James Quotes - Page 19

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A role I grew up with and always loved was James Bond. I'd even say, in some ways, that he served as a creative role model for me as a kid in terms of roles I would want to play. I watched all of the movies growing up with my dad, so to be Bond himself would, without a doubt, be my dream role.

People have different takes on clothes and what to wear and colors and all that stuff, so why make a big deal about uniformity? It took me a long time to grasp that particular concept, simply because I was coming from the James Brown thing. Again, I wouldn't trade that experience for anything.

I have Tourettes and Aspergers, but Tourrets and Aspergers don't have me. You know, I'm doing what I can to suppress it and I don't let it take advantage of me. It's not who I am. You know, I'm James Durbin. Like I said in the beginning, I am here to show America who I am, and it is what it is.

The truth is that we're not remaking Sam Peckinpah's 'Straw Dogs,' we're making 'Straw Dogs.' We're taking this story, and we're putting our own spin on it. The mere fact that I have James Marsden in it is an indication that it's a very different film than the one that had Dustin Hoffman in it.

George Clooney and Brad Pitt, with those 'Oceans' films they do, they get to work together, make a whole lot of money, and make a major film statement. Imagine if once a year, myself, Denzel Washington, Laurence Fishburne, James Earl Jones, we did some relevant film together to make a statement.

When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.

I'm a big guy: I look like a linebacker, you know? But no one cares, really, that I'm educated. I have a copy of 'Fire Next Time' by James Baldwin in my bag. I have an Ibsen play in there, too. I have to walk through this world with that duality all the time, that I live in two different worlds.

I saw 'Get On Up' about a dozen times. I went every day. Every single day, I was standing outside when the movie theatre opened and bought my ticket. The theatre was usually empty. I live in a town that wasn't eager or very interested in a James Brown biopic, but I couldn't stop watching Boseman.

James Goldsmith is important because he used the power of the markets to break up the cosy patrician elite that ran Britain and its industries in the 1950s and '60s. In the process, Goldsmith helped transfer power in this country away from politics and towards the markets and the financial sector.

I drove from Naples to the Amalfi coast in an Alpha Romeo 1969 Spider, which was lovely. There have been lots of movies made down there, and I felt a bit like James Bond - the driving is quite hairy. The locals have mopeds, but you wouldn't catch me on a bike on those roads. A tank would be safer!

While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.

'Codename Baboushka' is an action-packed modern pulp spy thriller, in the sort of British tradition of 'Modesty Blaise', New Avengers and of course James Bond. It's a book about Contessa Annika Malikova, the last of a noble Russian line and an enigmatic, mysterious figure in New York high society.

My advice is this. For Christ's sake, don't write a book that is suitable for a kid of 12 years old, because the kids who read who are 12 years old are reading books for adults. I read all of the James Bond books when I was about 11, which was approximately the right time to read James Bond books.

The James Brown we saw tended to be the James Brown we chose to see: as the caped crusader of funk and soul, adored by millions, or as the face in a seemingly endless series of mug shots. The ways in which he appealed to and appalled different audiences made Brown a kind of national Rorschach test.

Some people might be surprised that 'Rambo's creator has a doctorate in American literature. One of my influences is Henry James, whose major theme is awareness. Whether I'm writing about military personnel, law enforcement, or De Quincey, the persistent theme is paying attention in a hostile world.

I read everything I could find in English - Twain, Henry James, Hemingway, really everything. And then after a while I started writing shorter pieces in English, and one of them got published in a literary magazine and that's how it got started. After that, graduate school didn't seem very important.

The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'

I remember when James Wan and I did the first 'Saw' movie, a lot of people would say to us, 'Well, you left the door open for a sequel.' And we would say, 'No, we literally closed the door!' We thought it was a nice ending. Little did we know that the producers had other ideas once the film was a hit.

