The thing with Elizabeth Warren that you have to keep in mind is she is very far left. I think a lot of folks who may have considered voting for someone like Joe Biden are going to be very turned off by ideas like universal health care, which would essentially force 200 million Americans off of private health insurance.

What Joe and I love about the film industry, it's like the wild West. We're two guys who grew up a million miles away from the film business; it doesn't matter where you come from or where you go to school. All that matters is, can you find a way to practice the craft and express yourself in a way that people respond to.

'Killer Joe' was originally written in 1991 and first produced in '93 at the Next Theater's Lab - a 40 seat black box theater in Evanston, Illinois - back when I was getting started. I was just 25 and I had been acting for awhile, but it was my first play and the one that really got me noticed, especially by Steppenwolf.

Like they used to say about Joe Montana, he threw soft because he couldn't throw hard. He was successful because he didn't try to do what he couldn't. I couldn't rock out harder than everybody, or overpower people with mastery like Jack White of the White Stripes, so why try? That's why I've always worked harder on words.

I still hold that pen; I still write my own story. So it's going to take a whole lot more than Samoa Joe running me over. And it's going to take more than Randy Orton kicking my face in. It's going to take more than Erick Rowan slamming my head through a table. You guys keep trying to put me down, but I will not stay down.

I think 'G.I. Joe' is a perfect example of how I'm the world's worst businessman. If I were smart, I'd be writing 'World War Z Part 12', but I have to go where the muse leads, and I've always been a huge 'G.I. Joe' fan. I always wanted to know more about these characters, these little plastic figures I played with as a kid.

Too often, politicians fail to relate what they advocate to the kind of society they want to build, or they dress up policy in rhetoric which belies their actual intention. Meanwhile Joe Public is left wondering what on earth this bunch are all about and how their vision of a good society differs from that of the other lot.

In 1955-56, Saint Joseph's won the first Big Five championship, compiled a 23-6 overall record, and entered its first postseason competition ever - the National Invitation Tournament - finishing third. That season's success seemed to vault St. Joe's into the national collegiate basketball scene, and it has been there since.

When I say I am going to win a world title, I mean it; when I say I'll fight the best, I mean it; I say I'll fight Joe Calzaghe because I wanted to. When he vacated, I lost sleep over that. It had nothing to do with money or the belt. He was renowned as the best super-middleweight in the world and that is what I want to be.

When I was 10, I asked my parents for a set of weights. I had my Charles Atlas book to go along with that. Every time we went to the grocery store, I'd rush to the magazine area and read the ones with Arnold Schwarzenegger and all those guys on the covers: 'Pumping Iron,' 'Muscle and Fitness,' 'Muscle Builder by Joe Weider.'

I gathered that those two Big-shot Boys, Joe + Fletcher, just was afraid to let me sing, thinking maybe I'd sort of ruin their reputations with their musical public. They not knowing that I had been singing all of my life. In churches, etc. I had one of the finest All Boys Quartets that ever walked the streets of New Orleans.

My 'Rot & Ruin' series is a post-apocalyptic adventure for teens. My 'Joe Ledger' novels are science-based action thrillers for adults. My 'Dead of Night' stories are zombie tales for adults; my 'Pine Deep Trilogy' is classic horror for adults, and I've written nonfiction books on topics ranging from martial arts to folklore.

When you write fiction, there were things about Washington that I've experienced and wanted to write about, including the swamping nature of it, the compromises people come to town and are forced to make, and also, when writing about Joe McCarthy, the indecency and lies that he put forward that people didn't take a stand about.

When I was in film school I had this great professor, Jerzy Antczak, a Polish filmmaker, and Joe Russo of the Russo Brothers were in my class. It was this kind of Easter European philosophy of motivating camera only through character and motions, and just exploring with lenses. That was the best year of my education in my life.

One that really caught me was Joe Morello. He was the first drummer I ever saw that could do a roll with one hand. He would turn his hand over and use his fingertips to get the stick bouncing. He could sit there with his right hand doing stuff on the cymbals and tom-toms while he was doing a roll with his left on the snare drum.

One day, the infielders were having a pretty bad time and were making some bad throws to me at first base. After digging a few out of the dirt, Joe Orengo called over to me, 'Atta boy, John, you look like a big cat.' Some of the writers overheard the remark and asked Joe about it later. The nickname has stuck with me ever since.

I got thrown into the lion's den when I got to Alpha Male. My first sparring session was with Joe Benavidez, Chad Mendes and those guys, just bleeding from my face, its not like they took it easy on me. It was one of those things where we sparred 3-4 days a week, and we got thrown in there and that's what made me as tough as I am.

