Quotes of All Topics . Occasions . Authors
Time begins the healing process of wounds cut deeply by oppression. We soothe ourselves with the salve of attempted indifference, accepting the false pattern set up by the horrible restriction of Jim Crow laws.
The plunder of black communities is not a bump along the road, but it is, in fact, the road itself that you can't have in America without enslavement, without Jim Crow, terrorism, everything that came after that.
I have talked to Debbie Hammond quite a bit, Jim Hammond's wife, his widow. I've seen their kids. And last time we played Dallas, a lot of them came over. It's hard for them to come see the show. It's still hard.
When I grew up, one of comedy idols was Rowan Atkinson, who of course is Mr. Bean and uses physical comedy. Same with Jim Carrey. Both of those guys. And Peter Sellers. Most of my comedy idols are physical comics.
In L.A., I played with Joe Pass and Gabor Szabo. Mick Goodrick plays guitar in the Liberation Music Orchestra, and he's a real special player. Then I did a duet concert with Jim Hall at the 1990 Montreal Festival.
I don't know if Jim was a major part of that or not. He is one of a small group of real storytellers. He has enormous imagination and ability to write. I'm glad he's coming back. It's going to be good for the show.
The quality of our lives is diminished every time we lose a great artist. It's a different world without Sam Cooke, Otis Redding, Jimi Hendrix, Janis Joplin, Jim Morrison, Curtis Mayfield, Brian Jones and the rest.
When I think about our HBCUs, I think of icons like my mentor Jim Clyburn, a South Carolina State graduate, who fought against discrimination and segregation, and continues to champion for civil rights and equality.
The stupidest thing I ever did was turn down 'Terms of Endearment' to do 'Cannonball Run II.' Jim Brooks wrote the part of the astronaut for me. Taking that role would have been a way to get all the things I wanted.
The character of Jim 'The Anvil' Neidhart added so much. He was solid in the ring too, really good. His role in the Hart Foundation - he was great. He was a really good, solid power guy that could move in there, too.
I struggled and I did theater for 10 years, for 15 years, I tried to get little parts here and there in TV shows. So, for me, the opportunity to work with Jim Carrey was amazing, it was phenomenal, it was eye-opening.
One thing Jim McGreevey wants the world to know: Leading a double life as a gay man trying to appear straight was easy for him to pull off. He was 'good' at it. Not only that - it helped him become a better politician.
The biologists have essentially been pushed aside. Al Gore's just an opportunist. The person who is really responsible for this overestimate of global warming is Jim Hansen. He consistently exaggerates all the dangers.
There are comedians that I like. I think a lot of it, you just figure out on your own. It's definitely one of those things that you get good at by doing it a lot. But I like Jim Gaffigan. Patton Oswalt. Janeane Garofalo.
Yeah, I've done Jim Breuer's radio show a couple times, and I heard from Larry the Cable Guy when I got 'Mike & Molly,' wishing me congratulations. I'm always the last one to the party, man. But that's okay. I got there.
We have about 4 million people who have voted for who they want to see in the Hall of Fame. There are some people they put down that are pretty good players. You have Ray Guy, Jim Plunkett, Lester Hayes and Donnie Shell.
We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn't want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.
I met Jim Jarmusch when I started recording my album 'Ya Nass.' He was writing the script for 'Only Lovers Left Alive.' Jarmusch was always a great inspiration to me, way before meeting him. Working with him was fantastic.
As a radio DJ, I was on WRIN-WLQI. And even when I repeat it, it's horrifying. My morning sign-on, because it was in Rensselaer, Indiana, it'd be, 'You're on the air with Jim O'Heir in Rensselaer.' Ugh, oh my God, pathetic.
I used to go salmon fishing with the late Jim Slater, the renowned investor, and he would give me tips. He told me to buy shares in football clubs, so I invested in Manchester United before its shares went through the roof.
I knew what kind of actor I was going to be, and I looked for inspiration to people like Alec Guinness, Cyril Cusack, Timothy Spall and Jim Broadbent. I looked at them and thought, 'They play human beings as they really are.'
I adopted a motto: Never say no. Jim Morrison never said no, Kurt Cobain never said no. You couldn't have great things to write about if all you did was sit in your living room with your roommates talking about the phone bill.
I can't tell you how many spot shows little Johnny Nitro, like, pulled the chair out in the arena in Shelbyville Fair and did a moonsault only to get chewed out by Rip Rogers and Jim Cornette about it. I mean, I did years of it.
I'm also very impressed with the best people in experimental electronic world, like Peta and Eckart Aillers and Finez and Jim O'Rourke and Oren Umbarci and Francesco Lopez. Most of them use the computer as their main instrument.
There's a long tradition - certainly with country, but in all kinds of genres of music - to have humorous lyrics. Certainly with Frank Zappa and the Mothers of Invention and, if you look at country, Roger Miller and Jim Stafford.