Before we had the Internet, I organized a fax campaign against the first Iraq war. We blasted faxes to the hotel where James Baker and Tariq Aziz were having their final meeting before the two sides went to war. Much more recently, I co-founded Avaaz and Get Up, which inspired the creation of Purpose.

What does Macbeth want? What does Shakespeare want? What does Othello want? What does James want? What does Arthur Miller want when he wrote? Those things you incorporate and create in the character, and then you step back and you create it. It always must begin with the point of truth within yourself.

I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.

I have an occasionally recurring stutter, but not when in character on stage in a play. Odd. James Earl Jones has the same pattern; he stutters in everyday life but not when acting. Preparation requires an actor's concentration to make the words belong to another person, which is its own sort of trance.

Everyone wants to be an arena act, and it's making country music evolve. People are cutting things more for that arena environment. But who's to say that that is a sign of any more of a successful career than what James Taylor has been able to do, when he still comes and plays the Ryman every two years?

The first memory I have was my sisters dancing to the radio when they played records by Benny Goodman and Harry James and of the sort. But the record that got me was a record by Derek Sampson, who was a young guy, called 'Boogie Express,' and it was boogie-woogie. Really, it was on fire, and that got me.

The notion of 'world leadership' is a curiously archaic one. The very phrase is redolent of Kipling ballads and James Bondian adventures. What makes a country a world leader? Is it population, in which case India is on course to top the charts, overtaking China as the world's most populous country by 2034?

I read a quote by James Dean when I was 17; he said, 'I'd rather starve than do a whole bunch of work that I don't care about.' The older I got, the more I understood what he was saying. If I want to do a whole lot of work that I don't care about, then I would probably be working in a law office somewhere.

I have been influenced by many different artists at many different stages of my life. Starting out, it was people like Elton John, Billy Joel, Ben Folds, and Fiona Apple. As I got older I got deeper into the work of bands like the Beatles, artists like Sam Cooke, Ray Charles, Etta James, and Joni Mitchell.

I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.

I did a film in Nairobi, Kenya called 'The Last Elephant,' with John Lithgow, Isabella Rosallini, and James Earl Jones. So I was in seventh heaven, alright? About a year later I get a call from my agent and he says they want to see you for this project called Candyman. I thought he was joking so I hung up.

If we want leaders to make good decisions amid huge complexity, and learn how to build great teams, then we should send them to learn from people who've proved they can do it. Instead of long summer holidays, embed aspirant leaders with Larry Page or James Dyson so they can experience successful leadership.

One of the bibles of my youth was 'Birds of the West Indies,' by James Bond, a well-known ornithologist, and when I was casting about for a name for my protagonist I thought, 'My God, that's the dullest name I've ever heard,' so I appropriated it. Now the dullest name in the world has become an exciting one.

In the James Cameron blockbuster 'Avatar,' 3-D cinematography is the real star. The bugs and crawling creatures seem to slither into the theater seats. The floating mountains of the planet Pandora hover gloriously overhead. And the Na'Vi, Pandora's 10-foot-tall, blue-skinned natives, come convincingly to life.

I started to read James Baldwin very early on in my life. At a time, as a young adult in the Sixties, when there were not that many authors in whom I could recognize myself, he was an important guide and mentor to me, as he was to many others. He helped me understand who I was and decipher the world around me.

I love the fact that James Ivory made films about Britain, made 'Howards End' and 'The Remains of the Day,' or that Paul Thomas Anderson made 'Phantom Thread.' They're about Britishness, but they're from an American perspective. And I actually think they're fantastic in the way that they understand Britishness.

The stoic drama 'A Somewhat Gentle Man' is photographed in a palate of steel gray tones that match Stellan Skarsgard's complexion. It's a low-blood-pressure version of the kind of thing James M. Cain used to do in his sleep, and its filmmaking accomplishment is as minimalist as its narrative ambition is minimal.

There was an obvious display of blatant sexism when I couldn't get signed. They didn't say I was ugly. They didn't say that they didn't like the music. They said I was too old! At 26! So Badly Drawn Boy, Doves, Elbow, James Blunt - you can be a gnarly old beardy bloke with a bit of a paunch and that's all right?

