Quotes of All Topics . Occasions . Authors
I used Jimmy to give me what I needed to keep going and to know that I was on the right path with it. I thought I saw Jimmy's soul all the time we worked. He never covered his soul and I never covered mine. We saw into each other's souls, very definitely.
Jimmy Butler embodies those qualities just like the Heat players of our great past have done before. Alonzo Mourning, Chris Bosh, Udonis Haslem. He just embodies these qualities of professionalism, of work, of accountability, of being reliable. And he leads.
Of any guitarist, Jimmy Page was my biggest influence. I wanted to look, think and play like him. Zeppelin had a heavy influence on Rush during our early days. Page's loose style of playing showed an immense confidence, and there are no rules to his playing.
My first influences for playing were Johnny Ramone and Jimmy Page, the same as everybody else. Joe Perry. The guys in Alice Cooper's band, whatever their names were. Mick Ronson from David Bowie. You know who really influenced me to write songs? Iron Maiden.
Everybody always asks about Jimmy Fallon. I'm sorry to say that he's very nice and there's not much bad to say about him. I don't know if he sucks at videogames or not. I don't think he plays them, but he could have this whole secret life I don't know about.
I don't claim to be knowledgeable about theology. Most of my knowledge comes out of my experience and the lessons in the Bible. Every Sunday I'm home I teach 45 minutes and we boiled them down to one page for the new book, 'Through the Year with Jimmy Carter.'
You're there to score runs. If you don't do that over a period of time, people will look elsewhere. That hasn't changed and that'll never change, whether it's myself or Jimmy Anderson, you've got to play to a certain level to be picked for England or even Essex.
I was a highlight coordinator. My job was to go in and watch games, watch and type. Basically every time the camera frame changed, I had to log it as something: 'Emmitt Smith rushed for 4 yards... Close-up of Jimmy Johnson on the sidelines... 37-yard field goal.'
For some reason, the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.
Once I got over my initial butterflies, being in the same room and doing a scene with Jimmy Caan was great. I never backed down for one second against him. I loved it. I love those moments. Working with people like that is the greatest joy you can get as an actor.
I love 'White Christmas.' That's one of my favorites just because I love the music. I love the story, Bing Crosby. It's just one of my all time favorites. And it's hard to have a Christmas without seeing a little bit of Jimmy Stewart and angels running around town.
I was living and working with adult men who were playing a real art form. And I had been playing blues all my life. As soon as I formed my first band, we played Jimmy Reed stuff. So it wasn't like I was a white kid who was learning the blues from B.B. King records.
I don't know why people feel the need to do this to me, but my friend asked my dad, 'Aren't your proud of Jimmy now that he's a successful actor?' And my dad was like, 'No, not really. I wish he was a scientist.' I guess scientist is more noble in the Asian culture.
What Jimmy Page did was pretty inspiring for guitar players. He married a lot of acoustic elements into hard rock. The kind of chords he used were very left of center, with a lot of dissonance - I absorbed that like a sponge. It's all over the music I write, always.
Whereas Jimmy Carter had aggressively pursued anti-merger activity - the imbecilic case against AT&T was prosecuted under President Carter - Mr. Reagan understood the virtue of allowing companies to exploit the synergies of mergers to gain efficiency and lower costs.
Lana Turner was adorable and funny. Jimmy Stewart was such a nice person. I quickly realized that if you're not a nice person, you're not going to last in this business. I mean, once your box office starts to drop off, like Veronica Lake, they'll get rid of you fast.
I didn't really know you could make a living in songwriting. I was just very fortunate to have the opportunity to play a few songs for a guy there named Jimmy Ritchey. Through that meeting, I met another couple guys and ended up getting a publishing deal in Nashville.
Jimmy Boggs was born in a little town called Marion Junction, Alabama, where there were as many pigs, or more pigs, than even the people. But you know what? People in the South had an understanding that you could make a way out of no way, and that's how they survived.
