I've always wanted to do a segment on a talk show. Jay Leno has been such a good friend, and if he would allow me, I'd have to get it all together, but I'd like to go on 'The Tonight Show' and do a set with no props. Or come out with a trunk and never touch it. Or come out with a clear trunk with nothing in it.

I first started doing hidden-camera segments on 'The Tonight Show With Jay Leno.' He was the coolest guy in the world to work for because he understands the creative process, and he had total trust. And he just let me make up whatever I wanted; I experimented and tried and played. We had a lot of fun over there.

I had just discovered jazz, and I started singing in a kind of blues cover band at the age of 15. We called ourselves - it was a terrible name - the Blue Zoots. We couldn't actually get our hands on zoot suits, nor did we dress in blue. We did covers of Screamin' Jay Hawkins and kind of Blues Brothers repertoire stuff.

When I was young, I'd watch guys on 'The Tonight Show', Buddy Hackett, guys like that, where all they'd be is funny. Later, I remember, on 'Late Night with Letterman', I remember he'd have Jay Leno and Richard Lewis as first guests and the entire point was to entertain and be funny, and I think talk shows have kind of lost that.

I grew up, like - since I had a lot of brothers, I grew up listening to Hot Boys, Goodie Mob, OutKast, basically all the southern albums, like Silkk the Shocker, Master P, Soulja Slim, and then it just elevated on when I started getting into music and I started listening to Nas and Jay Z and stuff like that and Lupe Fiasco and whatnot.

I'm a dirty kid: I like to be outside, I like to run about, I like to get messy. So I spent a lot of time outside as a kid, skating and just being a disaster. I was obsessed with Dogtown - I still am obsessed with Dogtown, the Z-Boys. I love Stacy Peralta and Jay Adams and Andrew Reynolds, all these guys. I used to think I was Chad Muska.

'Empire of Self' is a loving portrait of a very difficult man. Jay Parini, himself a gifted novelist, poet and biographer, has gone very deep into the 'black energy' of Gore Vidal's relentless narcissism and megalomania. Parini envisions an epic battle between Vidal's angelic and demonic sides, yet there's very little of the angel in Vidal.

When I started out, Jay Leno used to say you're not as good as you think you can be until at least your sixth year. I was like, what the hell is he talking about? 'Cause I was in my third year, and I thought, 'I got this.' I kept videos of myself performing, and in my fifth year I watched my third year and realized he couldn't have been more right.

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