You're never safe in 'Jane the Virgin;' that's what I'll say. You're never safe on a telenovela, that's for darn sure, and you're never safe on 'Jane the Virgin.'

If I could choose, I'd be bare feet with animals all around me and living in a tree house. Like Tarzan and Jane, that's my dream. I'm at my happiest around nature.

You don't think that mean people can be funny, and Jane Lynch is the epitome of that. If there could be, like, a gay version of 'Mean Girls,' I'd totally be in it.

I think Jane Austen builds suspense well in a couple of places, but she squanders it, and she gets to the endgame too quickly. So I will be working on those things.

But if you read Jane Austen, you know that she had a wicked sense of humor. Not only was she funny, but her early writing was very dark and had a gothic tone to it.

When I did 'Don't Look Back,' I no longer had Time-Life looking over my shoulder, so I could kind of do it as I wanted, and it was like I was really correcting 'Jane.'

While Jane Fonda has no shortage of knowledge to share, I was particularly moved and fascinated by her recovery from bulimia, which she battled with for over 25 years.

I won't be attempting to write Jane Austen-style prose - that would be suicidal. But I will attempt to bring the highest level of my own prose, and to make it sparkle.

I must confess I love female writers: Jane Austen, Isak Dinesen, Colette, Willa Cather, Dawn Powell, Joan Didion. I grew up on the Bronte sisters, and Daphne du Maurier.

Like everyone else, I grew up loving the Anne books, but L.M. Montgomery is so much more. Like Jane Austen, she has an eye for the absurd and a gift for the 'mot juste.'

Because I've a track record of talking about books I never write, in Australia they think I'm about to write a book about Jane Austen. Something I said at some festival.

Before 'Austenland,' I got do a lead role in 'Northanger Abbey', which is Jane Austen. Growing up in England, you can't really ignore Jane Austen. It's always been there.

'Jane Eyre,' when I think of that book, it conjures up the best moments of college English courses. Literature is extraordinary, especially when you have a good professor.

I do want to write about Jane Whitefield again, but only when I have a good enough idea - something I've figured out about her that's news and that's worth a reader's time.

NBC President Fred Silverman told me he would change my life, and proceeded to offer me a five to seven-year contract to replace Jane Pauley as co-host of 'The Today Show.'

I was born and brought up in Liverpool with my clever little sister Jemma, who is 14 and wants to be a vet. My mum Jane is an administrator and my dad Peter is a taxi driver.

Whenever there was a show like 'Calamity Jane,' me and my siblings would be plonked on stage in a costume because it was easier to have us in it rather than sort out babysitters.

I love so many directors. I love David O. Russell. I love David Fincher, I love Alexander Payne and Jane Campion and my aunt. Spike Jonze. There are just so many amazing directors.

My grandmother is bilingual, but she preferred to speak Spanish at home, so she would speak to us in Spanish, and everyone responded in English, sort of like what happens on 'Jane.'

Picture books, while less in word count, are certainly not less important. There are unbelievably skillful authors writing in this vein. Authors like Jane O'Connor and Jon Scieszka.

No highbrow literary type would ever say 'Moby Dick' is good but it's just about a whale, or a Jane Austen would be important if she wasn't just writing about romantic relationships.

Oscar Wilde was sort of my first love as a young reader. And then I went on to love Jane Austen's wonderful - this sort of comedy coming from her. I mean, all of her books are comic.

On April 3, 2014, Jane Goodall turned 80. The iconic blond ponytail has gone gray, but the sparkle of intelligence, sly humor, and fierce dedication still shines from her hazel eyes.

I think Jane Austen is like Shakespeare, in a slightly different way. I think people will continue to revisit these stories because they remain relevant, regardless of how you do them.

From an early age, I was very interested in all things fashion... and the change from tomboy to ultrafeminine glamour in old films. There was a Doris Day film I loved: 'Calamity Jane.'

I've been fortunate in that I never actually read any Jane Austen until I was thirty, thus sparing myself several decades of the unhappiness of having no new Jane Austen novels to read.