Jimmy Iovine, he pretty much started off as an engineer and a producer, and then he started up a label. Then he built his label to have big artists like Dr. Dre and 50 Cent. Then he started up a headphone company and made it a billion dollar business. He's a genius to me.
We saw what happened in Jimmy Carter's administration. President Carter was a good man with the best of intentions. But he came to Washington without a good working relationship with Democratic members of Congress, which played a big part in his administration's problems.
The post-presidency, as Jimmy Carter and Bill Clinton have proved, is a win-win. Money, Nobels, the ability to leverage your global celebrity for any cause or hobbyhorse you wish, plus freedom to grab the mike whenever the urge takes you without any terminal repercussions.
I went to a lot of theatre. My parents were very involved with the performing arts. I went to nightclub shows when I was a little girl. We went to Florida and we would go to the Cocoanut Grove down there. We'd go see Lena Horne, Jimmy Durante, Sophie Tucker and Judy Garland.
I remember talking to comedian Jimmy Pardo about his experience waiting to hear about his own pilot, and we both agreed on one thing: When you can't control your showbiz fate, you can at least control the amount of ice cream you're eating. And if you're like us, it was a lot.
I was staying with my sister and messing around with the guitar every day for my own amusement. Then she took me around and introduced me to Muddy Waters, Jimmy Rogers, Little Walter, and the first time I saw that onstage, it inspired me to play. I thought that was the world.
Ever since John Kennedy, Democrats have had a weakness for dashing younger men like Bill Clinton and Barack Obama and, I suppose, Jimmy Carter. They balance their tickets with senior statesmen - Lyndon Johnson, Joe Biden, Walter Mondale. (Al Gore was young but played ancient).
For the first two weeks after he passed, we were done as a band. We were just done. And because of the fans and Jimmy's parents and relatives and stuff like that, they just demanded that we continue on and spread the legacy that is, you know, the crazy James 'The Rev' Sullivan.
All the really good guitar players - Jimi Hendrix, Jimmy Page, or even Bert Jansch or John Martin - I love all those people. But I didn't start out thinking that I would be a guitar player. In the beginning, I played the guitar so I could sing. I mainly concentrated on my voice.
I remember, when I was a kid, listening to the radio and hearing 'Big Bad John' by Jimmy Dean - and it just blew me away. I used to sit there and call the radio stations and request that song. And then the Beatles were obviously out already, but I really didn't know about the Beatles.
I don't know if it's because I grew up in Beverly or my friends, but I listened to a lot of alternative rock music. I loved Incubus, Weezer and Jimmy Eat World. It almost felt segregated because I loved all of those acts over here, but then I also loved R&B and soul music I grew up with.
Ivan Lendl was the best player I ever played. He was the first guy to bring the game to more of a power level and you could know that if he played really well you could get blown off court and that wouldn't happen against John McEnroe, Jimmy Connors or even Bjorn Borg or Guillermo Vilas.
What attracted me to Jimmy Bulger were the various facets of his personality and his humanity because I felt that the only way I could approach playing a character like him was to find his human side first and then map that out to see where it took the turn. He was a very complicated man.
I see friends who are in different genres of music, and they say they're so burnt playing the same stuff every night. That's why you see a country act wanting to go out and play an old classic rock song. But what cracks me up is that they all want to be Jimmy Buffett. I can't figure that out.
I remember so vividly playing a scene with Jimmy Stewart. I was in the back of a covered wagon, and we were doing this little talk in the wilderness. They did his close-up first. I was looking at him and thinking, 'How does he do that?' He is not 'doing' anything, and yet everything is there.
With me, traveling for work is arriving at the airport, checking into the hotel, leaving the hotel the next morning at 4 or 5 to do something like 'The Jimmy and Jackie Captain Crazy Morning Zoo,' doing a bunch of those in a row, then going back to the hotel, and then finally going to the club.
