James Quotes - Page 20

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Among the fables that inspired the British Admiralty's cartographic assignments to Captain James Cook in the 1770s and Captain George Vancouver in the 1790s was a 1640 account under the name of Bartholomew de Fonte that appeared in a journal with the delightful title 'The Monthly Miscellany, or Memoirs for the Curious.'

There are so many great actors, but I really have a lot of respect for Johnny Depp. I've seen a lot of movies with him in it and, even if it's a film that wasn't as successful as you thought it would be, I've never seen him put in a bad performance. My favorite actors from history have to be Steve McQueen and James Dean.

A James Bond film can be artistically fulfilling. Absolutely it can. It can be complex, and it can be interesting. I consider Bond movies to be an extension of popular theatre, a kind of modern mythology. You see the same sort of action in 'Punch and Judy' or in the folk theatre of various cultures, like 'Grand Guignol.'

My costar James Lafferty, and his little brother Stuart Lafferty, and another buddy of ours, Ian Shive, are working on this project called 'Generation Wild.' It's about getting people to realize that being outdoors is not scary - you can go on adventures like we do, in national parks, and practically in your own backyard.

What happened was, I always wanted to be a singer/songwriter kind of guy like a James Taylor or Crosby, Stills and Nash type of thing; I went to a lot of coffee houses and used to watch all those guys, but I never had the nerve to get up and do it because singing seems so personal and intimate to me. It was too revealing.

He's the reason why I write music. If he's reading this - James Taylor, I'd love to work with you! My mom would put headphones on her belly before I was born, so I've been listening to him literally all of my life. When my dad played me 'Walking Man,' I heard those chord changes and that melody, it completely blew me away.

I'm a street player, and all of my influences come from bands that I was listening to at the time when I was growing up. I was very impressed with guys like Mitch Mitchell. I liked rock and roll drummers, and I loved rhythm and blues guys like Clyde Stubblefield with James Brown. Man, that band blew me away all of the time.

I know it affected me when I saw certain actors growing up. I had a drama teacher that would take us to see plays in New York, and it was seeing James Earl Jones and Raul Julia - I mean, this guy comes from the place my mother comes from. He's doing Shakespeare right now, and it doesn't seem to matter that he has an accent.

Your basic physical makeup does influence the parts you're offered. If you're big, they cast you either dumb or tough, although there are exceptions. Clint Eastwood and James Arness carved out niches for themselves in Westerns. I just hope I won't be faced with doing 'Li'l Abner' in dinner theater for the rest of my career.

I was in Christian broadcasting back in the 1970s. I was director of communications for James Robinson, and I really thought Christian broadcasting was going to be my career. There have been so many twist and turns in my life; of course I haven't been a pastor for almost 22 years, but it was a very important part of my life.

An excellent habit to cultivate is the analytical study of the King James Bible. For simple yet rich and forceful English, this masterly production is hard to equal; and even though its Saxon vocabulary and poetic rhythm be unsuited to general composition, it is an invaluable model for writers on quaint or imaginative themes.

Back in 1978, when I was still in high school, I went to see a Broadway show, 'Paul Robeson,' starring James Earl Jones. It was all about Robeson's journey as a human being, an artist, a champion of civil rights. Had I not seen the play, I might not have known who Robeson was. I was certainly never taught about him in school.

I grew up in Deptford in south London, and at that time I used to wear toppers, loon pants and tonic suits from shops like Take 6 and Topman. I was a bit of a soul boy, but I had a very eclectic taste in music - I was into James Brown and Bowie; and I was the only kid in the neighbourhood who would also be listening to Chopin.

The interesting thing about the top 200 to 300 tweeters - a lot of them are musicians, actors, etc. LeBron James, etc. I think Lady Gaga is number one. But! They're not all celebrities. There's 'CNN Breaking News.' And the 'New York Times.' And other brands like Gary Vaynerchuk, who aren't really that known outside that world.

