Blood For Blood' on the Hellyeah record is kind of a combination of all of that.
Find a beautiful piece of art. If you fall in love with Van Gogh or Matisse or John Oliver Killens, or if you fall love with the music of Coltrane, the music of Aretha Franklin, or the music of Chopin - find some beautiful art and admire it, and realize that that was created by human beings just like you, no more human, no less.
Palin was a political Hail Mary, a long bomb in the closing minutes of a game that John McCain and Co. were certain to lose. They didn't care if she had the policy or political or emotional capacity to serve as vice president, let alone president. They were willing to drive the country off a cliff, if that's what it took to win.
A respectable-sized audience hasn't really been able to follow developments in jazz since the free jazz movement in the '60s. Some of them can't even get with John Coltrane. Audiences are diminishing more and more rapidly. Some of the top young musicians with something new to say can't get record companies to put out their stuff.
The whole world feels that it knows Francis, not so much because he follows Francis of Assisi but because he is always himself. We have seen him pay his own hotel bill and heard that Francis called Buenos Aires for a pair of ordinary black shoes, like John XXIII, who preferred stout peasant shoes to the traditional papal footwear.
John Barth, I think, was really a writer of my own age and somewhat of my own temperament, although his books are very different from mine, and he has been a spokesman for the very ambitious, long, rather academic novel. But I don't think that what he is saying, so far as I understand it, is so very different from what I'm saying.
When the Republicans controlled the House from 1994 -2006, Democrats like Nancy Pelosi, Barney Frank, Henry Waxman Charlie Rangel, John Conyers and Rahm Emanuel weren't saying we need to move right to win. They stuck to their philosophy. And they fought against Reagan and they fought against the Bushes. And eventually they did win.
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.
I don't think that much change comes from economists. I think it comes more from political realities. Probably the two giants of the 20th century, who actually did shift government policy in the U.S. and around the world, were John Maynard Keynes and Milton Friedman. I don't see anybody in our system who is at that level of influence.
My long-held fear is that Mr. Obama is hiding something about his education. During the endless 2008 campaign, Mr. Obama would not release his college grades. Given that President George W. Bush and Sens. Al Gore and John Kerry all had proved mediocre grades were no impediment to a presidential bid, Mr. Obama likely had other concerns.
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
For the uninitiated, 'Calvin and Hobbes' is a daily comic strip detailing the antics of an unruly six-year-old and his misanthropic stuffed tiger. The boy, whose vocabulary is packed with more 10-dollar words than a GRE flashcard set, is named after John Calvin, the Reformation-era theologian who preached the doctrine of predestination.
Look at guys like Larry Bird and George Brett and John McEnroe; that's what they did in their careers. They all wanted to be the guy under the microscope late in the game or late in the match. So you just take on that know-how that that's part of your responsibility, and you learn that's what makes it exciting. That's what makes it fun!
Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.
But I sent letters to people in the music business. And one day I got a phone call from somebody and he asked me when I was born and where I was born. And, you know, three or four days later I got a call. Someone said, you know, Yoko Ono wanted to meet me in New York. I got on a plane. And the next day I was having coffee with John Lennon.
For centuries, economic thinkers, from Adam Smith to John Maynard Keynes, have tried to identify the elusive formula that makes some countries more prosperous and successful than others. My curiosity about this topic spurred me, as a young professor of economics in the late 1970s, to research new ways of measuring national competitiveness.
My well-meaning parents decided to send me to a Catholic grade school to get a better education than I probably would have received at the local public school. They had no way of knowing that the school nuns, who were the majority of the teachers at this particular parochial school, were right-wing, card-carrying John Birch Society members.
When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.
If it was up to me, I would be given ample time to do a full on performance. I would play all of the instruments that I can play, really show off to the world, then maybe have an Intercontinental title match and follow that up, maybe go out against somebody like The Undertaker or John Cena, anybody that can really top off a great performance.
There are days when I'm completely obsessed with Kate Bush, and there are days when I'm completely obsessed with the Eurythmics. Then it's Aretha Franklin, then it's Lena Horne, then it's Ella Fitzgerald, then it's John Legend, then it's Michael Jackson. Music, to me, is like food, so I feel like whatever I need that day, I can get from a song.
John Kerry is going to have a rough tenure as secretary of state. But let's face it: whoever came after Hillary Clinton was going to have to deal with a foreign affairs press corps that has been sleeping for four years. From the moment Hillary entered Foggy Bottom, political reporters have treated their beloved secretary of state with kid gloves.
In 2008, I started the election season as a critic of Hillary Clinton, a fan of Barack Obama, and a supporter of John Edwards. But by the end of Clinton's historic drive toward nomination, the gendered rhetoric used against her - as well as the way so many men in my own party diminished the value of electing a female president - had radicalized me.