There is a lot of energy between Lars and James, and sometimes that energy can erupt. I know that before I was in the band, Kirk was the guy who was often in the middle, and it was important at that time. And now I feel like sometimes I'm the guy that's in the middle between not just James and Lars, but even Kirk.

'Gorilla Man' is a composite of a few individuals, but the song itself was actually inspired by James Taylor. I spied his 'Gorilla' album laying on my floor and in some altered state, instantly started singing the chorus. It was fun to write. There's an old notebook with at least three more verses in it somewhere.

Roles constantly have to be redefined in any form of entertainment. Look back at the gangster pics of the 1930s and 1940s and the way James Cagney or Humphrey Bogart would play the part. These roles were redefined in the 1970s by Al Pacino and Rober DeNiro. And again in the 1990s by Gary Oldman and Anthony Hopkins.

James O'Keefe is a journalist, doing the work 'real' journalists don't dare, and has been conducting undercover investigations for years with dozens of scalps collected along the way. The more the 'true' journalists who back the Democrat machine attack him, the more emboldened he becomes to pursue his next project.

When white supremacy becomes institutional, it begins to harm the very people who are not simply outside of it because of their race, it begins to harm the folk who look like the folk who want to be in charge. Martin Luther King, Jr., understood this, Malcolm X understood this, James Baldwin really understood this.

I saw James Ellsworth at an independent wrestling show where I was signing autographs, so I took a photo with him and put up a post on Facebook called 'The night I met James Ellsworth.' Just by nature of how popular that post was, how many comments there were and likes and shares, I was like, 'people love this kid.'

It's nice to have a few names. I use a few names myself. I use a few different surnames. I call myself James sometimes. I actually use my mother's name as a professional name. But if someone calls me Mr. Murphy or Mr. Gillen, I don't like that. I don't like being called 'mister,' and I don't like being called 'sir.'

In the '80s, when I was watching Bond films in the cinemas, Roger Moore was the man. I'll always have a soft spot for him. His Bond films were light-hearted and silly as well as action-packed. For me, this spoke volumes. It meant that, someday, maybe someone like me with a whacky sense of humour could be James Bond.

I keep up with James Kochalka's online strip, and if I see a link somewhere or someone tells me about something, I'll look at it, but I don't usually keep up with any sites other than the 'American Elf.' I always have this feeling that there's not enough space in the screen, like everything's always getting cut off.

Taylor was named after James Taylor and claims that she knows all the James Taylor songs, and I'm a huge fan of James Taylor and know all his songs, too. My dad told me that if I ever met Taylor Swift, I had to tell her that I know every James Taylor song. We started naming albums, and we were both shouting them out.

When the Cleveland Cavaliers lost the 2015 NBA Finals to Golden State, LeBron James sat motionless in the locker room, staring straight ahead, still wearing his game jersey, for 45 minutes after the final buzzer. Here was a guy immensely wealthy, widely admired, at the peak of his powers - yet stricken, inconsolable.

I look at old performers like James Brown: back in the day when you actually had to work hard to get poppin'. I look at all those types of performers. Even like Kid n' Play and the Fresh Prince and Jazzy Jeff and Salt-N-Pepa. That era where they had to perform. You couldn't just rap. It had to be an entire performance.

I mean, if you are director like Lars Von Trier who is able to get actors on a table like Lauren Bacall, Ben Gazzara, James Caan, Nicole Kidman, Chloe Sevigny, Stellan Skarsgard, Udo Kier, all in the self-service situation in the same room, the same trailer, no money, then you must have something that everybody accepts.

You can't learn to write in college. It's a very bad place for writers because the teachers always think they know more than you do - and they don't. They have prejudices. They may like Henry James, but what if you don't want to write like Henry James? They may like John Irving, for instance, who's the bore of all time.

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