I look up to Jimmy Fallon. He hosts talk shows as a fan himself, and that's how I do it. When the celebrities come in, I'm excited that they're there. It's not just like a formal, 'Hey, how are ya?' It's like, 'Dude, what the hell! So happy to see you!' That's what Jimmy Fallon does every time.
I used to hear all these guys on 78s at my mother's when I was a teenager... I used to daydream that I was onstage playing the solos; I'm playing with B.B. King, and I'm playing with Lowell Fulsom, Jimmy McCracklin. And I literally ended up being in a band that backed them up at different clubs.
To me, the best part of coming up in that, kind of the last era before it went that way with the FCWs or NXTs, kind of the farm system, is that, you know, wrestling Jimmy Valiant in front of 10 people in Cleveland. We didn't touch. I think we did two things, but we were out there for 20 minutes.
When I arrived in Champ Cars, which at the time used to be called Indy Cars and then got renamed CART and then renamed Champ Cars, I was racing against Jimmy Vasser, my team-mate, but more than him, I was racing against Michael Andretti, Emerson Fittapaldi, Al Unser Jr. - guys that had big names.
Filibusters have proliferated because under current rules just one or two determined senators can stop the Senate from functioning. Today, the mere threat of a filibuster is enough to stop a vote; senators are rarely asked to pull all-nighters like Jimmy Stewart in 'Mr. Smith Goes to Washington.'
I always have to brace myself when I visit my parents. My mom often greets me with a slew of nonconstructive criticisms: 'Jimmy, why is your face so fat? Your clothes look homeless and your long hair makes you look like a girl.' After 30 years of this, my self-image is now a fat homeless lesbian.
I love Jimi Hendrix obviously, and Jimmy Page and Prince. And also Elvis Presley is a really great guitar player. I don't think he ever took lessons; he was piecing it together himself. But he has great rhythm. And rhythm, to me, you can use it to your advantage if you're not all over the fretboard.
I was at Caesar's Palace in Las Vegas, and I was performing at a show there. Jimmy Carter was going to be coming through with his Secret Service detail. The manager pulled me aside, and they didn't want me to shake Jimmy Carter's hand because they were afraid it would make the news if I stole from him.
Jimmy Fallon's strengths are that he's fun, and he's good at impressions, and he's musically inclined. And my strength is that I'm a joke writer, but I also have no filter, and I think that that's not a talent per se, but it's just a thing about myself that I have found that people like about what I do.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
The reason inflation was brought down to manageable levels, by the time of Ronald Reagan's re-election, was directly attributable to Jimmy Carter's very courageous act, hiring a Federal Reserve chair, with the charge to induce a recession. That recession was probably the reason he didn't win a second term.
I still start to get panicky each morning before I go on television. I'll say, 'I'm in awful shape, something is wrong,' and if I start to look like I'm going off the deep end, Jimmy Straka, the stage manager, will say, 'You're all right. Calm down.' Then Bryant Gumbel will grab me by the leg or something.
I sat in on some songwriting classes, and it was really bloody hard, a lot of music theory. I'd be sitting there, and they'd be talking all this music theory, and the teacher would say, 'Let's ask our guest Jimmy what he thinks,' and I'd be sitting there thinking, 'Please don't ask me, please don't ask me.'
I was a kid that grew up listening to The Beatles and The Stones and Jimmy Page and Eric Clapton and Jeff Beck, and I wanted all of that in there. But at the same time, a large part of my playing is Tony Iommi and Billy Gibbons. I'm just a sum total of all of the guitar players that I think were really cool.
When I was little I got to dribble the ball around while my older brother Paul, who played for a long time for Kilmarnock, my dad and my uncle Jimmy - who was at Celtic as a kid and played with Morton and Cambridge City - kicked it hard and I got punted out the way. But gradually I got allowed into the game.
Just because there are celebrities in a movie, it doesn't mean anything. I don't think The Ant Bully did all that well the first week at the box office. Compare the movies that have a lot of celebrities with the Jimmy Neutron movie, which had no celebrity voices and grossed almost one hundred million dollars.