When I played Darth Maul, it sort of came from inside. I'm not saying it was natural, but I really enjoyed it, and I think I was tapping into my childhood, growing up with 'Star Wars.' And I grew up with G.I. Joe as well. Same as 'Thundercats' and 'Transformers' and 'He-Man.' And so I think it was the inner kid in me just came out.

For me, the amazing thing was entering into this amazing world of 'Sesame Street.' We'd be in the kids' room, and there was a door into the soundstage that said '1-2-3 Open Sesame.' I remember pushing that door open and going into this incredible magical world of make-believe. In one episode, I was playing football with Joe Namath.

All the champions - you go and ask Mike Tyson or Joe Louis, Rocky Marciano, Lennox Lewis and myself included, and I'm sorry for putting myself in line with all the other great names - but the champion's attitude is it doesn't matter who is in front of me, I am going to conquer this person and win the fight and knock the person out.

You look at Superman, the story of an orphan coming to America, keeping his identity secret and even the names, Kal-El and Jor-El, you can trace lines to the background of the creators, Jerry Siegel and Joe Shuster, both Jewish. Overall, there was a remarkable confluence of events that led to the medium and the Jewish participation.

Joe and I are still very aware of the fact that we live in a country where he criticised the government and lived another day. That trumps all. To paraphrase Churchill, democracy is the worst form of government apart from all the other forms of government. You constantly have to fight for it; you have to keep your government honest.

I became so disciplined when I was on tag. I would be at home by eight o'clock, and because I had boxing, I lived the disciplined life. I started reading because I learnt that so many champions educated themselves. Joe Louis, Mike Tyson, Bernard Hopkins. Before, it was 'act now, think later' - but the discipline and reading changed me.

The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.

I'm a huge Joe Nichols fan, and he put this song out an album called 'Real Things.' I was excited for Joe when I heard it, thinking 'that will easily be Joe Nichols' career song.' I was even more excited when they got out of that album and they never released it as a single, because then I was like, 'Now that's gonna be my career single.'

Country music in the mid-'90s was a big influence on my career, and I played all the songs that are referenced in '94' back in my club days. Joe Diffie was rocking a sick mullet, and he was hotter than ever... just putting out monster hit after monster hit. It totally takes me back to those days, and it makes me smile every time I hear it.

Bad acting comes in many bags, various odors. It can be performed by cardboard refugees from an Ed Wood movie, reciting their dialogue off an eye chart, or by hopped-up pros looking to punch a hole through the fourth wall from pure ballistic force of personality, like Joe Pesci in a bad mood. I can respect bad acting that owns its own style.

My fellow Americans, you have to decide what kind of country you want to live in. If you want a you're on your own, winner take all society you should support the Republican ticket. If you want a country of shared opportunities and shared responsibilities - a 'we're all in it together' society, you should vote for Barack Obama and Joe Biden.

Writing a book is a long and difficult process for me. I'm a slow writer, so I spend the year with Elvis Cole and Joe Pike in my head. I was thinking about this the other day. I wrote the first book in 1987. Literally every day since that time, Elvis and Joe have been in my head. They're always there. I started these guys because I like them.

Donald Trump gave up an incredible business career, spent millions of dollars of his own money to run for president in - whenever he became president, the Trump family got out of international business, much different than the Biden family who, whenever Joe Biden became vice president, you saw that Hunter Biden got into international business.

I did grow up in a military family but lacked the perspective to grasp the cognitive dissonance carried by most people who serve in the armed forces or the circumstances that push lots of folks into the military. I don't blame G.I. Joe or Rambo for that atmosphere, but they certainly reflected the final stage of a two generation cultural myth.

That was the special thing about the Carolina Chocolate Drops. We didn't want to do music full-time. We weren't looking to get rich, which is good, because we didn't. But we went further than we thought we would go. We started that band to celebrate Joe Thompson and the black string band music. That's not really a recipe for commercial success.

When this ugly gangster told Joe Glaser that he must take the name of Armstrong down, off of the marquee, and it was an 'order from Al Capone,' Mr. Glaser looked this cat straight in the face and told him these words: 'I think that Louis Armstrong is the world's greatest, and this is my place, and I defy anybody to take his name down from there.'

During the years I was still playing, I would go to Puerto Rico in the winter and manage. When the day came, I had the experience without having to go to the minor leagues for four or five years and then wait for an opportunity. Still, there's a double standard. Some whites, like Pete Rose, Joe Torre and Ted Williams, never had to go to the minors.

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