Quotes of All Topics . Occasions . Authors
Somebody asked me once, 'Do you think that swing will ever come back?' And I said, 'Do you think the 1938 Ford will ever come back?'
That's the kind of musical freedom I like: jazz, rock, blues, anything. You adopt different attitudes when you play different music.
Music, of course, is what I hear and something that I more or less live by. It's not an occupation or profession, it's a compulsion.
I love music, and a lot of it. Jazz is probably on the top with guys like Miles Davis. But I even enjoy music from the '60s and '70s.
I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.
I'm done with industrial. Seriously, my iPod collection at home has no industrial music on it; it's strictly jazz, blues and country.
You can't teach it [jazz singing]. There's nobody who can teach you how to sing jazz. Either you know how to sing jazz, or you don't.
I don't want to be defined solely by what I do as a jazz musician at a club or a festival. That's not all of me. It's not even close.
I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio.
I looked back on the roaring Twenties, with its jazz, 'Great Gatsby' and the pre-Code films as a party I had somehow managed to miss.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
Steve Marcus was one of the greatest saxophonists in all of music. He truly was able to unite jazz with the popular music of the time.
Bill Evans is a real serious jazz pianist who, in my book, crossed over boundaries in terms of color. He used the piano as his canvas.
I think my knowledge of music theory is rooted in jazz theory, and a lot of the writers of standards - Rodgers and Hart, and Gershwin.
If he's a true symphony artist, he knows better than that because he knows that the only truly creative musician is the jazz musician.
I'm the first one out on the dance floor. In college I had to take jazz, ballet and tap dancing, but, before that, it was just social.
I just can't stand it [jazz/rock]. It just doesn't sound right to me. It doesn't hit me...it doesn't get me...it just doesn't grab me.
Jazz is a music that is open enough to borrow from any other form of music, and has the strength to influence any other form of music.
Even though I left for a year, I grew here as a Jazz man. If I'm fortunate enough to go into the Hall of Fame, I will go as a Jazz man.
It seems to me monstrous that anyone should believe that the jazz rhythm expresses America. Jazz rhythm expresses the primitive savage.
Jazz is an Uncle Tom word. They should stop using that word for selling. I told George Wein the other day that he should stop using it.
Around age 11 or 12, I started playing jazz bass. From there, I went to electric bass and then guitar, which I kept up for a long time.
I can turn on some jazz guitarist, and he won't do a thing for me, if he's not playing electrically. But Jeff Beck's great to listen to.
What I like is not a particular genre, it's storytelling. There's a lot of great storytelling in jazz, and in folk and in country music.
[David] Bowie went on to make best-selling music - funk, dance music, electronic music, while also being influenced by cabaret and jazz.
Jazz doesn't have much to do with how I write songs, but I am a big fan. My favorites are Oscar Peterson, Ahmad Jamal, and Mose Allison.
My D'Angelico is a jazz archtop guitar. That guitar was made for Glenn Miller's guitar player in 1939. It's a '39 D'Angelico New Yorker.
I really love jazz, but I will never be a jazz musician as much as I dream. But, I think that the jazz music I love is there in my music.
I work with many jazz artists as Miles Davis, Laughlin, etc.. One of the things all these artists had in common is that they had no fear.
New Orleans jazz is a complex and embracing art form that began about the same time as the blues and encompassed many of its excellences.
I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.
Keith Moon is not interested in Jazz and won't ever be a Jazz drummer because he's more interested in looking good and being screamed at.
What I've been trying to do for years is to get the music played on a station other than jazz stations, you know, to expand the audience.
I've often felt I've been born out of my time, and when I started Fairground Attraction in the 1980s, I wanted to be a 1940s jazz singer.
Just figure out what you think jazz is, and then if it fits into that category, it's jazz, and if it doesn't, it isn't. It's no big deal.
Jazz can accommodate so many things. Jazz is like the universe: it's been expanding since its creation, and it's connected to everything.
Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children's party taken over by the elders.
The jazz band's chief stimulus, of course, was the rise of the negro 'blues' and their exploitation by the negro song-writer, W. C. Handy.
I've learnt new scales through playing different types of music, like Indian raga scales, gipsy scales and harmonically-based jazz scales.
It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.
I was always very leery of my piano playing. As a young kid, I wanted to be a jazz musician, but my taste was far greater than my ability.
If you really dissect hip-hop you will find a whole lot of Charles Mingus, Ron Carter, Ahmad Jamal, a lot of classic jazz samples in there.
Growing up, I listened to a lot of jazz and blues records - John Coltrane and Etta James. I was also really into Radiohead and the BeeGees.
I ... started out to become a jazz pianist; in the meantime I started singing and I sang the way I felt and that's just the way it came out.
In the last few years I've been listening to jazz more than anything else. I listen to a lot of world music and experimental here and there.
Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
I was a total music nerd. I grew up on Perry Street in the '80s. My father wrote books about jazz, so I was always at the 'Village Vanguard.'
I have a huge record and cd collection of all kinds of great classical, jazz and all music but I find the internet very accessible and quick.
Actors have to make you believe that it's happening for the first time and all that jazz and make it human and at the same time entertain you.
I love New Orleans. I love jazz. I grew up practicing jazz piano, and that's just been such a cool genre to me. There's a lot of talent there.