When I decided to do 'Mary + Jane,' one of the things that I was most excited about was the demographic that we would predominantly be reaching out to, which is 12- to 25-year-old women.

I was a huge 'Deadwood' fan because I'm a huge David Milch fan, so I've always wanted to play something like Calamity Jane on 'Deadwood' and just be the biggest Western tomboy girl, ever.

Jane Lynch is incredibly quick-witted, very intelligent, and extremely humorous. Also, on top of that all, just a very wonderful, warm, kind person. She's definitely someone to look up to.

'Being Mary Jane,' I really want everybody to see what we've done. I've never watched a project that I've worked and thought, 'Damn that's really good. It's so juicy, and it's hit after hit.'

People love Jane Austen, even though those books are absurd to us, because we like the clarity of it: we can see very clearly what Elizabeth Bennett has to overcome, what she has to deal with.

Jane Fonda was at the top of my list of women to meet and the only time I felt nervous about interviewing someone. She is one of the most dynamic women I have ever had the honor of talking to.

I love 'Jane Eyre,' and I love the Bronte sisters. I actually didn't read any of them until I was in college, so I don't have quite the same connection with them that I think a lot of women do.

Life's short, so if you're going to spend months doing something, it's gotta be pretty special... But I'm very happy to enter my Baby Jane years, and hopefully segue into the Ruth Gordon years.

Being second generation in Hollywood is complicated: Success is expected, and yet the track record of the second generation is not great. Only a small group of us, like Jane Fonda, have succeeded.

I grew up with 'Jane Eyre,' reading it at school, and it's one of those, I think, for a lot of women, a lot of girls, it's the iconic story and so many girls relate to Jane Eyre and her character.

I remember, when I was a teenager, 'Pride And Prejudice' came out. We hadn't had a period drama for ages, and were all glued to it, and for the next three years, Jane Austen series were being made.

I've done my share of period stuff. I'm not sure why, but people say I have a period face. The bread and butter of British TV is Jane Austen adaptations and bridges and bonnets and boats and horses.

I use Jane Iredale SPF foundation and bronzer, along with the brand's brushes. Her stuff keeps my face all glowy and looking good for interviews and moments when I want to feel like a million bucks.

I know in my soul when something feels like a sell out and I think for me, I knew that if I did the Jane's Addiction reunion thing, that I would feel like a sell out. That's how it would feel to me.

I really needed a show like 'Jane' when I was growing up, so being able to portray a positive Latina character means a lot to me because I feel like it's helping me to contribute to someone's dreams.

'Emma' is my favorite Jane Austen novel - one of my favorite novels period; a novel about intelligence outsmarting itself, about a complicated, nuanced, irresistible heroine who does everything wrong.

I would go in the university stacks and pull out books like 'Jane's Fighting Aircraft of World War II' when I was 12 or something, and I'd spend hours reading about the engines in some of those planes.

I'm quite jealous of my Scottish relations, in whose culture everyone, in a Jane Austen kind of way, got married very young, when you're too young to be cynical or jaded and just started having children.

I feel that Jane's is really a vibe and a time. It wasn't like we were the Beatles. We didn't have crafty pop songs where it sort of didn't matter who played them because they're just really great songs.

Look at Jane Lynch, another Chicagoan. She has a career I'd kill for. She does amazing work; she's famous enough to have some power, but not so famous she has to deal with people buzzing around her life.

I did a cover for 'Rolling Stone' the other day and it was a kind of crazy lack of outfit. I thought, 'Oh, Lord. I'm never going to be Jane Austen in a film now!' 'Cause that's what I'd really like to do.

I was really glad to meet Jane Clark because it did give me an insight. I couldn't imagine what kind of woman she was. I was hugely impressed by her energy, straightforward nature and enthusiasm for life.

As far as 'Jane Pittman,' I don't know that I could verbalize, to this day, what I felt once I got into that role. I did a tremendous amount of research. I need to feel as though I am in the person's skin.

Deep in my cortex, the year is divided into reading seasons. The period from mid-October to Christmas, for instance, is 'ghost story' time, while Jane Austen and P. G. Wodehouse pretty much own April and May.

Share This Page