In our state, I'm really proud of the fact that the ones who overturned Jim Crow in Kentucky were Republicans fighting against an entirely unified Democrat Party. So I am proud to be Republican. I can't imagine being anything else.
I think Jim Taylor was very underrated, never hear much about him. We played Green Bay every year in exhibition, and generally we played them every couple of years in regular season. And I always thought he was a fierce competitor.
In 1974, when I started working with the material that became 'Horses,' a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
Jim Crockett could just advertise Ricky Steamboat and Ric Flair, and we would do great numbers just off of the two names being hooked up for the evening. Fans knew we'd go out there and give them a hell of a match, win, lose or draw.
When Trump says, 'Make America great again,' he is referencing an era when people were singled out and harmed because of their race and religious beliefs, and when violent enforcement of Jim Crow masqueraded as the will of the people.
The separate water foundations, park benches, bathrooms and restaurants of the Jim Crow South startled me. These experiences motivated my lifelong study of the status of African Americans and the sources of improvement in that status.
I do a lot of teen shows and voice over work for animation, so when I got the part in 'The Number 23,' it was really cool because now I get to be in a movie with Jim Carrey. Acting in this movie was really a learning experience for me.
When I was eight or nine years old, my older cousin took me to the St. George Theatre on Staten Island to see a Bruce Lee movie and a Jim Kelly movie. Those were my first martial-arts films, and I fell in love with the genre back then.
I was about 10 when I first began to sing. My mother had been away for three weeks, and I learned 'Don't Cry for Me Argentina.' When she came back, I sang it in front of her, my auntie Linda, my father, my uncle Jim, and my grandmother.
Philadelphia is a great market for local TV news. Both KYW and Channel 10 have had good runs. But Channel 6 doesn't give you a reason to turn the channel. I have such profound respect for Jim Gardner. He is Philadelphia television news.
Natasha Lyonne is fantastic on Twitter. She posts hilarious pictures. I don't even know where she finds some of them; it'll be like a random picture of a chinchilla kissing a lion or Bill Murray and Jim Belushi out on a boat or something.
To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
My brother Billy was the joke teller. My brother Jim had a really sharp, cutting wit. And the teller of long stories, that was my brother Ed. As a child, I just absorbed everything they said, and I was always in competition for the laughs.
I went through a big Jim Morrison phase where I grew my hair and wore those black leather pants. I even tried to get the boots, the chains, and I was full into getting that Jim Morrison vibe... but I didn't go overboard or try the mascara.
I was onstage with Menudo since I was 12 years old. To us, the most successful one was the guy with the most fans. If you moved your hips and the girls screamed, you were getting it right. Who wouldn't want to be like Elvis or Jim Morrison!
I enjoyed my time at DC. Dan Didio, Geoff Johns and Jim Lee were great to me, and I'm very grateful for the opportunities they gave me. Having said that, I think it's important to try new things and work with new people to keep myself fresh.
The thing that got me closest to doing Kermit was remembering what Jim did when he was doing Kermit. When he would do Kermit, there were certain faces that he made. There was a certain way he stood, a certain kind of body language that he had.
Right from the outset, the prevailing mindset in British comics fandom was a radical and progressive one. We were all proto-hippies, and we all thought that comics would be greatly improved if everything was a bit psychedelic like Jim Steranko.
Rest in peace, Harold Lederman. When I was younger, my brother and I used to imitate his famous 'OK, Jim!' line while watching the big 'HBO Boxing' events. What an amazing character he was, and while I never met him, he seemed to be a lovely man.
'One Day' is definitely heartbreaking in a few ways, but one of the main ways is that my character and Jim Sturgess's character are just people from two different worlds who love each other in so many ways and can't quite seem to get it together.
I didn't see Kirby Puckett as a Hall of Famer. I didn't see Gary Carter as a Hall of Famer. I didn't see Don Sutton as a Hall of Famer. I didn't see Phil Niekro as a Hall of Famer. As much as I like Jim Rice, I'm not so sure he's a Hall of Famer.
I grew up in Ohio, where civil-rights accomplishments had already begun to accelerate before Martin Luther King appeared. In hindsight, we know that many people, black and white, were instrumental in changing the Jim Crow status quo on all levels.
It used to be that what was going to be written on my tombstone was 'Benjamin Wittes, former 'Washington Post' editorial writer,' or 'Benjamin Wittes, who wasn't even a lawyer.' Now it's just, like, 'Benjamin Wittes, who's a friend of Jim Comey's.'
Young people and Indian people need to know that we existed in the 20th Century. We need to know who our heroes are and to know what we have done and accomplished in this century other than what Olympic athletes Jim Thorpe and Billy Mills have done.
The stories in 'Jim the Boy' are either made up or appropriated from some source other than my family. But the idea of a family telling stories to the kid, often to impart some kind of lesson, that's very familiar, and that's the way that I grew up.