McDermott and two colleagues - James H. Fowler of the University of California, San Diego, and Nicholas A. Christakis of Harvard University - published a paper titled 'Breaking Up is Hard to Do, Unless Everyone Else is Doing it Too.' Their study shows that divorce can spread like a virus among friends, siblings and co-workers.

I think one of the reasons all the comics I worked with dropped off the log so early, and a lot of them did - Tony Hancock, Frankie, Sid James, it's dreadful really - was the stress. You can only be as good or better than the last show, and there's the permanent aggro of hoping you get the right writers and the right material.

The first piece of art that I ever bought-when I could afford it-was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.

Between the time I was 16 until I was about 20, the books I read were by people like Thomas Mann, James Baldwin, Thom Gunn, Elizabeth Bishop. All gay, of course, although I swear I didn't know that at the time. Yet all of them, it turned out, had had a parent who died during their childhood. Sexuality is nothing compared to that.

My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.

Tabloid discussion of bad children always blames baby-boomer liberals, careerist mothers and fashion-crazed Nathan Barley types who think it's all enormously funny. But the centre-leftish psycho-thinker Oliver James says it's all down to the Thatcher-and-after culture of turbo-capitalism, making people acquisitive and unsatisfied.

At the time - but we've since made amends - James Franco and I really didn't get along. When we were on 'Freaks and Geeks,' we were 19, and we really, really disliked each other. He shoved me to the ground once; it was really brutal. We're friends now, and we really like each other now as adults - but as kids, we did not get along.

My dream role is to portray someone like James Baldwin. I've always been a fan of his writing, and I feel like he's one of our unsung heroes. He's been pretty much forgotten, and I think he needs to be recognized. He had to go all the way to Europe to find recognition and acceptance, and I'd just like to bring him to the forefront.

I tried to fortify myself with the best nonfiction and fiction I could lay my hands on, from the essays of James Baldwin and Joan Didion, to the stories and novels of Ralph Ellison, Roberto Bolano and Celine. Distinctive voices like these were a source of constant nourishment on all range of matters, from punctuation to philosophy.

The censors have always had a field day with James Joyce, specifically with 'Ulysses,' but also with his other writings. The conventional wisdom is that this is because of sexually explicit passages (and there certainly are those). I have always thought that what the critics hated and feared about Joyce is his cry for human freedom.

The traditional spokespersons for the Evangelicals, such as Chuck Colson and James Dobson, have become alarmed about this drift away from the 'Family Values' issues that they believe should be the overwhelming concerns of Evangelicals. They have expressed their displeasure in letters of protest circulated through the religious media.

I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.

When the pastor's up there, they do this thing called looping. They are literally riffing and spitting in the key of the organ. When looping, you're in key, you're in a rhythm, you're in a pocket, and that's where James Brown was pulling from, and so that's where I'm pulling from. The only difference is I'm coming at it under hip-hop.

Who would have thought that a tap-dancing penguin would outpoint James Bond at the box office? And deserve to? Not that there's anything wrong with 'Casino Royale.' But 'Happy Feet' - written and directed by George Miller - is a complete charmer, even if, in the way of most family fare, it can't resist straying into the Inspirational.

This year, 1996, has been designated the 'Year of the Vaccine,' commemorating the 200th anniversary of Edward Jenner's vaccination of James Phipps with cowpox virus and subsequent challenge with smallpox virus. Insight into the nature of viruses, and how viruses interact with mammalian cells, has evolved since the turn of the century.

I'm asked that a lot: 'James, is there really a continuing spiritual renaissance occurring on this planet? Look at all the conflict, look at the wars.' And I believe, yes, we're still moving toward a deeper spirituality. It's personal. It's grassroots. It's everybody trying to get their own connection made, and from there it grows out.

It's always the girl comedy and the guy comedy. It bums me out. You'd think there'd be a progression, from James L. Brooks and Nora Ephron into more subtle humor and behavior and psychology. All these interesting things people can learn about themselves by watching talented writers comment intelligently on someone else's emotional life.

As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.

I started playing guitar and writing songs when I was 15. I think what mainly sparked my interest was just the fact that I grew up listening to Cheryl King, Joni Mitchell, and James Taylor, and was just always inspired by that sort of organic art, and organic songs and just very natural songwriting that came out of some of those artists.

I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.

The only sci-fi movie that I've ever been offered that, had circumstances been different, I would have definitely done, was 'Avatar.' And I literally couldn't do it because of my schedule. But listening to James Cameron talk about 'Avatar' was so fascinating. Because he literally invented the world in his mind - and it literally existed.

There are a lot of dream roles that I couldn't do, like James Bond and Indiana Jones; I'd never get a look in there, but actually, Doctor Who is probably the only one that I could because he's quite quirky, and the fact that he regenerates he can actually be anyone. So one day, who knows, I might have a chance. I'd love to play that part.

When I wrote 'Your Republic Is Calling You,' it was Franz Kafka's writing that I had most in mind, and James Joyce's 'Ulysses.' Entirely out of the blue, Kafka's characters receive an order to go somewhere, and when they try to comply, they never quite manage it. Ki-yong in 'Your Republic Is Calling You' is precisely that sort of character.

I've had the chance to watch Metallica's James Hetfield from the side of the stage night after night, listening to his monitors, and his playing is so perfect. Slash is an amazing lead guitarist, but when you listen to his rhythm playing, you can hear how he pulls everything together with such a great feel, which is the most important thing.

Movies always are open to being remade because times change so much, and the tempo of movies changes. I think of it like a James Bond. They can have different actors play the same role... I've had people come up to me and say, 'We want to remake 'The Jerk' with so and so.' And I say, 'Fine.' It just doesn't bother me. It's an honor actually.

Russell James asked me to shoot underwater. He tied my feet under the water. I don't know how many feet - maybe five, six meters. He tied me underwater and I had no air. Somebody had a tube, and they were giving me some oxygen, but I couldn't really see anything. Everything was blurry. I'm waiting for the oxygen - that was the craziest thing.

My favourite character in fiction was probably either James from 'James and the Giant Peach' or Ender from 'Ender's Game.' They were just ordinary people who were living under various amounts of struggle, and just to follow their journeys and see them break out of that and live extraordinary lives - I think that gave me a lot of hope as a kid.

There was all this talk when Obama got elected about how we were living in a postracial world. But we're not. Until we get to the point where James Earl Jones can play, say, George Washington, race matters. You wouldn't put a white actor in blackface to play Othello. You shouldn't have a white actor in what amounts to yellowface to play Asian.

When I do comedy, it's not like I'm trying to be funny for folks; I look for the honesty in it. With James Early in 'Dreamgirls,' it was the honesty of it: it was the reality of the moment. You know, I don't know what makes me play sometimes. I really don't. I just do what I do. And that's what I did for 'Sliders,' and that's how I got the job.

I never wanted to launch legal action, but Cricket Australia simply left me no option. James Sutherland himself said that, to an extent, I had been made 'a scapegoat.' I find that a totally unfair basis to end my career. The damage to my reputation and career has been immense, which means the chances of me getting a senior job are that much less.

I was heavily influenced by J. R. R. Tolkien, George R. R. Martin, C. S. Friedman, Terry Brooks, Robert Jordan, R. A. Salvatore, and James Clavell to name a few, but of course every book I've ever read, whether I liked it or not, has had an influence... I think I am constantly evolving as a writer, but not to mimic anyone else or mainstream trends.

I love so many different types of music - hard rock, bebop, jazz fusion, R&B. And I've loved meeting and painting so many amazing artists like Lionel Richie, Ronnie Wood, Sia, Steven Tyler, Swizz Beatz, Taylor Swift, James Moody, The Fifth Dimension, Chick Corea, Herbie Hancock and Michael Jackson. It makes me smile thinking about each one of them.

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